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The Single Scariest Scene - Page 2

post #51 of 66
The one that always gets me, even if I rewind it and watch it again instantly, is the surprising homeless demon from Mulholland Dr.. I've watched that scene over fifty times in order to figure out what it is that gets me so, and I think it's a combination of things.

1) The motion is shifty throughout, but not shaky. It means that a viewer can clearly see what is happening on screen, but can't fully relax their eyes, since they constantly have to adjust to the new perspective. Innervating your brain makes you nervous and raises stress levels in the body.

2) The P.O.V. is low to the ground, a childlike perspective which probably recalls memories of the large, dangerous world we experienced as kids. It also serves to take us out of our normal adult eye-level perspective, another way to keep the viewer off guard.

3) Once the two men get outside, the scene is almost completely silent. There are no audible cues of what to expect or when to be scared, and this uncertainty builds tension.

4) Not only do you see the scary guy emerge from behind the wall, the camera also pans back to see him return behind, and then pans back yet again to show a still image of the corner. This establishes a physical reality to the man as well as a menace, that he's still behind the corner, waiting.

This was my first Lynch flick, and I had no expectations. The scene came completely out of nowhere; from a seated position, I somehow launched myself three inches into the air through ass and thigh power alone. Upon touchdown, I sat frozen for a good two seconds, and then paused the film. Better than bad sex.
post #52 of 66
Not really scary, more VERY effective jump.
Three words.
Fincher, Seven, Sloth.
post #53 of 66
I forgot to mention the scariest thing I've seen recently, and it's scared me like nothing else in the last couple years.

GHOSTWATCH

http://en.wikipedia.org/wiki/Ghostwatch
http://www.imdb.com/title/tt0200659/

For us Americans, it's pretty obscure. If you're from the UK, you're probably all too familiar with it. Filmed in 1992, before the internet could spoil shit, it was basically a mockumentary about a real life BBC investigation of a haunted house. It was supposed to be presented live, with a camera crew and audience surrounding the house, with a second camera crew inside, filming everything. Viewers were encouraged to call a 1-800 number and share their own stories. On the set is a real life psychic, and a skeptic, reach offering their own opinion on the events as they supposedly happened in real time.

Mind you, this was presented as real.

The hosts, and all the interviewers played themselves, and acted as they would on any other broadcast. Imagine if 60 MINUTES pulled the meanest prank in the world, and you would have GHOSTWATCH.

What's so scary about it? Nothing really. Not for the first hour. A working single mother and her daughters are living in an estate house. But, they're experiencing some very strange night terrors and poltergeist phenomenon. They think they're being haunted by someone whom they've nicknamed PIPES, because he likes to bang on pipes when he's mad.

Pipes apparently lives in the cubbyhole under the stairs, which they've since nailed and taped the fuck shut. He seems more interested in the 13 year old girl, than the mother or the baby sister. He'll randomly assault her, scratching up her arms and face.

And nobody believes them.

We hear the traditional bumps, and creaks, and cats hissing. Water dripping on the floor. Knocks on the pipes.

SPOILERS

But then, this gradual build up of small scares finally starts to pay off, and all hell literally breaks lose in a terrifying apocalypse in Northolt, London.

We learn that hundred years ago, the house was an orphanage, and the mistress who ran it used to lock girls in the cubbyhole under the stairs - and that's when the bitch wasn't drowning the girls in the bath tub.

A glass window shatters. They capture a video image of a skull face fucking THING, standing behind the drapes, watching the girls sleep. The sound of the cats returns, louder and angrier than before.

The phone callers, all fake of course, begin to report similar stories with greater and greater urgency. They're hearing cats in their home. They're hearing knocks on their pipes. All across England, glass is breaking and tables are lifting, and all kinds of shit is going down.

Suddenly, the little girl is attacked inside the house. The mother drags her out, leaving the older daughter behind with the camera crew. The interviewer watching over her is basically like Paula Zahn: pretty to look at, but pretty much fluff.

And that's when it happens. The power goes out inside the house. The crew is attacked by an unseen force, nearly killing the boom mic guy. The older daughter is yanked under the stairs, and the door is locked shut from the inside. We hear cats screaming. We hear the girl basically being raped by something inside.

The studio loses its video feed.

The call lines are jammed. They hosts are freaking the fuck out, until the video feed returns, and we find the camera crew and the girl playing pictionary, or some shit.

Then they receive a phone call from a man who used to be a probation officer. He's clearly scared, and doesn't want to be on the phone. But, he's got a story to tell. He used to have a client, 30 years back. A child molester. The Molester rented a room in that same house, and swore up and down that he was having dreams about the old Mistress who used to live there.

She was commanding him to kill more children.

Eventually, he stabbed one child to death, and then racked with guilt, climbed into the crawlspace under the stairs and hung himself. With all his cats. They didn't find his body for 3 days. The cats got hungry.

And ate his fucking face off.

And then the psychic realizes something. The video feed from inside the house is 6 hours old. It's a goddamn VHS tape. They struggle to regain the video feed, and when they do, they see the POV of a downed camera.

The interviewer chick is trying to pry the cubbyhole door open, screaming for the hundreds of people outside the house, and the million watching at home, to come inside and hold her.

The door creaks open. Blackness. We hear a cat screech. THEN she gets pulled inside, and the door slams shut again.

At this point, the actually BBC studio starts going crazy. Pounding. Leaking pipes. A gust of wind blowing everything the hell around. The psychic finally realizes that the BBC just created a giant, nationwide seance, and essentially opened the gates of hell.

The power goes out inside the studio, and the HOST of the show, now alone on the stage, suddenly walks towards the unmanned camera, singing the child molester's favorite nursery rhyme, now clearly possessed.

Cut to black.

END SPOILERS

And all this was presented completely straight faced as real by the BBC, with famous news personalities playing themselves, ending with - what our equivalent would by - Paula Zahn raped and killed by the ghost of a child molester under the stairs, and Dan Rather possessed by the demonic spirit of the homicidal orphanage mistress.

And the actual end of the world.

Now imagine turning on the television on Halloween Night, not knowing that it was all just an elaborate prank by the nice men on the TV, and watching with horror all these things happen on live TV.

One of the single scariest things I've ever seen in my life, and I knew it was prank! I even knew how the story played out, and didn't matter. My heart was racing by minute 50, and didn't stop until I hit the Pizza Hat after words.

Netflix this and enjoy.
post #54 of 66
...`Round and round the garden...Like a teddy-bear`...?

It´s amazing this caused such controversy and was literally BANNED from being re-broadcast, even AFTER it´s release on DVD*!

Brilliant, and I´ll NEVER forget it´s initial airing...truly a Halloween TV show that worked...verging on Welles´ War of the World´s radio greatness.

A MUST SEE!

*It´s just a pity that the DVD didn´t have the entirity of ´Points of View´, and other TV watchdog shows that I recall seeing; with parents and others broadly condemning the program...These were almost more frightening than the show itself!
post #55 of 66
Darby O'Gill and the Little People, the moment the banshees start showing up. Still the spookiest shit I've ever seen, mang.
post #56 of 66
Quote:
Originally Posted by BobbyRhodes
I forgot to mention the scariest thing I've seen recently, and it's scared me like nothing else in the last couple years.

GHOSTWATCH

http://en.wikipedia.org/wiki/Ghostwatch
http://www.imdb.com/title/tt0200659/

Netflix this and enjoy.
I've heard a lot about this. Is it available in the US? I just check Netflix and the only things GhostWatch related are Ghost Watch 1&2. I don't have a regions free player unfortunately.

To add to the discussion, the head spin in The Exorcist always gets me.
post #57 of 66
Quote:
Originally Posted by Beautiful Nightmare
I've heard a lot about this. Is it available in the US? I just check Netflix and the only things GhostWatch related are Ghost Watch 1&2. I don't have a regions free player unfortunately.

To add to the discussion, the head spin in The Exorcist always gets me.
You can order the DVD pretty cheap through Amazon, and I think deepdiscountdvd if you had to.

Honestly, it's worth it.
post #58 of 66
That scene in Mulholland Drive (monster popping out briefly from behind building) is the first thing I thought about when I read the thread title.

I'm surprised but glad to see that it gets top pick from others. It's really nightmarish. Literally-- it has a surreal, dreamlike intensity to it, with the guy walking steadily toward the corner of the building, followed by the other guy. It's so full of menace before you even see the creature that when it pops out (bizarrely moving as if pushed out on wheels, which I imagine it was) it's a total-fear payoff. The fact that it doesn't do anything-- just quickly goes away again-- adds to the psychological horror.

For months after I saw it I would get freaked out walking down the hall at night to go to the bathroom, because I had to turn a corner in the hallway, and as I approached the corner I always imagined the thing popping out.

Honestly, I'm not 100% sure the first post is in reference to this scene-- I'm not clicking that link! The scene scared me so badly that I can't bring myself to see it again, not even a still image.
post #59 of 66
This movie: A Tale of Two Sisters, made me love horror again. It's filmed so well, with the creepiest part in the movie probably being where Sumi's mother's ghost is just barely visible above the foot of her bedpost, crawling along the ground. It gives me chill bumps every time I see it.

I also really liked a lot of 'The Blair Witch Project'. Some of the scenes really freaked me out.
post #60 of 66
Lots of great imagery in this thread (Just ignore the boxes with red Xs in them).
post #61 of 66
Thread Starter 
Quote:
Originally Posted by Chris Hill
Honestly, I'm not 100% sure the first post is in reference to this scene-- I'm not clicking that link! The scene scared me so badly that I can't bring myself to see it again, not even a still image.
It wasn't, it was in reference to the Club Silencio sequence. It edged out the garbage man because it goes on longer and doesn't rely on a jump scare (albeit maybe the best executed one ever). In fact, it doesn't rely on any identifiable kind of scare, it just unsettles me.
post #62 of 66
The garbage man scene doesn't use a jump scare to be scary and unsettling, it just happens to include one.
post #63 of 66
Thread Starter 
Quote:
Originally Posted by Pvt. Spunkmeyer
The garbage man scene doesn't use a jump scare to be scary and unsettling, it just happens to include one.
That's why I said it was possibly the best ever. There's a lot more to it than the BOO! moment, but that's the climax it builds to.
post #64 of 66
Anything with BOB in it. That dude freaks my shit out to this day. Twin Peaks has caused me to lose more sleep than just about anything.
post #65 of 66
Quote:
Originally Posted by Schwartz
That's why I said it was possibly the best ever. There's a lot more to it than the BOO! moment, but that's the climax it builds to.

Ah I gotcha. I meant to say that the scene doesn't rely on a jump-scare to be unsettling, but I'm pickin' up what you're puttin' down nonetheless.
post #66 of 66
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