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In Defense of Alan Moore - Page 2

post #51 of 54
Thread Starter 
Somewhat related, I thought this was a good post on the charge that Moore is too detatched and formal (which I get, but don't totally agree with).
post #52 of 54
Moore's attitude towards adaptations of his work is a very healthy one. He simply doesn't care about them and he knows that the comic books will still be there, unchanged, no matter how shitty the films they make out of them might be.
post #53 of 54
good little artile about promethea - I always liked that comic and issue 12 blew me away! I guess this is now over on the devin's advocate thread....
post #54 of 54
Quote:
Originally Posted by mr_adam View Post
The event that really hacked him off was when some knob-end yanks took the film (and by extension him) to court because they had written some movie that was similar to LXG called cast of characters which fox had looked at before. the odd thing was that Moore had to come to court and promise that his idea for a comic was not based on someone else's idea for a film (absurd right?) well it turns out that alot of the big changes to the LXG script - Tom Sawyer, the Phantom, Dorian Grey etc. did appear to come from their script. Because it was a flop, Fox settled out of court to make it all go away and this upset Moore more (!) because he felt it was tantamount to admitting that he had plagiarized it. After that it's not surprising that he wants fuck all to do with Hollywood.
Well, except for the fact that noone was an ounce of sense believes Moore plagiarized anything, and the studio settlement was simply a business decision.

I do admire his committment to his principles, although I think compromising every now and then is a good thing. And, heck, noone really was at fault in the WATCHMEN situation. DC put it into print, it sold, they put another edition into print, it sold, repeat all the way to present. I'm not sure what he would do differently with WATCHMEN if he ever got the rights back, anyways? DC's always presented the work in quality editions, what would he do that's significantly different or better? Dave Gibbons seems to cope just fine without anyone suggesting he's a sellout. Heck, Gibbons might be happy that he doesn't have to deal with Moore's ideas of what is good business.

But, beyond that, I really don't think there's any other criticism that sticks to Moore. He's a talent that continues to experiment and expand the medium. If he doesn't want to work for DC or Marvel, we're not any poorer for it since I'll take From Hell over The Killing Joke any day.
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