Quote:
Originally Posted by Highway 61 
I agree completely, and I love the album to death. I would kill for R.E.M. to go back to their Southern roots. My problem is that the album is perfect for the first seven tracks. You can sense the band's unshakable confidence in their talent, and then they slip a little. If the band had ordered the songs differently, that hiccup in their confidence probably wouldn't be so noticeable, and I couldn't say anything bad about the album. In the end, I value the strongest songs on Document more than the strongest songs on Accelerate, but looking at the sum of their parts, Accelerate is the more consistent album.
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I haven't heard Accelerate yet, but no love for "Oddfellows Local 151?" Love that song. The only hiccup I can hear on Document is "Fireplace," but even that's so much better than the weak stuff on, say, Green.
Incidentally, Green strikes me as not their worst (it's better than any of the post-Berry stuff and Monster, for that matter), but their least consistent. It seems like they didn't quite know what to do with their pop instincts, so they just channeled all of that energy into "Pop Song 89," "Get Up," and "Stand," all of which now sound dated, overly cheeky, and crammed on to an album that doesn't accommodate them very well.
"Turn You Inside Out" sounded like their big guitar rock move at the time, but now it just sounds like "Finest Worksong"'s dumber brother. But, then, the quiet, acoustic stuff, "Orange Crush," "I Remember California," and "World Leader Pretend" are all pretty fantastic.