"Goddamn cheap Japanese flying packs!"
Such a fucking funny movie. I still maintain that Love & Death is funnier (probably because Diane Keaton gets a chance to shine), but this is the one where Allen gets to do it all. It's the perfect kind of movie for his surreal and satirical stand-up comedy to be realised on film. He gets to do the one-liners, he gets to do silent film stuff (when he's first revived and spinning around in the wheelchair, so fucking funny), he gets to do bizarre stuff (robot confession gives him a doll, brainwashing includes Miss America re-enactment, Diane Keaton as Marlon Brando in Streetcar Named Desire) and he does it all on these wonderfully built sets that feel as unique and singular as any "serious" sci-fi film.
I'm also pretty sure it was during the making of this film that he gave Joel Schumacher (his then costume designer) those immortal words: "90% of life is showing up."
Such a fucking funny movie. I still maintain that Love & Death is funnier (probably because Diane Keaton gets a chance to shine), but this is the one where Allen gets to do it all. It's the perfect kind of movie for his surreal and satirical stand-up comedy to be realised on film. He gets to do the one-liners, he gets to do silent film stuff (when he's first revived and spinning around in the wheelchair, so fucking funny), he gets to do bizarre stuff (robot confession gives him a doll, brainwashing includes Miss America re-enactment, Diane Keaton as Marlon Brando in Streetcar Named Desire) and he does it all on these wonderfully built sets that feel as unique and singular as any "serious" sci-fi film.
I'm also pretty sure it was during the making of this film that he gave Joel Schumacher (his then costume designer) those immortal words: "90% of life is showing up."




