Quote:
Originally Posted by Erix 
Hey Mike...
I've long been notorious around here as being "That Guy Who Compared Shyamalan To John Carpenter In His Positive Review Of The Happening" so...
But I think the cat's finally out of the bag in that I won't cut him any slack if I genuinely think he made a bad movie.
I haven't seen Devil. It didn't open here yet. But I really want to. Based on the trailers, it looks like the movie he should have made instead of Airbender.
I actually really admire the guy. In fact... Here's the whole Shyamalan series for those who didn't catch it the first time.
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My gratitude to you is twofold: One for the above great articles and two for articulating in far better words what I have been harping on about for the best part of a decade.
Commence rambling.
You are spot on. Shyamalan's first few films were all about that slight of hand. You weren't really watching a ghost story, you were watching a drama about a man trying to reconnect with his wife. That creepy thriller was a Superhero Movie! The twists brought me back for second viewings but it's those layers that I love.
Public opinion of his later output has completely overshadowed the reality that he is an incredible filmmaker
The Sixth Sense is so much more than that twist. It is utterly chilling, something as slight as the kitchen cupboards being open or the voice in that door terrified me.
Unbreakable is a slow burner but it's perfectly paced. The entire sequence in the house when Willis completely accepts that destiny is masterful. Unbreakable's problem is that it tried to deconstruct the Superhero movie while it was just beginning it's rebirth.
Water and baseball bats aside. Signs gave me one of my favourite Cinema moments of my life. When Phoenix was watching that home video everyone in the packed audience leant forward. Literally everyone was leaning forward in their seat. When the alien appeared the place went through the roof. Everyone screamed, some leapt up and everyone burst into applause.
The Village on a technical level is absolutely his best film. It is utterly gorgeous and haunting. But that ending... I think this maybe where we begin to differ. My problem with the ending is that comes after three
far better endings. The first reveal that the entire threat is a lie followed by the idea that maybe it wasn't was fantastic. That ambiguity gets completely lost come the final twist. I love your thoughts about how disturbed the Elders are, but without the "fake" village that idea might have come across in a more subtle way.
Lady in the Water is a film I just didn't get. It looked fantastic and features a fantastic cast but crazy decisions bog it down, namely, him casting himself as the saviour of mankind.
I remain convinced that if Shyamalan had shot The Happening in black & white we would be celebrating it. It feels throughout that he couldn't decide if he was making a real horror or tongue in cheek B-Movie (akin to Tremors) he didn't commit to either and (for me) it suffered.
I'm still behind the guy 100% There is serious talent there. I want him to stop making films he thinks other people want to see. Filmmakers lose their way all the time but I'm convinced M Night has more in him.
There we go. Proof, if it was needed, that you said it better.
End rambling.