Quote:
Originally Posted by IggytheBorg 
And that's a damned shame. My impression of vamps, from when I read about the legends in books on horror legends as a kid (can't recall the titles, but they were about movie monsters & such by a guy named Daniel Cohen, if memory serves), was that besides being turned by the bite of one, one could be created by God's punishing (or Satan rewarding?) a person that lived their life in a despicably evil manner. I always kind of thought, having grown up on Hammer & Universal vampire films by that point, that vamps were suave and noble in bearing, perhaps, but thoroughly EVIL. A concept that SHOULD be more interesting by MILES than a glorified zombie, particularly w/ the returning loved one scenario. Anne Rice did little to progress this concept, IMO. The mystique of power, and maybe even the crushing world weariness eternal life can often bring were the only contributions, and probably not even original to her (although she did market them for mass consumption better than anyone else to that point).
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Agreed. Emphatically. I'm tired of the emo whiny vampires we're usually stuck with in films and on TV lately. I miss the old school vampires we'd get with the Hammer films and even Bela Lugosi's Dracula. Yeah, I grew up with 'em via Creature Features and Famous Monsters mags, and thus am more used to them, but Bela and Christopher Lee had STYLE. They had an aristocratic bearing to them, and their evil was very seductive to their eventual victims (hell, Lee had girls more or less throwing themselves at him in some of those flicks. Same as Frank Langella when he played Dracula on Broadway and on film in '79). that's really missing today.
Also, I'm getting tired of hordes of vampires going to town - it worked fine in Blade and From Dusk Til Dawn, but when you get to films like 30 Days of Night, those hordes weren't far from your average group of zombies. Characterization went right out the window - you didn't give a shit if this particular vampire got whacked or not, whereas you get more emotionally involved when there's one bad guy to root against. Plus, due to so many sequels, you knew you'd see Dracula again (part of the fun was finding out how he'd be resurrected in the next flick).