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An American Werewolf in London

post #1 of 21
Thread Starter 
A naked American man stole my balloons...

I know its a classic and its probably appeared in this thread a number of times, but I did a search and couldn't find any previous entries so here we are.

Watching this right now for the umpteenth time on cable and I think this film actually gets better with age as so many try-hard horror films, horror-comedies and werewolf films are releaased in its wake, it just looks that much more brilliant with each subsequent attempt to match it in my opinion.

Besides Shaun of the Dead, for me this is the only true 'horror-comedy' in that the comedy parts are golden and the horror parts are fucking terrifying.

I saw bits of this film when I was far too young to be honest and so it has been the stuff of my nightmares since early childhood, but it was only in my late teens I started watching it with an eye to realising how well Landis' makes the comedic moments work as well.

You juxtapose the moments between David and dead-Jack, and theres some comedic gold there, but then set that against moments like Davids nightmares of hunting deer naked and monster nazis killing all-american familes and you really understad Landis' achivement.

...and lets not get into the initial 'change' sequence, masterfully put together by Rob Bottin - yet to be surpassed by anything CGI has achieved for my money.

Scary movies dream of warming themselves in the steam of American Werewolfs piss these days.

Besides The Thing and The Exorcist, this may be the greatest horror film ever made.

ETA: Oooh one of my fave moments in the whole film may be one of the shortest, its when the guys being chased in the Tube Station and finall falls on the escalator, the camera is peering down the escalator shaft and you see the werewolf slowly stalk into view. Brilliant and one of the most succesful incedental special effects scenes ever I reckon.
post #2 of 21
I still remember Ebert's harsh critique-back when his film books were like the Bible. (Always hanging over my head when I first discovered it)I never considered it anything more than a cult classic (even preferred THE HOWLING) until the end of the decade. Now, love it.
post #3 of 21
Quote:
Originally Posted by The Rain Dog View Post
...and lets not get into the initial 'change' sequence, masterfully put together by Rob Bottin - yet to be surpassed by anything CGI has achieved for my money.
Except that Bottin did the werewolf for The Howling, while Rick Baker did the transformation for American Werewolf.
post #4 of 21
One of my all-time favorites. Love everything about it, especially the slow-burn leading up to the transformation. I could watch Griffin Dunne and David Naughton roaming the hills of England bantering about Debbie Klein all day. Hell, I'd even hang out at the Slaughtered Lamb with them.
post #5 of 21
Thread Starter 
Quote:
Originally Posted by Mattioli View Post
Except that Bottin did the werewolf for The Howling, while Rick Baker did the transformation for American Werewolf.
GAH!

Arse.

Owned.

Mea Culpa.
post #6 of 21
Quote:
Originally Posted by The Rain Dog View Post
GAH!

Arse.

Owned.

Mea Culpa.
No worries. I so rarely get to be the movie nerd 'round these parts that I had to do it.
post #7 of 21
Don't forgot the awesome soundtrack.

CCR have never sounded so good




EDIT: forgot to mention

Jenny. Agutter's. Tits.
post #8 of 21
Thread Starter 
Dear God Jenny Argutter, just the kind of gorgeous pom to make you want to go all lyconthrope, help Logan Run or blind six horses with a metal spike.

What a woman.

post #9 of 21
I just love this movie. The actual stretching sounds as he transforms still freak me out to this day.
post #10 of 21
I'd love to see that deleted footage of the wolf killing the bums that disturbed the preview audiences to the point of distracting em for the rest of the screening.
post #11 of 21
Landis ruled as guy going through winshield.
post #12 of 21
My top ten film list is somewhat of a revolving door, but AWIL always has a place on it.

It's hard to believe that this film is 27 years old, even harder to believe that in those 27 years it has remained unchallenged as the preminent werewolf film. There was a time when I wanted Landis to tackle another horror film, but I'm afraid we'd just get a another Innocent Blood, and no one deserves that kind of punishment (though I'm certain plenty of guys have "punished" themselves to Anne Parillaud over the years). As it is, I think this is the only horror film that Landis needs on his CV, it's rep for life.
post #13 of 21
If I remember right, this was the first werewolf movie that described the transformation as fucking painful. Screaming, sweating, shaking. Christ that first transformation freaked me out at the time.
post #14 of 21
You're right. That was Landis' approach to the transformations because it had never been depicted that way. One thing I remember about that transformation is how Naughton goes for normal to sweat drenched in less than a second.
post #15 of 21
Quote:
Originally Posted by Trav McGee View Post
If I remember right, this was the first werewolf movie that described the transformation as fucking painful. Screaming, sweating, shaking. Christ that first transformation freaked me out at the time.
The sound work in American Werewolf is absolutely brilliant during the transformation. The squelching, popping, twisting noises--when combined with David's agonizing grunts, moans and screams--only serve to underscore the agony of changing.

Hell, as a whole, I can't think of a movie where the sound work is as horrifying as American Werewolf. The attack on the moors has never failed to raise goosebumps: the growling, the tearing of flesh and clothing, and Jack's bubbling screams as David runs are completely, gruesomely terrifying.

Quote:
Originally Posted by EdHocken
One thing I remember about that transformation is how Naughton goes for normal to sweat drenched in less than a second.
I'm not sure about normal. The movie goes out of its way to show the abnormally euphoric, electric feeling David has during the daylight. It's only when the sun starts to sink that it becomes something else.
post #16 of 21
This is a highlight movie. I consider it a must see for anyone wanted to do conventional effects. Right next to The Thing. The effects are still very good. I have yet to see CG do the kind of gruesome transformation as depicted in this movie.
post #17 of 21
Quote:
Originally Posted by billylove View Post
This is a highlight movie. I consider it a must see for anyone wanted to do conventional effects. Right next to The Thing. The effects are still very good. I have yet to see CG do the kind of gruesome transformation as depicted in this movie.
It's not JUST the effects...it's small touches like , "I'm sorry I called you a meatloaf, Jack!"...mid-transformation, that REALLY sell this.
post #18 of 21
This movie is good.
post #19 of 21
Love AWIL, but I still consider The Howling a better werewolf movie, if not the better overall film. The bipedal werewolves in Howling seem more malevolent and more like actual supernatural entities than the four-legged wolf creature in AWIL. Both films are greatness, though.
post #20 of 21
Quote:
Originally Posted by Ratty View Post
Love AWIL, but I still consider The Howling a better werewolf movie, if not the better overall film. The bipedal werewolves in Howling seem more malevolent and more like actual supernatural entities than the four-legged wolf creature in AWIL. Both films are greatness, though.

Nonsense...the ONE thing that might be better is the "Let me give you a piece of my mind."; but as a whole..bollocks!
post #21 of 21
This dude has a serious Werewolf in London bust collection:

http://www.therpf.com/showthread.php?t=45320
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