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Albums you need to hear on vinyl

post #1 of 97
Thread Starter 
So my lovely wife recently gifted me with a turntable and a few new records for my birthday. I was a regular vinyl buyer in junior high and early in high school (and have pretty full Zeppelin and U2 collections to show for it) and a sporadic vinyl buyer later (some Costello, Patti Smith, and some other stuff to show for it), but it's been a while since I've had a record player.

I don't plan on turning into one of those preachy "everything sounds better on vinyl" types, but I've noticed that some albums absolutely do. Husker Du's Zen Arcade sounds fuller and less high-end, the instruments on Okkervil River's The Stage Names sound more defined and separated, the guitars tone on the Smashing Pumpkins' Gish and the Pixies' Doolittle is improved.

I picked up Born to Run and the Wild, the Innocent, and the E Street Shuffle used for about $3 each this weekend, and I'm looking forward to hearing what I've read is a vast improvement over the CD versions.

So any vinyl enthusiasts out there? Any recommendations on albums that sound better in a non-digital format?
post #2 of 97
I had a record player growing up. I still have some Vinyl leftover from those days, but I don't have a player any longer. (By the way Dave, what kind of set-up did you get? I've been thinking of getting another one and I want to know what I should look for).

Anyway, what I remember in terms of better Vinyl recordings is somewhat limited. It was quite a few years go. But these are the few that I had at the time that I remember being particularly different from their CD releases.

Portishead: Dummy: The samples somehow call more attention to themselves and simultaneously blend better on vinyl.

Stevie Wonder: Songs in the Key of Life. Much fuller production on Vinyl.

Peter Gabriel: It somehow seems like you can pick up more of the details and individual instruments on the LP.

Pearl Jam: Vitalogy. Never been a huge Pearl Jam fan (someone gave this to me as a gift) but I have to admit that the vinyl release sounds much warmer than the CD version.

I need to get back into this. There are so many used record shops near me and I really love LP's.
post #3 of 97
Help out someone who knows less than nothing about this sort of thing, what are the technical reasons why a vinyll would sound so different from a CD?
post #4 of 97
In general, I like the way that jazz and blues sound on vinyl but Love Supreme is particularly awesome. Electric Mud from Muddy Waters is also much, much better on vinyl then CD.

For rock stuff, I love Joe's Garage on vinyl. I also think most of Bowie's stuff sounds way warmer on vinyl. I particularly like Ziggy Stardust and Aladdin Sane. Dylan's Blonde on Blonde is almost a must.

I'd love to hear U2 War on vinyl again. It's been well over twenty years since I heard it.
post #5 of 97
Quote:
Originally Posted by Parker View Post

Stevie Wonder: Songs in the Key of Life. Much fuller production on Vinyl.

Peter Gabriel: It somehow seems like you can pick up more of the details and individual instruments on the LP.
I'll second both of these as well.

Oh, and Stevie Ray Vaughn's Couldn't Stand the Weather.
post #6 of 97
I always thought Dark Side of the Moon sounded better on vinyl.
post #7 of 97
Quote:
Originally Posted by Parker View Post
I had a record player growing up. I still have some Vinyl leftover from those days, but I don't have a player any longer. (By the way Dave, what kind of set-up did you get? I've been thinking of getting another one and I want to know what I should look for).
I got him this one. It took about ten minutes to go from opening the box to listening to Rattle and Hum, and that's only because I paused for a moment during setup to do some dusting. So far, so good. I found it at Best Buy.

Quote:
Portishead: Dummy: The samples somehow call more attention to themselves and simultaneously blend better on vinyl.
Thanks for the tip. I'd like to hear that.

Quote:
Pearl Jam: Vitalogy. Never been a huge Pearl Jam fan (someone gave this to me as a gift) but I have to admit that the vinyl release sounds much warmer than the CD version.
This is one of the three albums that I bought along with the record player. I got it because a) it's my favorite Pearl Jam album and b) the second track was a perfect accompaniment to a record player as a gift.

Personally, I'm looking forward to playing the U2 stuff until I wear it out and finding a copy of Joni Mitchell's Blue. We found Court and Spark this weekend and it sounds great. I'm also looking for some Bowie (Ziggy Stardust particularly) and, yes, Dylan, even though we already have it on CD.

Patrick, here's a very informative article from Rolling Stone about this very subject. There are some nice links and resources on the last page. Enjoy!
post #8 of 97
Quote:
Originally Posted by Patrick Ripoll View Post
Help out someone who knows less than nothing about this sort of thing, what are the technical reasons why a vinyll would sound so different from a CD?
Couple of reasons. Analog sound sources simply sound different from digital -- analog (vinyl) can sound 'warmer' but also lacks an over-crisp and compressed sound that can characterize CD playback.

Current CD masters are also frequently pushed to higher and higher volume levels -- read up on the Loudness Wars and how some people think the trend is destroying the sound of even proven older albums. http://en.wikipedia.org/wiki/Loudness_war
post #9 of 97
Thread Starter 
Quote:
Originally Posted by Patrick Ripoll View Post
Help out someone who knows less than nothing about this sort of thing, what are the technical reasons why a vinyll would sound so different from a CD?
This is probably better addressed by more of an audiophile than I am, but I'll give it a shot.

The old standby is that it's a warmer sound, but I admit that this might be just a matter of the needle hitting the record giving it sort of a wash that's not necessarily the result of better recording.

For some stuff (the Husker Du album, for instance, which even sounds better on cassette than on CD), it's because the recordings were poorly mastered for CD, and the record company just never bothered to correct this. I think mastering still plays a part in this, since you master differently for CD than you do for vinyl. I was reading up on the planned vinyl releases for the Drive-By Truckers albums, and Patterson Hood, himself, says that the difference on one of them (Decoration Day?) is so great that it actually sounds like different mixes of the songs were used.

I think it's been established that vinyl holds a greater range of frequencies than can be held on digital formats, but many claim that these frequencies are impossible to hear, anyway, and I think Super Audio addresses some of this.
post #10 of 97
And for DaveB, I don't remember your position on Joy Division, but good condition copies of their two LPs would be a great thing to have.
post #11 of 97
I love Night at the Opera and Tumbleweed Connection on vinyl.

I think it goes without saying that At Folsom Prison should only be heard on vinyl.

For newer stuff, The Black Keys and White Stripes' albums have real differences. M. Ward was also made for vinyl.

My favorite, though, has to be an old, scratchy copy of Burl Ives' greatest hits.
post #12 of 97
Thread Starter 
Quote:
Originally Posted by Parker View Post
Peter Gabriel: It somehow seems like you can pick up more of the details and individual instruments on the LP.
I first heard his third album on a used record I bought for a few bucks in high school, and I've still got it. I have the CD, too, and you're right. It doesn't sound nearly as good and it's oddly quiet, but I bought it just before a re-mastered version came out, so that might have improved things a bit.
post #13 of 97
From that good wiki, I was lead to this: http://www.youtube.com/watch?v=3Gmex_4hreQ . Having examples helps, at least, for me.
post #14 of 97
Quote:
Originally Posted by MissZooey View Post

Personally, I'm looking forward to playing the U2 stuff until I wear it out and finding a copy of Joni Mitchell's Blue. We found Court and Spark this weekend and it sounds great. I'm also looking for some Bowie (Ziggy Stardust particularly) and, yes, Dylan, even though we already have it on CD.
Oooooooo, Joni Mitchell! Sadly, I've only recently become a fan so everything I've heard is on CD* but I would think Blue is amazing.

*I worked at a radio station when Chalk Mark In A Rainstorm came out but I recall nothing of it's quality as an LP.
post #15 of 97
Quote:
Originally Posted by DaveB View Post
I first heard his third album on a used record I bought for a few bucks in high school, and I've still got it. I have the CD, too, and you're right. It doesn't sound nearly as good and it's oddly quiet, but I bought it just before a re-mastered version came out, so that might have improved things a bit.
Yeah, that's the trouble with a lot of the CD releases. How many times do I need to buy the same album on CD? Most of the Pixies releases are terribly transfered and whenever I put them on the mix tape they sound noticeably quieter then anything else. That drives me crazy. I think there's a digitally remastered Surfer Rosa out there somewhere but I'm always annoyed about picking up the same CD twice. I might just pick up the vinyl myself.

Thanks, Zooey, for the link. Did you get speakers as well or did you guys use pre-existing speakers? That's the thing I'm really curious about. Is it tricky wiring it up? And are you going to use some program to record your vinyl into MP3's?
post #16 of 97
My personal favorites on vinyl are Sgt. Pepper's (I can't believe nobody has mentioned this yet) and The Kinks' Village Green Preservation Society. The warm and "full" sound of vinyl really add to the music of these two albums.

And I'll suggest ELO's El Dorado, only because my love for that album is ridiculous. I don't know if it's essential or drastically improved by not being on CD.

I think I'll check out my local record store for some of the great suggestions here. Now I can't wait to buy a Drive-By Truckers album on vinyl.
post #17 of 97
Remain In Light
post #18 of 97
Quote:
Originally Posted by Parker View Post
Thanks, Zooey, for the link. Did you get speakers as well or did you guys use pre-existing speakers? That's the thing I'm really curious about. Is it tricky wiring it up? And are you going to use some program to record your vinyl into MP3's?
We're using pre-existing speakers (I hooked it up to the same receiver that our VCR, DVD, and CD player run through - it's so old that it has a designated Phono hookup) and it was very, very easy to set up (like I said, about 10 minutes). It comes with everything you need to run it through a receiver, or even your tv if you'd like.

Dave's going to address the recording issue. He has a Tascam that he uses to run guitars through our computer. He thinks that the record player can be hooked up to the computer using that. So, to answer your question, yes, if we can.
post #19 of 97
There are a lot of analog-era albums I'd love to hear on vinyl, if only because the current CD masters of them are terrible. This is more the fault of record companies unwilling to properly master their CDs than it is the fault of the CD medium itself.

Listen to the mid-late Steely Dan remasters, or Fragile by Yes (Rhino remaster). Those sound better than most albums recorded today, because someone put some love and care into remastering from the original tapes.

The Husker-Du album, for example, is probably (educated guess here) just the old vinyl master dumped onto CD, instead of redone from the original tapes. And it was a shitty recording to begin with that probably benefits from analog distortion, aka "warmth", the same way older video games look better on a standard tube TV than on a computer monitor.

Edit: If I ever start buying vinyl, the biggest reason would be the artwork. I'm really into graphic design, layout, and art in general. The printing quality and size of vinyl artwork is amazing to me. You can hold it up and completely lose yourself in the depth of the image. Shitty CD sleeves are a disgrace. Digipaks look a lot better in terms of printing quality, but still tiny.
post #20 of 97
I'm probably alone on this one, but Edith Piaf does it for me on Vinyl. Great sunday afternoon music.
post #21 of 97
I might buy the turntable Zooey found just so I can get a decent-sounding copy of "Electric Ladyland." It's one of the first CDs I ever purchased and it has ALWAYS sounded like shit.

More importantly: Neil Young, "Everybody Knows This Is Nowhere"

Probably most of his stuff (at least with Crazy Horse). I have been without a turntable for a LOOOONG time and am no "audiophile" but these songs were made for analog. I love that soft analog hiss - Maybe I'm biased I once read that Neil himself swore he hated digital sound?
post #22 of 97
Quote:
Originally Posted by Matt OCallaghan View Post
I'm probably alone on this one, but Edith Piaf does it for me on Vinyl. Great sunday afternoon music.
I love Edith Piaf. Just watched La Vie En Rose this weekend. Don't do this if you're an Edith Piaf fan.
post #23 of 97
I've been sporadically collecting vinyl since high school and just finally got a turntable thursday night. Its been great to finally hear all the Pearl Jam Fanclub Christmas Single that have been collecting dust in my closet for all these years. I also picked up Eddie Vedder's Into the Wild soundtrack on vinyl and it really sounds great. Led Zeppelin's 4th album and U2's Joshua Tree have also both gotten alot of play around here this weekend.

Earlier today, I picked up Drive by Truckers The Dirty South and Neil Young's Decade set on vinyl and have been listening to them all afternoon. I also ordered a couple of My Morning Jacket discs that I'm really looking forward to hearing (Z, Acoustic Citsuoca, and Chocolate & Ice).
post #24 of 97
You need to hear Ring on vinyl. Aerial Boundaries is very nice as well. Most of Rush's albums sound better on vinyl too, I would imagine; the original CD releases sound pretty small compared to what CDs can really do. The Rush Remasters are a huge improvement, though.
post #25 of 97
Quote:
Originally Posted by BrianM View Post
More importantly: Neil Young, "Everybody Knows This Is Nowhere"

Probably most of his stuff (at least with Crazy Horse). I have been without a turntable for a LOOOONG time and am no "audiophile" but these songs were made for analog. I love that soft analog hiss - Maybe I'm biased I once read that Neil himself swore he hated digital sound?
That one is probably the most striking difference between analog and digital in the Neil Young catalog, in my opinion.

The vinyl version of ZZ Top's "Tejas" is a pretty good example. Not only does the band sound better on vinyl, but the only place you can hear the original recording of the album is on the vinyl version. When the ZZ catalog was converted to cds in the 80s, the record company decided to add all of the lame 80s production and synthesizers that made their 80s albums terrible.
post #26 of 97
Abbey Road. You start Side B when you're good and ready, and not before. The end of "I Want You" is supposed to leave you hanging.
post #27 of 97
My stuff probably seems pretty standard issue, but here goes:
Pink Floyd-Meddle
The Beatles - Sgt Peppers
Harry Nilson - The Point
Black Sabbath - Paranoid

Maybe it's because they were all recorded for and released specifically for the medium (because that's all there was), but I haven't heard them sound better on any different device than a turntable.
post #28 of 97
Please excuse this brief off-topic post: who wants to offer up any suggestions for baby's first turntable? Whether it's a model you own, or a good web site for reference, I'd appreciate any pointers.
post #29 of 97
flyarz, I got DaveB this one and we're quite happy with it. As it's the first turntable either of us has owned in years, I can safely say that it qualifies as a good "beginner's" turntable.
post #30 of 97
Music From Big Pink by The Band
post #31 of 97
Don't forget The White Album and Abbey Road.

Also Hot Rocks, Hot Rocks and Fazed Cookies, and Some Girls by the Stones.
post #32 of 97
Apparently we had a retro week at the S~/H~ household. Wednesday we picked up a very cool old bumper pool table (bar style, coin-op, real slate) for forty bucks. Plus my lovely wife picked up Joe and Eddie "There's a Meetin' Here Tonight" and Mahalia Jackson's "Mighty Fortress" on vinyl (I've been on a gospel kick* recently). Gospel lends itself so well to vinyl that it's hard to listen to the CDs now.

*Kinda weird being a Buddhist and all
post #33 of 97
Quote:
Originally Posted by LisaNY View Post
Don't forget The White Album and Abbey Road.
I didn't.
post #34 of 97
Funny about the multiple Vitalogy mentions. I picked that up when the original was released, and it got me on a kick. I have since picked up the entire Pearl Jam studio release catalog on vinyl. These days they are framed on the wall, so they don't get a lot of play, but it was Vitalogy that began everything.

I'd love to raid DaveB's U2 vinyl. My wife would probably orgasm if I could round up their entire catalog on vinyl. War sounds amazing.
post #35 of 97
I have all three Big Star records on vinyl. If you don't then you should.
post #36 of 97
Thread Starter 
Quote:
Originally Posted by Mad Man Mundt View Post
I have all three Big Star records on vinyl. If you don't then you should.
A buddy of mine managed this feat, as well, and I'm super jealous. They're definitely on the list, but only when I can justify the price to myself or luck upon it in a cheap used bin (I've had reasonably good luck with this method).

Do you have a copy of Third from the 70s/80s or did Ryko put out a vinyl version of their re-release? I'm seeing copies of a pre-Ryko version out on ebay, but they don't have tracklists, and I understand it varies pretty greatly depending on the version.

On ebay, there are also vinyl versions of In Space, which I assume you're deliberately not counting because it sucks.
post #37 of 97
Yeah I have the original on PVC Records. It didn't cost me that much, though I got it probably close to twenty years ago. #1 Record is one I really shelled out for, my copy of Radio City is a repress. I was actually doing a good job of forgetting In Space until today. Oh and while I'm at it, you being a big power pop guy should grab some Dwight Twilley. Most of his stuff is really easy to find used.
post #38 of 97
Quote:
Originally Posted by DaveB View Post
The old standby is that it's a warmer sound, but I admit that this might be just a matter of the needle hitting the record giving it sort of a wash that's not necessarily the result of better recording.

I think it's been established that vinyl holds a greater range of frequencies than can be held on digital formats, but many claim that these frequencies are impossible to hear, anyway, and I think Super Audio addresses some of this.
Both of these statements are correct. Analog has greater amplitude, per frequency, per wavelength, therefore the peaks and valleys of the wavelength shape are higher and deeper. Whereas, a digital wavelength won't have the dynamic reach of analog until greater compression is allowed per digital file. Eventually, digital will sound better than analog.

Here's the catch with vinyl versus CD - people say it sounds 'warmer' which is basically a description of 'more white noise' due to a sub par needle rubbing against a worn groove. If you do not have a really great needle speaker system, your CD player or MP3 player will always sound better. But, a really good needle system sounds a little more crisp and bass-y than a digital system.
post #39 of 97
Thread Starter 
Quote:
Originally Posted by HunterRose View Post
Both of these statements are correct. Analog has greater amplitude, per frequency, per wavelength, therefore the peaks and valleys of the wavelength shape are higher and deeper. Whereas, a digital wavelength won't have the dynamic reach of analog until greater compression is allowed per digital file. Eventually, digital will sound better than analog.

Here's the catch with vinyl versus CD - people say it sounds 'warmer' which is basically a description of 'more white noise' due to a sub par needle rubbing against a worn groove. If you do not have a really great needle speaker system, your CD player or MP3 player will always sound better. But, a really good needle system sounds a little more crisp and bass-y than a digital system.
One other advantage I'm finding is that the format forces me to pay more attention to what's playing. It's harder to let the music fade entirely into the background when you have to get up to flip the record every five songs or so. It's a strictly ritualistic component that might not appeal to some, but I kind of like it.
post #40 of 97
That is the difference between being a music consumer vs. a music lover.
post #41 of 97
I know it's always contentious to add U2 to a list, but I think both 'The Joshua Tree' and 'Achtung Baby' make for good (if not better) listens on vinyl. Probably because you can hear more of Eno's influence in them.
post #42 of 97
Quote:
Originally Posted by DaveB View Post
One other advantage I'm finding is that the format forces me to pay more attention to what's playing. It's harder to let the music fade entirely into the background when you have to get up to flip the record every five songs or so. It's a strictly ritualistic component that might not appeal to some, but I kind of like it.
That goes to my vinyl suggestion, which is SANDINISTA!

I made a cd-r for my buddy one time and I lamented the fact he wasn't going to experience six sides.
With this lp I would listen and re-listen to a side before finally flipping it over and/or putting on another lp. It may have been weeks before I even made it to sides 5 + 6.
36 tracks on 2 cd's doesn't begin to duplicate the experience of 6 tracks x 6 sides of vinyl.
post #43 of 97
Quote:
Originally Posted by Mad Man Mundt View Post
I have all three Big Star records on vinyl. If you don't then you should.
How is the sound on these? Drastic difference? I'd love to hear them as Big Star is, depending on what mood I am in, my favorite band.
But I guess with the Three record, you're stuck with the incorrect track order, which is one advantage of having it digitally.
post #44 of 97
If I had the time and the funds to get even more obsessive about music than I already am, I'm pretty sure I'd start hunting down a lot of vinyl. I do have a working turntable and some old records but not many essential ones. I'm thinking that by following this thread, though, I might be inspired to pick up some must-haves sometime.

I'm nowhere near knowledgeable enough in this area to know which records I'd have on my wishlist. Don't mean to hijack this thread, but here is just a partial list of what I'm curious about*. If anyone has heard the vinyl versions, please speak up and let us know how they sound on LP**:

The Beatles - Abbey Road
The Black Crowes - The Southern Harmony and Musical Companion, Amorica
David Bowie - anything (I've just started exploring his old stuff this year)
Bob Dylan - Blood on the Tracks, Modern Times
Flaming Lips - The Soft Bulletin
Funkadelic - any of their '70s stuff
George Harrison - All Things Must Pass
Jimi Hendrix Experience - Axis: Bold As Love
King Crimson - anything
Kings of Leon - Aha Shake Heartbreak
Led Zeppelin I, II
Lounge Lizards - anything
Morphine - Cure For Pain
Van Morrison - Moondance, Astral Weeks
My Morning Jacket - Z
Otis Redding - anything
Pearl Jam - No code, S/T
Pink Floyd - Animals
Queens of the Stone Age - Songs for the Deaf
Radiohead - anything
The Rolling Stones - Sticky Fingers
Santana - any old stuff
Soundgarden - Louder Than Love, Superunknown
Spoon - Gimme Fiction
Talking Heads - anything
TV on the Radio - Return to Cookie Mountain
Van Halen - I, II, Fair Warning
The White Stripes - anything
Wilco - Yankee Hotel Foxtrot, Sky Blue Sky
Stevie Wonder - Innervisions
Yo La Tengo - anything
Frank Zappa - Hot Rats


*Of course I'll research these on my own, but thought I'd ask here as well. If nothing else, maybe this list will
help someone else build a wishlist. Then again, I don't know if all of these are currently available on vinyl.

**I tried to leave out some albums that have already been mentioned in this discussion.
post #45 of 97
post #46 of 97
I've been considering a turntable purchase for the last year or so, but I'm afraid that I'm going to fall in love with the sound and go flat broke re-buying all of my favorite albums.

But my old vinyl copy of Ziggy Stardust (that's currently acting as decor in an album frame) calls to me...
post #47 of 97
Quote:
Originally Posted by Matt M View Post
But my old vinyl copy of Ziggy Stardust (that's currently acting as decor in an album frame) calls to me...
C'mon Matt, join the vinyl devolution!

That reminds me Devo's Q: Are We Not Men A: We Are Devo is all kinds of awesome on vinyl. Same with The B'52s debut album.
post #48 of 97
Responding to Ryan C's list (and reiterating my first post in this thread for the second time): Abbey Road is a perfect argument for LPs. Not just because of the sonic quality but because of the side-break. 'Here Comes The Sun' is not supposed to play right after 'I Want You (She's So Heavy)' ends. You're supposed to zone out listening to the previous song's hypnotic final riff, sit there in stunned silence for as long as you need to after it stops, then get off your butt and flip to Side B. And your reward is Harrison's intimate little masterpiece.
post #49 of 97
Quote:
Originally Posted by Hammerhead View Post
Responding to Ryan C's list (and reiterating my first post in this thread for the second time): Abbey Road is a perfect argument for LPs. Not just because of the sonic quality but because of the side-break. 'Here Comes The Sun' is not supposed to play right after 'I Want You (She's So Heavy)' ends. You're supposed to zone out listening to the previous song's hypnotic final riff, sit there in stunned silence for as long as you need to after it stops, then get off your butt and flip to Side B. And your reward is Harrison's intimate little masterpiece.
Cool, thanks. And I appreciate the ritual aspect of listening to LPs you're referring to. But are there any particular details in the mix that you feel are superior on the vinyl version over other formats? People generally say that vinyl sounds 'warmer', but I'm thinking some albums - perhaps for different reasons - are more essential to own on vinyl than others are. I guess these are the things I'm most curious about in regards to comparing records and CDs.

I've also read and heard people claim that certain albums sound just as good or better on CD, but I'll bet that's an exception to the rule.
post #50 of 97
Thread Starter 
Quote:
Originally Posted by RyanC View Post
I've also read and heard people claim that certain albums sound just as good or better on CD, but I'll bet that's an exception to the rule.
When I get around to it, I'll try to do a side-by-side comparison with Zeppelin on vinyl vs. Zeppelin on CD (from the re-mastered studio recordings box set thing). I'm willing to bet that it's actually pretty close, since the band actually took a lot of time to get the CDs sounding the way they wanted.

As I understand it, it's the mastering that makes the difference. A lot of albums were just dumped directly to CD without regard to how different the formats are (you can really hear this on the Smashing Pumpkins' Gish, to use one example - the vinyl sounds heavier, with more bass and punch). Thus, I figure albums that were meticulously re-mastered for CD will probably account for those differences, closing the audio gap for all but the most observant audiophiles. But I could be wrong.
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