Lazier than The Lost World. Sadness.
post #51 of 2439
5/8/08 at 10:23pm
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In the end of the Lost World, is their an explanation for how the crew of the boat get killed when it crashes into the dock? |
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I take a small comfort in believing that somewhere, in one of the infinite number of universes that exist alongside ours, there is one in which the Frank Darabont draft is the script they turn into a movie and everyone is so super jazzed about it.
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Sorry to go off on a tangent, but this something I've always wanted to know and a quick answer should suffice.
In the end of The Lost World, is there an explanation for how the crew of the boat get killed when it crashes into the dock? From memory they are all eaten and mangled up, but the T-Rex is still in the holding bay... So is it stupid or did I miss something? |
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Originally Posted by Sonic Boom
I imagine the script is a mish-mash of Lucas, Darabont and Koepp.
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Well I'm not imagining that Spielberg said before production began that he was the director of this film and not Lucas and for production to begin he had to approve of the script. That's why he brought Koepp in to rewrite it, he wasn't happy with Darabont's draft either.
Later on he described the relationship on set, between he and Lucas, as something like Lucas occasionally chiming in with an idea and him totally ignoring it. |
| "The short and simple version of the INDIANA JONES 4 situation is that after more than a year of working closely with Steven Spielberg developing the story, I had completed a screenplay that Steven loved and was hoping to shoot in July of this year. However, George Lucas had issues with the script and slammed on the brakes in order to rework the material himself. There is talk of enlisting another writer. Given that George is the producer, but even moreso because of their long and close friendship, Steven is deferring to George in this situation." Frank Darabont http://www.aintitcool.com/node/17037 |
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Also why does everyone assume that the Darabont script actually was really good? |
| The guy wrote THE FLY 2, FRANKESTEIN, directed THE MAJESTIC and more recently wrote and directed THE MIST. |
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Spielberg is obviously not going to fight with someone he has to work with, so he brought in a different writer to tweak the draft with Lucas' ideas. Koepp.
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You left out The Shawshank Redemption, arguably one of the top ten films ever made.
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I'm not saying Spielberg didn't eventually get in tune with Lucas' ideas...I don't know what happened. But you're an outright liar if you say he wasn't happy with Darabont's draft.
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You're the one who brought up Darabont's credentials, and I proved you were being ignorant. Shawshank is a very popular and well made film, and a very well written screenplay.
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| You were getting away from the point anyway...Spielberg and Ford love Darabont's draft, no matter how you feel about the man's writing. |
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Lucas' instinct is extremely suspect after the Star Wars prequels and not having made films for 17 years before Episode 1, not to mention his spotty track record as a screenwriter.
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| Now that the early reviews have come in, most of the gripes seem to come directly from things Lucas is notorious for being terrible at. |
| "George called and said, 'Would you be interested in doing this? We're looking for a writer,'" said Darabont - who wrote several episodes of the Young Indiana Jones series before making The Shawshank Redemption and The Green Mile. "I said, 'Yeah, George, I'm there' It's the only gig I've taken sight unseen." |
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Originally Posted by ShogunMaster
I found it funny that they mentioned the Lost City of Gold as it accidentally referenced the old Allen Quartermaine days (a crappy knockoff of Indy Movies incase you missed them)
*snip* And even though it's not as bad as Allan Quartermane, it's definitely not a good Indy Movie. But for those of you that feel that the new Star Wars Movies robbed your childhood, expect some molestations from Uncles' George and Steven... |
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Originally Posted by Isildur's Bangs
Yes. Because it seems to come from someone who is a little more calm and rational and capable of making an argument and sticking to just that. Not someone who is either overly excited or overly dramatic.
The others reviews really sound like a big pile of bullshit. |
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I don't disagree with this at all.
But this... I'm not getting that impression at all from the reviews I've read (if you're referring to the AICN reviews). Alot of the negativity seems to stem from fanboy hopes being crushed due to their impossibly high expectations never being met. Who they choose to cast blame on means dick. Sorry if I don't at all trust a review from a guy that believes Allan Quartermaine is a crappy Indy knock off, or a review that sounds like it was written by someone who was just waiting to bitch bitch bitch about the movie and obviously lacks in sort of skill in writing at all. |
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I thought the second reviewer made his points very well. I won't know if I agree with him until I see the film, but he was very clear that he didn't hate the film, just found it to be a disappointment and outlined exactly why he felt that way.
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Um, the Richard Chamberlain movies "King Solomon's Mines" (released one year after Raiders, to cash in on Raiders' popularity) and "Allan Quatermain and the City of Gold" (released one year after Indiana Jones and the Temple of Doom) were obviously cynical cash-ins, and that's what the reviewer was referring to.
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I thought the second reviewer made his points very well. I won't know if I agree with him until I see the film, but he was very clear that he didn't hate the film, just found it to be a disappointment and outlined exactly why he felt that way.
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| ...the problem is that Lucas, Spielberg, and Ford are trying far too hard to give everyone what they think that they want. Look! It’s the Ark! Look! It’s Marion! Look! It’s not the mileage, it’s the years! |
| EW:You've made Indiana much older in Crystal Skull — the character is nearly 60. And Harrison Ford turned 65 while you were making the film. LUCAS: There was never any question about the fact that we were going to have Harrison play his age. SPIELBERG: There's a line that was thematic for me, and it's not a line that's actually in the movie. And it illustrates why I was comfortable letting Harrison age 18, 19 years. In the first movie, he says, ''It's not the years, sweetheart, it's the mileage.'' Well, my whole theme in this movie is, It's not the mileage sweetheart, it's the years. When a guy gets to be that age and he still packs the same punch, and he still runs just as fast and climbs just as high, he's gonna be breathing a little heavier at the end of the set piece. And I felt, Let's have some fun with that. Let's not hide that. |
)| ENTERTAINMENT WEEKLY: So why resurrect Indy after all these years? GEORGE LUCAS: We're doing it to have fun. We're not doing it to say, Oh, we're gonna get an Academy Award, everybody's gonna love us.... We don't need the money. We're only going to get aggravation. The fans think it's gonna be the Second Coming. And it's not the Second Coming. They've already written the story [in their heads], and lemme tell ya, it's not that story. So they're going to be very disappointed. I went through this with Phantom Menace. Believe me, I've been there, I've done it, I know exactly the way they react. And they're very vocal about these things. We're not gonna have adoring fans sending us e-mails saying how much they loved the movie. We're gonna have a bunch of angry people saying, ''You're a bunch of a--holes, you should never have done this. You've ruined my life forever. I loved Indiana Jones so much and now it's ruined.'' And all that kind of stuff. STEVEN SPIELBERG: Uh, he needs to speak for himself here. [Laughter all around] You need to put in parentheses ''George Lucas is totally speaking for himself.'' And I absolve myself of any connection with that last statement about fans not liking it. LUCAS: All I'm saying is, I have been there, and I have walked through the valley of death on highly anticipated sequels. |
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Hey, can I just say that I know a few things about the set of the movie, the way the behind the scenes stuff played out and all that, and Isildur's Bangs is, as usual, wrong and stupid. He does not know or understand the power and relationship dynamics that were at play here, and he is also a moron.
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And there's another quote, which I can't seem to find at the moment, where Spielberg described how he and Lucas work together on set, something along the lines of Lucas occasionally chiming in with an idea and Spielberg basically ignoring it.
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