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Weezer - "The Red Album"

post #1 of 79
Thread Starter 
Apparently it's been more or less confirmed that Weezer's new album will indeed be "The Red Album" - I've been as skeptical as anyone else after the "Make Believe" disappointment, but the quality of Rivers Cuomo's recent solo compilation and the old-school guitar crunch on their new single gives me a little bit of optimism.

A snippet of the new song can be heard here: http://www.amazon.com/Pork-And-Beans...043442&sr=1-95

As a random sidenote, as hard as people are on post-'90s Weezer, I'll defend Maladroit to the bitter end - It's a fantastic record that I feel gets trashed mostly due to its close proximity to the homogenized-into-oblivion Green Album.
post #2 of 79
Please don't suck. Please don't suck. Please don't suck.
post #3 of 79
Maladroit is not completely terrible. There are a couple good tracks on it. It's just the lumps of mediocrity that surround the good that tend to color people's opinions of it. And to be honest, I liked the Green album.

All that said, Make Believe was just blah, and I'm not too optimistic of this one being any good either.
post #4 of 79
Weezer hasn't had anything great since Pinkerton, that much is true.

Personally, I've still found enough to like about each album that I'd still say I like them all. I think the band's just in that shitty position where their earlier stuff was so exceptionally good, it'd be almost impossible for anything they do after to measure up.

I just take what I get and rate it on it's own merits. The green album was vacuous fun, with two really good songs. Call me a consumer whore or whatever, but I like Hash Pipe and Island in the Sun the best on it. Maladroit was interestingly erratic, and Keep Fishin' is one of my favourite Weezer songs. It's one of those idiosyncratic little love songs of theirs that embodies a lot of what I like about the band. It may not be as intensely personal as most of their best stuff, but it's a return to that fun spirit that made Buddy Holly so great. I haven't spent too much time with Make Believe, but I did like what little I did so it gets a pass.
post #5 of 79
I'll back you up on Maladroit 100%. Make Believe, though, I can't stomach one bit of.

I'm looking forward to the new one with cautious optimism. I was a big Weezer nut until The Green Album. That nutiness certainly subsided after MB, but I can't help hiding my excitment over the fact that new Weezer is hitting soon.
post #6 of 79
The first single, "Pork and Beans," is on the web. Ripped from a radio station, but pretty OK quality.
post #7 of 79
Am I the only one who hopes the album is about communism?
post #8 of 79
Thread Starter 
I've finally heard Pork n' Beans in its entirety, and I think it'll divide Weezer fans even moreso than "Beverly Hills" did when it was released.

It's catchy as hell and it resembles the classic Weezer sound, but the banal lyrics are obviously Rivers way of taking shots at Geffen. The cynicism is all over this song, but I like it - The Timbaland name-drop is priceless, and it's exactly the kind of clueless collaboration that a label would suggest these days.

For anyone interested, the track is up at weerez.com on the front page, for the time being.
post #9 of 79
Listening to "Pork and Beans", I already like this album more than Make Believe.
post #10 of 79
Link? Please?

ETA: Thanks Belmont!
post #11 of 79
After listening to the song, I've realized that weezer will never be as good as the Blue Album or Pinkerton ever again. I think Rivers is just too self-aware now. I mean, it's not terrible, it's just... not that good.
post #12 of 79
He needs his old hair cut.
post #13 of 79
Thread Starter 
Not that we know anything about the songs, but here's the final tracklist - Naturally, there's also going to be a deluxe version with four extra songs, but the idea of having several different versions of new albums (along with Rivers' penchant for revisionist songwriting) is wearing very thin with me.

Anyway, the real edition of the record is as follows:

1. Troublemaker
2. The Greatest Man That Ever Lived
3. Pork and Beans
4. Heart Songs
5. Everybody Get Dangerous
6. Dreamin’
7. Thought I Knew
8. Cold Dark World
9. Automatic
10. The Angel and the One

For some reason "Everybody Get Dangerous" reminds me of "We're All on Drugs" as a pretty daft song title... here's hoping it's at least more listenable than that piece of aural trash.
post #14 of 79
I love the new single. It's weird and epic.

Edited to add: I mean "The greatest Man" not "Pork and Beans."
post #15 of 79
Pre-ordered on iTunes (as if there's a need), and just listened to "Pork and Beans." Not bad, for a first single.
post #16 of 79
No one else has listened to their new 6 minute long single?
post #17 of 79
This band sucks. They are terrible. At best, they write novelty tunes like that single about Beverly Hills, which managed to be merely irritating, except for that sample of a woman having an orgasm.

I haven't heard Weezer make anything interesting. And it's obvious that the sound of some chick pleading "Do me..." was a sample, because I'm sure Rivers Cuomo could never pleasure a woman. His band doesn't even warm the eardrums.

Why did anyone enjoy Weezer to begin with? I think that'd be a good thread topic. Because unless they were your introduction to 'indie' music, I don't see how anyone can enjoy them, except for nostalgia.
post #18 of 79
Thread Starter 
Quote:
Originally Posted by Sean Bateman View Post
No one else has listened to their new 6 minute long single?
It took me a couple of days to really determine how I felt about it, but I kinda like "The Greatest Man." It's loopy and beyond over the top, but I like the Queen-ish vibe. Love the weird rap in the beginning - "You cowm like a dowg when I ring ya bell..."

I've heard the 80% or so of the album that's leaked, and it's all over the place in terms of quality. It's definitely a more inspired and fun effort than Make Believe, even if it often flirts with the awfulness of that album. Really, the whole album almost feels like a stunt or a prank to piss off both critics and fans in one fell swoop - It's just a strange record.

That said, The lead-off track "Troublemaker" is great - Funny, ironic, and energetic. And rhyming "bi-atch" with "ki-ads" is some kinda genius.
post #19 of 79
Quote:
Originally Posted by dreary louse View Post
This band sucks. They are terrible. At best, they write novelty tunes like that single about Beverly Hills, which managed to be merely irritating, except for that sample of a woman having an orgasm.
--Beverly Hills is a novelty tune?
--That was an orgasm?
--Have you heard any of their pre-Green Album songs? Serious question.
post #20 of 79
I haven't heard Rivers' solo album that came out a few months ago, is it any good or reminiscent of the old Weezer?
post #21 of 79
Quote:
Originally Posted by dreary louse View Post
This band sucks. They are terrible. At best, they write novelty tunes like that single about Beverly Hills, which managed to be merely irritating, except for that sample of a woman having an orgasm.

I haven't heard Weezer make anything interesting. And it's obvious that the sound of some chick pleading "Do me..." was a sample, because I'm sure Rivers Cuomo could never pleasure a woman. His band doesn't even warm the eardrums.

Why did anyone enjoy Weezer to begin with? I think that'd be a good thread topic. Because unless they were your introduction to 'indie' music, I don't see how anyone can enjoy them, except for nostalgia.
Trolling.
post #22 of 79
Thread Starter 
Quote:
Originally Posted by Vader View Post
I haven't heard Rivers' solo album that came out a few months ago, is it any good or reminiscent of the old Weezer?
I really liked it. At something close to 20 tracks, there are more than a few throw aways, but there's a lot of really solid demos in there and a few great songs ("Longtime Sunshine" in particular) that would've fit right in during the band's old days.

It's definitely a much more satisfying collection of songs than either "Make Believe" or "The Red Album," which makes me wonder where the band's head is at when songs are selected for Weezer's "real" albums.
post #23 of 79
I remember hearing Longtime Sunshine years ago and immediately falling in love with it.
post #24 of 79
The video for "Pork and Beans". That's uh...a lot of memes. Oh look, another few seconds of exposure for Chris Crocker! But he's so shy!
post #25 of 79
That video's great... especially since I was largely unaware of all those memes until I saw the South Park episode last month.

Hey, Rivers, what's with the porn 'stache, though?
post #26 of 79
It's a catchy song, but the over-reliance on pop culture references and jokiness is really killing this band. It used to sound effortless and a natural outgrowth of their songs (the KISS and X-Men references in "In the Garage" made perfect sense in context; the name-drops in "Buddy Holly" are to icons, not flashes in the pan; and the Green Day mention in "El Scorcho" seems casual and natural). "Pork and Beans" sounds like Cuomo came up with the references first.

That said, dreary louse is way off. I didn't own a Weezer album until well after Pinkerton had been released (and probably over a decade after I'd started listening to more obscure music - in fact, I initially wrote off "The Sweater Song" as a Pavement ripoff), so it's definitely not nostalgia for me. Pinkerton's probably one of the best rock albums of the 90s. It's a big, blustery take on the Pixies at their poppiest, but with a direct, personal lyrical slant and more of a mind for bubblegum-catchy pop choruses. Like Big Star Third, it's a classic pop album that sounds uncomfortable with being a pop album, and part of the appeal is in hearing it try to break free (Third does so via silence and lethargy, Pinkerton does so via anxious energy and volume).
post #27 of 79
funny video. I too am kinda weary of all the pop references. I know Weezer can make great songs when they want to, I just hope this song isn't indicative of the entire album.
post #28 of 79
Quote:
Originally Posted by DaveB View Post
"Pork and Beans" sounds like Cuomo came up with the references first.
There's actually an interesting story about the single in the new Rolling Stone. Cuomo explains that the song came out of a meeting with the record company where the execs told him that the new album "needed a single". In fact, he explains that a lot of the jokey "pop" references where actually suggestions that the Board gave him about the needed single (hence, the Timbaland reference, for one). He was so pissed that he just crafted a song from their ridiculous advice.

That being said, I agree in the main with your post (although I also suspect I'm something of a Weezer apologist 'round these parts).
post #29 of 79
Quote:
Originally Posted by Mattioli View Post
There's actually an interesting story about the single in the new Rolling Stone. Cuomo explains that the song came out of a meeting with the record company where the execs told him that the new album "needed a single". In fact, he explains that a lot of the jokey "pop" references where actually suggestions that the Board gave him about the needed single (hence, the Timbaland reference, for one). He was so pissed that he just crafted a song from their ridiculous advice.

That being said, I agree in the main with your post (although I also suspect I'm something of a Weezer apologist 'round these parts).
I read that, too. It would probably carry more weight as some kind of statement against the execs if it wasn't exactly what they wanted. Still, on the basis of the music, it's way better than "Beverly Hills," at least.

I don't even get how one can be an outright Weezer apologist or hater these days, since they're so erratic (although mostly not-so-hot these days, IMO). Some of their stuff is very, very good, and some of it's very, very bad.
post #30 of 79
Quote:
Originally Posted by DaveB View Post
I don't even get how one can be an outright Weezer apologist or hater these days, since they're so erratic (although mostly not-so-hot these days, IMO). Some of their stuff is very, very good, and some of it's very, very bad.
I've determined that I'm a Weezer apologist premised upon the fact that I don't hate "Make Believe". It's no "Pinkerton" or "Blue Album", but I can listen to it and derive pleasure. Ergo, Weezer apologist.
post #31 of 79
Quote:
Originally Posted by Mattioli View Post
I've determined that I'm a Weezer apologist premised upon the fact that I don't hate "Make Believe". It's no "Pinkerton" or "Blue Album", but I can listen to it and derive pleasure. Ergo, Weezer apologist.
I have to admit that I never made it past the singles to want to give Make Believe a chance.
post #32 of 79
I'm really loving the new songs a lot. "Heart Songs" and "Troublemaker" especially.

I don't see how one can be an apologist for music, because if you're in my car, you're gonna listen to what I fucking got on the radio, goddammit. Heh.
post #33 of 79
Thread Starter 
Good call on Heart Songs - Granted, the lyrical approach is threadbare, but musically it's a nice change of pace from Weezer's more "huge" sounding tunes.

Even though the final 2 songs haven't been leaked, I'm just happy that TRA is already a vastly more interesting and more fun listen than Make Believe, to my ears, at least. Doesn't make it a great record, but I appreciate the shift in songwriting from MB's dreary batch of songs.
post #34 of 79
Quote:
Originally Posted by DaveB View Post
I have to admit that I never made it past the singles to want to give Make Believe a chance.
I can't blame you for that. By the time it gets to the guitar solo in "Beverly Hills" (a talk box? Are you fucking shitting me?) most sane people would give up. I kinda liked "This is Such a Pity" though; I can't explain why.
post #35 of 79
The video to Pork N' Beans is aces.
post #36 of 79
Cuomo's Youtube "Let's Write a Sawng" videos are pretty cool and funny, at least to my weird sense of humor. The song being put together could fit in The Green Album nicely. The latest version is at about the 1:39 mark of this one: http://www.youtube.com/watch?v=K0gCqyVMIjc&feature=user

And I really dig both Maladroit and Make Believe. The latter has this weird vibe that can be either really sincere (The "You're my best friend and I love you" chorus in "My Best Friend") or ironic (The guitar solo in "Beverly Hills"). I like how Cuomos is purposefully trying to go with lean, simple, catchy lyrics. Check it out, DaveB, you might find it to be enjoyable.
post #37 of 79
"The Greatest Man That Ever Lived" is some kind of swaggering genius song. That line about a fine line between stupid and clever? That song rides that line like a stripper on a pole.
post #38 of 79
I'm a fan of Pinkerton and their first album, that's about it. Everything else felt like it was aping the concept of their first one - not just in eponyminity, but sonically. That said, there's a great number of singles from them that I really enjoy. A few years ago, they stopped being relevant and now they're just coasting on the skill they have at writing catchy pop songs. And there's absolutely nothing wrong with writing pop songs.

Say what you will about Weezer, but they're certainly not a bad band. They're just not very consistent.
post #39 of 79
Just had my first listen through of The Red Album and so far I'm liking it more than Make Believe but again, I'm being cautious. I liked its predecessor on the first few listens but it quickly wore on me. I really, really like "The Greatest Man That Ever Lived." Best song they've done in quite some time. "Heart Songs" also mightily impressed me. Really have to let the others soak in, but I hope this album gets me excited about Weezer again.
post #40 of 79
Quote:
Originally Posted by Alan "Nordling" Cerny View Post
"The Greatest Man That Ever Lived" is some kind of swaggering genius song. That line about a fine line between stupid and clever? That song rides that line like a stripper on a pole.
We're agreeing a lot lately.
post #41 of 79
All Weezers later albums have ever made me want to do is re-listen to Blue and Pinkerton personally.

Its a shame, I miss those guys whose live show rocked my world so many years ago....
post #42 of 79
Quote:
Originally Posted by Mattioli View Post
Hey, Rivers, what's with the porn 'stache, though?
I thought he was Sam Rockwell for a minute there.
post #43 of 79
He claims the stache is a tribute to his father. he grew it out after the birth of his daughter. Also, The Angel and the One is a great track.
post #44 of 79
Thread Starter 
Interesting, I was wondering what was up with the 'stache. And I'm really liking The Angel and the One too - Nice to have a restrained, natural sounding closing track from Rivers for the first time in a long while.

I'm not terribly fond of the PN'B video, but this band always has at least one neat concept on deck for their videos, so I'll twiddle my thumbs for a fittingly insane "Greatest Man" vid.
post #45 of 79
I'm digging the hell out of this album.
post #46 of 79
I don't know if it's a good album, but they are trying and seem to be going out on a limb. For that I give them, especially Rivers, credit.
post #47 of 79
Really can't grasp what I think about it yet, I only have the 8 songs, need the other two. I can't stop listening to "Heart Songs" though. It's gotta be the most honest song Cuomo has written since the Pinkerton days. I love it.
post #48 of 79
I liked the pork tune. The video, however, sucked. It reminded me of all those "funny" movies like Epic Movie and Date Movie.

Weezer's like that relationship in high school that ended too soon. Afterwards you spent a lot of time romanticizing the girl and the relationship, which built the whole thing up in your mind. Then you run into the girl again in college and you get back together. That's when you realize it wasn't that great in the first place.

That being said, Tired of Sex is one tough song.
post #49 of 79
I really like Pork and Beans. I dont quite understand the outright hostility towards them. People take Weezer way too seriously. Still I'm in the minority here.
post #50 of 79
Quote:
Originally Posted by kingfan View Post
I really like Pork and Beans. I dont quite understand the outright hostility towards them. People take Weezer way too seriously. Still I'm in the minority here.
I think the hostility -- from me anyway -- comes from the genius that Weezer used to be. Blue is fantastic but Pinkerton is sheer genius, a flat-out masterpiece. After that, it seems the boys chose to shy away from their adult (and much superior) sides. Green was pretty good, Maladroit was catchy but hit-or-miss and Make Believe was an utter disaster. They were just going through the motions.

I don't mind their immature nature, only if they did it better. They've been repeating the same formula for years now, without adding anything fresh to it. That being said, I think The Red Album might be their best work since The Green Album. It's not mature, exactly, but put together well and fun and experimental and youthful. I have to give it another listen but I'm digging it so far.
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