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3D, HD, Digital, Hard Drives

post #1 of 7
Thread Starter 
So, it is no secret i am working on Final Destination 4:3D right now. I took this gig just to try and learn something about the new technology. I even passed on working with my future ex wife Salma Hayek for this gig (feel free to hit me now).

So I am wondering what some of you think about it? I have heard people say it is the future, but even while working on a 3-D film I disagree. The glasses are always going to be a hang up, especially for people like me who wear glasses already. I also don't see theaters going to this tech full time since I currently can't see a way for indie or low budget films to use/afford the state of the art systems for along while (best thing I have overheard so far was in prep: "Yeah, we need the techs to come back to L.A. because they have to invent some stuff for the cameras.").

I worked on CCBB last year, and that was almost completely digital. A few sequences we used film since they liked the slow motion in film better than the digital, but really, the vast majority of the film was all on hard drives. In fact, my last three shows I haven't even seen a reel; all I have seen are tapes.

So this to me looks like where we are heading. Less actual film stock. A lot more tapes. And soon a lot more hard rives.

I am interested to see what others have been using lately, especially in the last year. And what experiences you have had with any of the new stuff.
post #2 of 7
Thread Starter 
By the way, article from Variety with James Cameron on 3-d which hsa made the rounds here:

http://www.variety.com/VR1117983864.html
post #3 of 7
I worked on a 3D movie as an assistant editor and the amount of HD space we used was phenomenal. I think we were up to 20 500GB LaCies by the end of it. Part of the issue was that our director ran up huge amounts of tape and never called cut between takes because he wasn't worried about film cost. Weird thing was that it added cost on the post side as we had to rifle through all the unmarked footage in order to get usable stuff. Then we had to digitize it twice (one for each eye) so dailies and getting the shots loaded so the editor could cut took twice as long.

You save lots of money in the production phase but it costs way more in the post.

I have also yet to see a movie worth all he hype that 3D is getting.

On the other hand I love the potential of sound in 3D films. U23D was brilliant from a sound perspective and I love what they did with surround in Beowulf.
post #4 of 7
Thread Starter 
Its funny to me that Avatar is supposed to be the new gold standard for 3D, but there are several movies which will be out before it using the Pace HD cams they are using.

Found this through Wired:

http://www.wired.com/entertainment/m...=1&slideView=9

There's a contradiction though in the article. At one point they talk about how far over they went. Then at the end they say anyone can do 3D.
post #5 of 7
Thread Starter 
Something I have been thinking about lately: might 3D/HD/Digital conversion by theaters (which I think they will start doing soon) end up actually being the last final grasp of megaplexes? As much fun as it is to watch something in 3D (I got to watch footage from our film and it was easier on me than the last couple of times i have watched 3D), I just keep seeing it as going bust on them in 10 years. And this leading back to more local movie houses and much more of watching films on various items from fones to the equivalent of a laptop to your tv (after downloading it to you Sony or MS box).
post #6 of 7
If all goes to plan (and it usually doesn't) I might be part of the crew on a micro budget movie shooting on the Red One camera, towards the end of the year, if it happens I'll let you know how that goes.
post #7 of 7
Thread Starter 
Times-Picayune piece on FD4.

Sorry I am not in any of the pics.
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