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Build me a good Goth-Rock mixtape - Page 2

post #51 of 101
Quote:
Originally Posted by Andrew Collins
But most of Goth-leanings and yearnings is entwined with vibe, music and fashion, not just the depressed or downtrodden sentiment. Most of these artists could not be further from the actual goth movement (black stool) if they tried (with the exception of some Tom Waits and Johnny Cash's clothes), and I dunno if that's what Patrick was looking for.
True, I think a key distinction is unabashed melodrama. Waits, Cohen, and Cave can all be subtle.

Another thing to consider is that the most widely acknowledged variants on the goth style comes largely from British Romantic and gothic (duh) literature. Other singer songwriters who tend to stick to dark subject matter (Cave, McGowan, Cohen) are often more rooted in the grisly realities of the everyday or tend toward narratives with a lot of specificity (see Cave's Murder Ballads). To my mind, this smacks a lot more of the American southern gothic thing a la Flannery O'Connor or Faulkner, which shares some of the dark vibes with 19th century Romantic and post-Romantic types like the Shelleys and the Brontes, but cuts the melodrama in half and adds a grittier sensibility (and, yeah, I know that none of the artists I mentioned are from the American south).
post #52 of 101
Quote:
Originally Posted by DaveB
True, I think a key distinction is unabashed melodrama.
On that note, did it come up in the emo thread that what passes for "emo" in some circles (My Chemical Romance) may be more closely related to goth?
post #53 of 101
Quote:
Originally Posted by Multiple Miggs
On that note, did it come up in the emo thread that what passes for "emo" in some circles (My Chemical Romance) may be more closely related to goth?
One of the few and best way to pull a Goth out of their typical depressive lethargy is call him a emo.
post #54 of 101
Are we still any closer to working out what 'Emo' actually means and how it is different from Goth?
post #55 of 101
Quote:
Originally Posted by Spike Marshall
Are we still any closer to working out what 'Emo' actually means and how it is different from Goth?
The first part of that is a four-page thread on its own. The second can only be answered with another question: "Melodrama aside (and melodrama occurs in opera, prog, and Broadway showtunes), how is emo similar to goth?"
post #56 of 101
Thread Starter 
Like I said, my knowledge of goth rock and the like is not great, mostly when I think goth I think of Joy Division, The Smiths, The Cure and other similar sounding artists. That kind of 80's almost lo-fi production, the high-chorus guitars, all that. That kind of thing.
post #57 of 101
post #58 of 101
Quote:
Originally Posted by Patrick Ripoll
Like I said, my knowledge of goth rock and the like is not great, mostly when I think goth I think of Joy Division, The Smiths, The Cure and other similar sounding artists. That kind of 80's almost lo-fi production, the high-chorus guitars, all that. That kind of thing.
See also: Post-Punk.
post #59 of 101
That Wikipedia article makes it seem that if you were a British Band in the late 70s/early 80s and weren't furiously angry then you were goth.
post #60 of 101
Quote:
Originally Posted by Spike Marshall
That Wikipedia article makes it seem that if you were a British Band in the late 70s/early 80s and weren't furiously angry then you were goth.
See Also Also: Post Punk.
It wasn't until a bit later in the 80's that the whole eyeliner/Satan/festish/Sisters-clone thing, and the major Goth tag turned the whole thing into the mess of silliness we currently discuss.
post #61 of 101
Quote:
Originally Posted by DaveB
The first part of that is a four-page thread on its own. The second can only be answered with another question: "Melodrama aside (and melodrama occurs in opera, prog, and Broadway showtunes), how is emo similar to goth?"

I think emo, as its come to be understood, is really just pop-punk with a bent towards melodrama and (more specifically) teen angst. I haven't heard an incredible amount of it but the poppy hooks and power chords seem to be the difference between AFI, My Chemo Romance and their ilk vs. Joy Division, early Cure, etc.

Also, Patrick's taste seem to run away from the operatic and grandiose tendancies of Laibach, Sisters of Mercy, etc.

Not that you wouldn't like that stuff, Patrick, but some of the stuff that's been suggested is really much more over the top than the type of stuff yr citing.
post #62 of 101
But how does PiL fit into the Goth Soundscape?

There work was angry and had little to do with the gothic whimsy* prevalent in the work of people like Siouxsie Sioux.

*This is not meant as an insult, more about the way certain bands incorporated 60s psychadelia into their own harder musical style.
post #63 of 101
Also Patrick,

Seriously listen to the song Count In Fives here http://myspace.com/thehorrors

Assessing your reaction to that should give me a knowledge of your taste in goth.
post #64 of 101
Thread Starter 
I like it a lot, but it's not what I was thinking of.
post #65 of 101
Quote:
Originally Posted by Spike Marshall
That Wikipedia article makes it seem that if you were a British Band in the late 70s/early 80s and weren't furiously angry then you were goth.
Not necessarily, but if you ask Simon Reynolds, you probably would have been post-punk (a blanket label under which goth comfortably resides).

Interestingly, in the American version* of his Rip It Up and Start Again: Postpunk 1978-1984, he covers goth bands and "glory boys" (his term for similarly melodramatic, but less dark, goth contemporaries such as U2, Echo and the Bunnyman, Simple Minds) in a single chapter. Again, that's one chapter - there are tons of other British bands that he does deem post-punk, but not goth (or "glory boy"), -and they're not all furiously angry.

* The English version is longer and breaks goth out into its own chapter.
post #66 of 101
Quote:
Originally Posted by Patrick Ripoll
I like it a lot, but it's not what I was thinking of.
So, more Lost Boys OST kind of stuff?

I bet you'd love Patrick Wolf. Check out the song Overture by him, which whilst not goth in its lyrics has that unique, edgy pop feel of the a lot of post punk bands.
post #67 of 101
Quote:
Originally Posted by Spike Marshall
But how does PiL fit into the Goth Soundscape?

There work was angry and had little to do with the gothic whimsy* prevalent in the work of people like Siouxsie Sioux.

*This is not meant as an insult, more about the way certain bands incorporated 60s psychadelia into their own harder musical style.
Metal Box-era PIL sounds to me like a precursor to the more industrial-influenced goth bands of the 80s. Siouxsie Sioux is the light end of the whole goth thing. Other artists affiliated with the early years of the genre, like Joy Division, Bauhaus, etc. are far from whimsical.

I do think most of the bands that icorporated PIL's early sound into their own sort of missed the point, though, and played it up for melodramatic shock horror that's quite different in sentiment from Lydon's stuff. He wasn't trying to be "scary."

For an analogous scenario, consider Big Black's Atomizer and Ministry's A Mind is A Terrible Thing to Taste. The first is harder to listen to and scathingly angry. The second is a big effects-laden horror movie that aims to entertain.
post #68 of 101
Presto Chango:

Patrick Wolf - Accident and Emergency

http://youtube.com/watch?v=IiT-liDyxqQ

Patrick Wolf - Bluebells

http://youtube.com/watch?v=fyFKf6a4xfQ

Patrick Wolf - Overture - Live

http://youtube.com/watch?v=_D8ue7avUM8
post #69 of 101
Quote:
Originally Posted by DaveB
There work was angry and had little to do with the gothic whimsy* prevalent in the work of people like Siouxsie Sioux.

*This is not meant as an insult, more about the way certain bands incorporated 60s psychadelia into their own harder musical style.

Metal Box-era PIL sounds to me like a precursor to the more industrial-influenced goth bands of the 80s. Siouxsie Sioux is the light end of the whole goth thing. Other artists affiliated with the early years of the genre, like Joy Division, Bauhaus, etc. are far from whimsical.

I do think most of the bands that icorporated PIL's early sound into their own sort of missed the point, though, and played it up for melodramatic shock horror that's quite different in sentiment from Lydon's stuff. He wasn't trying to be "scary."

For an analogous scenario, consider Big Black's Atomizer and Ministry's A Mind is A Terrible Thing to Taste. The first is harder to listen to and scathingly angry. The second is a big effects-laden horror movie that aims to entertain.
That's an interesting reading, I always saw the industrial influence transmuting into the early dance rock stuff of the 80s Madchester.

PiL always seemed to me to be more Primal Scream Therapy for Lyndon than anything else. I think the Sex Pistols destroyed him and PiL was his way of venting, his barbed lyrics wrapped in fairly poppy music.
post #70 of 101
Quote:
Originally Posted by elektro87
I think emo, as its come to be understood, is really just pop-punk with a bent towards melodrama and (more specifically) teen angst. I haven't heard an incredible amount of it but the poppy hooks and power chords seem to be the difference between AFI, My Chemo Romance and their ilk vs. Joy Division, early Cure, etc.
The trick is in that "as it's come to be understood." While I'm loathe to admit it, what now passes for emo still probably has more in common with solid mid-90s emo bands like Jimmy Eat World, Promise Ring, and Sunny Day Real Estate and reclaimed indie-pop bands like Weezer than it does with Joy Division, Cure, etc. The Joy Division influence on the pop-punk emo bands of today is completely imperceptible to me. Honestly, the goth influence on modern "emo" bands seems to me to be mostly a matter of fashion choice.

Quote:
Also, Patrick's taste seem to run away from the operatic and grandiose tendancies of Laibach, Sisters of Mercy, etc.

Not that you wouldn't like that stuff, Patrick, but some of the stuff that's been suggested is really much more over the top than the type of stuff yr citing.
This may be true. Patrick, if you're citing Disintegration as a starting point, maybe go with Joy Division's Closer (or, heck, even Echo and the Bunnymen's Killing Moon, which, while not all that goth, shares some common sonic ground with the Cure) before moving on to Laibach or whatever.
post #71 of 101
PiL is like barbed-wire metallic dub kisses.

I think Lydon's preferred description, at the time Metal Box came out was "death disco" or "plagues for the dancefloor".

BTW--I've got a really old copy of Second Edition--the American edit of Metal Box. A vinyl reissue of MB just came out, but its pricey. Does anyone know what the differences are, besides the packaging? Is it worth a second copy and the extra dough?
post #72 of 101
Quote:
Originally Posted by Spike Marshall
PiL always seemed to me to be more Primal Scream Therapy for Lyndon than anything else. I think the Sex Pistols destroyed him and PiL was his way of venting, his barbed lyrics wrapped in fairly poppy music.
Definitely, and I think that central element is probably what's missing from a lot of the goth bands who picked up the scraping guitar sound and the bass-driven melody thing (something they shared with Joy Division) from them. They kept that sort of instrumentation and put some black-caped douchebag with a notebook full of overwrought couplets up front (a simplification, I know).
post #73 of 101
Quote:
Originally Posted by Big Jim Slade
Not criticizing, but why that song in particular? Personally I'd probably go with "Worlock", "Killing Game" or "Cult".
It's the one tht always got people dancing when I went to dire goth clubs that only lasted 6 months before turning into yet another haven for jocks.
post #74 of 101
It's the case with truly great acts. A lot of bands will try and emulate them to get that specific sound but will go for the most notable element to copy and miss the more important facets which are inherent in the group.

This thread currently has me burning a ton of my old CDs from when I was 15 onto my PC, so thanks for that Patrick.
post #75 of 101
"You must spread some Reputation around before giving it to Spike Marshall again."

Just went to yr blog, Spike...looks cool. No rep for it tho (I didn't even know I'd given you any, even...) blame the funmonster.
post #76 of 101
Cocteau Twins. The most "goth" of their catalogue would be Treasure and Victorialand, though the best come after that with Blue Bell Knoll and Heaven Or Las Vegas.
post #77 of 101
Quote:
Originally Posted by avoideverything
It's the one tht always got people dancing when I went to dire goth clubs that only lasted 6 months before turning into yet another haven for jocks.
Ah, I can't fault you there. I didn't hear them until they had already broken up.
post #78 of 101
Quote:
Originally Posted by avoideverything
It's the one tht always got people dancing when I went to dire goth clubs that only lasted 6 months before turning into yet another haven for jocks.
Ah, I can't fault you there. I didn't hear them until they had already broken up.
post #79 of 101
I saw no mention of Throbbing Gristle and its off-shoots such as Psychic TV, Coil, and Chris and Cosey. While given to a more proto-industrial/electronica sound they were over huge with the goths. Throw in with that some Cabaret Voltaire, Dead Can Dance, and maybe some Tones on Tail.
post #80 of 101
Thread Starter 
I listened to Joy Division's Closer and The Smith's The Queen is Dead on the train on the way to my Freshman orientation. Closer was cool, though it took me a while to adjust to the vocals, which always seem rather dischordant with the rest of the music.

The Smiths' The Queen is Dead was fucking great, though. I need to check out more Smiths, and Morrissey, in general. Great great stuff.
post #81 of 101
Quote:
Originally Posted by Kyle Reese
Cocteau Twins. The most "goth" of their catalogue would be Treasure and Victorialand, though the best come after that with Blue Bell Knoll and Heaven Or Las Vegas.
Nice call on the twins.

Couple of weeks ago this kindergoth shows up at the club to work....She tells me she wants the good goth rock so I put her on stage to Dominion by sisters of mercy and she's looks at me and says.

"Who is this"????

Made me wanna cry....just another reason why Hot Topic is evil and must be destroyed for the betterment of gothkind.

And if I can go more than a week without playing "Cry little sister" from the lost boys soundtrack i'll be amazed.

I'm more a industrial freak than goth....But this thread gonna make me get my hard drive out of the car and hook it up the 360 and just open the goth/indust folder and hit play.

Oh and i'll throw out "Velvet Dreams" by Genitortures....Most industrial than goth but still pretty tight.
post #82 of 101
Quote:
Originally Posted by DaveB
As has been said, goth music has a sell-by date directly related to the age of the listener. After you hit the early 20s, if most over-the-top goth artists don't start coming off as funny instead of relatable, you're probably doing something wrong with your life. The best of the artists mentioned (Nick Cave, Joy Division, even the Cure) would never exclusively be considered "goth," anyway. There's plenty of better, more substantive, depressing music that doesn't require listening to some jackass dressed like a vampire.
Damn it, Dave! I thought you were cool!!!
post #83 of 101
As an aside:
Emo girls do not wear corsets; Goth girls do.
I think it is important to make that distinction.
post #84 of 101
Quote:
Originally Posted by Mad Man Mundt
Throw in with that some Cabaret Voltaire, Dead Can Dance, and maybe some Tones on Tail.
The fist two are a given, and Tones On Tails is as side project of Bauhaus without Peter Murphy, so if you were anything remotely Goth, you had to listen to it, just like Love and Rockets.

I still think that the Sisters of Mercy were a definitive band in what I think Patrick was looking for originally, music and mood-wise.

But if that thread can make him listen to some classic Joy Division and the Smiths, that's great.
post #85 of 101
This thread should be retitled as "Construct for me a musical vagina."
post #86 of 101
Quote:
Originally Posted by Werewolf Girl
Damn it, Dave! I thought you were cool!!!
I'm the adult version of cool.

Actually, 17-year-old Dave wasn't crazy about the goth stuff either, mainly because it got more play on 120 Minutes than the Pixies/Replacements/Sonic Youth/Husker Du pre-grunge flannel-rock I craved. Oh, the ponderous Sisters of Mercy videos I suffered through to get to see Dinosaur Jr. covering "Just Like Heaven." Maybe it was more an anti-Anglophile than an anti-goth position I took; however, I still carry a permanent grudge against bands with "UK" appended to their names.
post #87 of 101
Quote:
Originally Posted by Matt OCallaghan
As an aside:
Emo girls do not wear corsets; Goth girls do.
I think it is important to make that distinction.
Goth girls often need them more. The chubby goth girl archetype (complete with lunchbox as purse and skinny, awkward pale dude on a leash as fashion accessory) is Torrid's raison d'etre, after all.
post #88 of 101
Quote:
Originally Posted by DaveB
Goth girls often need them more. The chubby goth girl archetype (complete with lunchbox as purse and skinny, awkward pale dude on a leash as fashion accessory) is Torrid's raison d'etre, after all.
It's possible that I was that skinny dude in 1993.
post #89 of 101
Quote:
Originally Posted by Martin Savage
The fist two are a given, and Tones On Tails is as side project of Bauhaus without Peter Murphy, so if you were anything remotely Goth, you had to listen to it, just like Love and Rockets.
Is it just your bad english or are you attempting to inform me as to who Tones On Tail were. If so, I am well aware of the fact that they were a Bauhaus side project. On a side note Bad English were not a goth band though their name may make it soud as if they were. Also maybe try some Specimen or Visage.
post #90 of 101
Quote:
Originally Posted by Mad Man Mundt
Is it just your bad english or are you attempting to inform me as to who Tones On Tail were. If so, I am well aware of the fact that they were a Bauhaus side project.
The "as" slipped in there.

People who knew Bauhaus knew exactly who Tones on Tails were. At the time. Some people in this thread didn't. As evidenced by nominating Smashing Pumpkins as Goth-rock.
post #91 of 101
Ever heard the Blair Witch Project soundtrack? It is a goth-rock mix tape, supposedly belonging to Josh, released under the title Josh's Blair Witch Mix.

01. Gloomy Sunday - Lydia Lunch
02. Order of Death - Public Image Ltd.
03. Draining Faces - Skinny Puppy
04. Kingdom's Coming - Bauhaus
05. Don't Go to Sleep Without Me - The Creatures
06. God Is God - Laibach
07. Beware - The Afghan Whigs
08. Laughing Pain - Front Line Assembly
09. Haunted - Type O Negative
10. She's Unreal - Meat Beat Manifesto
11. Movement of Fear - Tones on Tail
12. Cellar - Antonio Cora
post #92 of 101







(Because I know more about tampons than I do about goth music.)
post #93 of 101
Quote:
Originally Posted by Big Jim Slade
Ever heard the Blair Witch Project soundtrack? It is a goth-rock mix tape, supposedly belonging to Josh, released under the title Josh's Blair Witch Mix.
Would that be the only positive thing that came out of this "cinematic" disaster ?
post #94 of 101
Quote:
Originally Posted by Jonathan Banks is my hero
(Because I know more about tampons than I do about goth music.)
Interestingly enough, the goth community fully endorse the mastication of used tampons as chewing gum to increase the gothness of the recipient.
post #95 of 101
Quote:
Originally Posted by Martin Savage
Interestingly enough, the goth community fully endorse the mastication of used tampons as chewing gum to increase the gothness of the recipient.
AKA Vampire Teabags.
post #96 of 101
Quote:
Originally Posted by DaveB
I still carry a permanent grudge against bands with "UK" appended to their names.
Then it will make you happy to know that I kicked the Mission UK out of batting cage when I was 17 and working at the Family Fun Center.
post #97 of 101
I'd say "goth" was basically at its peak when I was a teenager (1985-1992). I dabbled a little with some of the music that people might assign that label to when I was in 11th grade (The Cure, early Cult, Sister of Mercy, Depeche Mode... was The Church goth?), but not a lot. Obviously, like other genres/subgenres, there's the good/the bad/the ugly to sort through. So Patrick, dabble a little now, but don't get too attached. Not condescending here, but I think there's a lot better music to feed your head with, generally.
post #98 of 101
Quote:
Originally Posted by jay f
Then it will make you happy to know that I kicked the Mission UK out of batting cage when I was 17 and working at the Family Fun Center.
I don't know if I like it better that you kicked them out or that the Mission UK were using the batting cage at a Family Fun Center.
post #99 of 101
Thread Starter 
Quote:
Originally Posted by RyanC
So Patrick, dabble a little now, but don't get too attached. Not condescending here, but I think there's a lot better music to feed your head with, generally.
A recent late-night folk music radio show has already pushed most of this out of my head, and has me scouring the earth for American roots music.

Good bye Robert Smith, hello Robert Wilkins.
post #100 of 101
Quote:
Originally Posted by Patrick Ripoll
A recent late-night folk music radio show has already pushed most of this out of my head, and has me scouring the earth for American roots music.

Good bye Robert Smith, hello Robert Wilkins.
That makes me proud. Seriously.
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