I didn't see a discussion yet, hope I didn't miss it...
I've just started listening and am not sure what I think about the entire album, but I will say:
1. Listening to "Highly Suspicious" tells me that MMJ got the same joke that The Darkness got from late-70s/early-80s metal, and in fact may be better at re-telling that joke.
2. In fact, the saving grace for the entire album may be the only-barely-winking '70s riffs throughout. "Thank You Too!" and "Sec Walkin'" borrow heavily from "The Long Run"-era Eagles, and "Touch Me...pt 2" has that disco vibe that almost all popular music had picked up by 1979. I'm not coming up with any names, but in other spots the album strongly evokes for me the late-70s pop country sound (all I can think of right now is Ronnie Milsap and that isn't quite accurate).
3. The album is falling flat for me in the 2nd half right now. Songs like "Look At You" and "Remnants," at least after just a few listens, sound more like a lesser band trying to do the alt-country thing, or maybe a Jupiter Coyote throw-away.
4. And I don't know what to think about "Librarian" lyrically. It's so straightforward at first listen and it may be terrible shmaltz or clever tongue-in-cheek stuff.
This all may come back to bite me, because my impressions often change over time. Anyone else listening to this yet?
I've just started listening and am not sure what I think about the entire album, but I will say:
1. Listening to "Highly Suspicious" tells me that MMJ got the same joke that The Darkness got from late-70s/early-80s metal, and in fact may be better at re-telling that joke.
2. In fact, the saving grace for the entire album may be the only-barely-winking '70s riffs throughout. "Thank You Too!" and "Sec Walkin'" borrow heavily from "The Long Run"-era Eagles, and "Touch Me...pt 2" has that disco vibe that almost all popular music had picked up by 1979. I'm not coming up with any names, but in other spots the album strongly evokes for me the late-70s pop country sound (all I can think of right now is Ronnie Milsap and that isn't quite accurate).
3. The album is falling flat for me in the 2nd half right now. Songs like "Look At You" and "Remnants," at least after just a few listens, sound more like a lesser band trying to do the alt-country thing, or maybe a Jupiter Coyote throw-away.
4. And I don't know what to think about "Librarian" lyrically. It's so straightforward at first listen and it may be terrible shmaltz or clever tongue-in-cheek stuff.
This all may come back to bite me, because my impressions often change over time. Anyone else listening to this yet?




