I figure guitar player's been done at least once, but this one's a little more challenging: Who's your favorite BASS player, and why?
I'd have to say either Roger Waters of Pink Floyd or Steve Harris of Iron Maiden.
Roger Waters is a favorite for me probably more for his songwriting ability than raw talent as a bass player, but he did write some pretty cool bass lines. "Money" is one of the most recognizable bass lines in rock. "The Happiest Days of Our Lives/Another Brick in the Wall Part 2" is a cool, if somewhat simplistic, bassline as well. And he shows admirable restraint, given the extremely laid back tome of the songs, on "Comfortably Numb" and "Breathe". I'm a bass player myself, and it's hard for me to not throw in some fills and stuff when playing these, but if you do they just don't sound right.
Steve Harris I like for the energy in his basslines. I know the gallop gets old after awhile, but if your pulse doesn't quicken at least a little when you hear "The Trooper", they'd better pull the sheet up over you. When I took music theory & composition in college, all the stuff I wrote tended to sound like a (much less talented version of) Steve Harris; lot of sixteenth notes, a few gallops, some fast triplet arpeggios, a slow break building back up to the fast paced main line, stuff like that.
Being a bass player, there's plenty more I like, but I'm curious what anyone else has to say before I throw anything else out there. Any thoughts?
I'd have to say either Roger Waters of Pink Floyd or Steve Harris of Iron Maiden.
Roger Waters is a favorite for me probably more for his songwriting ability than raw talent as a bass player, but he did write some pretty cool bass lines. "Money" is one of the most recognizable bass lines in rock. "The Happiest Days of Our Lives/Another Brick in the Wall Part 2" is a cool, if somewhat simplistic, bassline as well. And he shows admirable restraint, given the extremely laid back tome of the songs, on "Comfortably Numb" and "Breathe". I'm a bass player myself, and it's hard for me to not throw in some fills and stuff when playing these, but if you do they just don't sound right.
Steve Harris I like for the energy in his basslines. I know the gallop gets old after awhile, but if your pulse doesn't quicken at least a little when you hear "The Trooper", they'd better pull the sheet up over you. When I took music theory & composition in college, all the stuff I wrote tended to sound like a (much less talented version of) Steve Harris; lot of sixteenth notes, a few gallops, some fast triplet arpeggios, a slow break building back up to the fast paced main line, stuff like that.
Being a bass player, there's plenty more I like, but I'm curious what anyone else has to say before I throw anything else out there. Any thoughts?




