PAUL: "Jet"
Regardless of the lyrics ("I thought that the major, MUSCLY LADY, SUFFER AGAIN, JET!") this is pretty much the best song since sliced bread. Really rocks, in a nice clean '70s powerpop way, and makes you want to surf the wing of a jet. Or something.
JOHN: "#9 Dream"
If you had to show someone a solo John song to sum up all his solo work, it'd be this. Eerie, dreamlike, rather beautiful, and with pidgin Japanese.
GEORGE: "What is Life"
Feelgood, churning, powerpop. Most notable for its use in BIG DADDY. And by BIG DADDY, I mean GOODFELLAS. I can't believe they left it out of the "Concert For George" setlist, yet found room for an unfunny Monty Python routine starring Tom Hanks.
RINGO: "It Don't Come Easy"
Obviously, it's between this and "Photograph". I give the edge to this, if only because of the involvement of Badfinger.
Regardless of the lyrics ("I thought that the major, MUSCLY LADY, SUFFER AGAIN, JET!") this is pretty much the best song since sliced bread. Really rocks, in a nice clean '70s powerpop way, and makes you want to surf the wing of a jet. Or something.
JOHN: "#9 Dream"
If you had to show someone a solo John song to sum up all his solo work, it'd be this. Eerie, dreamlike, rather beautiful, and with pidgin Japanese.
GEORGE: "What is Life"
Feelgood, churning, powerpop. Most notable for its use in BIG DADDY. And by BIG DADDY, I mean GOODFELLAS. I can't believe they left it out of the "Concert For George" setlist, yet found room for an unfunny Monty Python routine starring Tom Hanks.
RINGO: "It Don't Come Easy"
Obviously, it's between this and "Photograph". I give the edge to this, if only because of the involvement of Badfinger.




