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Posts by Chris Spider

Continuing my streak of catching up with Tarantino's films before Django comes out, I finally watched this last night. And even after years of hearing the most famous lines repeated, after reading virtually every discussion ever had...
The thing about the Lizard design is that he's usually depicted as more reptilian in the facial features, more monstrous in build. Now, in his first comic appearances, he WAS a bit more human-looking in his, so that might be what...
I have that book myself! It's great too, especially since you can totally hear Hepburn reading it in your mind.
Finally got around to seeing this (the only Tarantinos I have left to watch are Pulp Fiction, Jackie Brown, and Django when it comes out), and it's quite an auspicious debut. It's low-budget, but never feels cheap. It has the energy...
My favorite part of that story is, after Raimi gets Hackman to do it, he points at himself and goes, "Who's the boss? Huh?"
I'm in the middle of reading Peter Biskind's Easy Riders and Raging Bulls, and it's some fascinating stuff. Generally, this is the kind of gossip I eat up like nobody's business: the stuff that has to do with, y'know, the fucking...
Ah, I see. Then I'm probably OK with watching JG and the other films prior to it. Any thoughts on the "weak camerawork" criticisms (which Smith himself has joked about in the past)?
*shrugs* Again, I've only seen Dogma and Clerks Animated (which I think even his detractors enjoy), so I'm a relative newbie as these things go. I still feel like I should at least see Clerks, Chasing Amy, and possibly Jersey Girl,...
Yeah, I've been meaning to check that out as well as the original Clerks and Chasing Amy. Actually, I'm curious to hear your overall opinion of Smith, Justin, since I seem to be one of the few people here who has no real animosity...
Eh, I still like Dogma. It's an unsubtle film to be sure, but I've never felt like Smith was bashing me over the head with his own opinions. More like he was trying to encourage open, honest discussion. The dialogue is frank, but...
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