The international trailer for Abraham Lincoln: Vampire Hunter is ever-so-slightly longer than the trailer for the states, is structured a little differently, and features some dialogue from Dominic Cooper. It’s also still completely retarded.
While there are some decent looking shots and an admirably sense of scale to what we see of the film, it also looks like a giant over-produced mess of melodrama and anachronism. It butchers a Johnny Cash song to clumsily build a voice-over narration, even going so far as to hatchet his lyrics around so that he says, “and hell followed with me” instead of “and hell followed with him” which would have made just as much sense and not sounded completely ridiculous. I’m quite sure even an untrained ear can hear how clumsily that clip is stitched together.
Just eugh.
The thing is, I can appreciate a film that takes its jokey premise and unwinkingly plays it out for the whole film, but not when it’s an entire +$100m blockbuster that is selling to people who actually want vampire action and vampire drama, and is clearly taking itself as seriously as it would, say, a heart attack.
ALSO the Washington Monument stood uncompleted for two decades in the 1800s, a period during which Lincoln’s presidency occurred. Construction didn’t begin on the structure again until after his death, and wasn’t completed* until nearly twenty years after his incident in the Ford Theater, when it became the tallest structure in the world until the Eiffel Tower’s completion.
So pretty much fuck that shot.
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*Funny: The monument was fitted with the largest piece of aluminum ever milled at the time, which was a big deal because aluminum was as expensive as silver or gold. This was only a few years before a new refining process made aluminum dirt cheap.
via Empire









Psst! Renn! That structure just beyond the Washington Monument in that shot? You know, across that pondy thing? Lincoln Memorial. Also not completed until after Lincoln’s death. Probably a bookend segment.
Renn, the more I read of your reaction to this film, the more I’m convinced you’re determined to hate it. I’m not saying you’re not right to hate it, but maybe… just maybe… the marketing department knows what they’re doing for once? Maybe the film is meant to be attract viewers based on shock value alone rather than through humor or satire?
Personally, I sorta liked Wanted – it was fun in that trashy, ultra-violent sort of way. Maybe this is more of the same? But then again, you’re a critic. I’m just a simple low-IQ cinema goer. Nonetheless, I’m probably who this film is targeted at too.
That does seem weirdly o’er serious. There’s no way it won’t be OTT silliness as per Timur Russianalphabet’s usual approach. Do they fear comparisons to Van Helsing maybe?
I don’t think Mash-Ups are the touch of death you think they are. They’re just a harder tonal juggling act than most established genres. Cowboys & Aliens never “broke free” and embraced the idiocy of the concept 100%.
Cowboys & Aliens is boring, vacuous garbage. Not a wonderful precedent to cite.
I can’t believe people are defending this tripe. This looks Terrible. Yes, that’s a capital T. Comparisons to ‘Wanted’ and ‘Cowboys and Aliens’ as a good thing? Whaaaaaa? Have people’s standards dropped this low?
^ le Sophisticated Troll.
Sounds like “And Hell froggy”. How can you butcher Cash like that?
If the ending set piece of this movie doesn’t involve a towering vampire maneuvered into place to be staked by the Washington Monument then thiswhole thing will be afraid fully wasted opportunity