Can we do a revote?
post #51 of 424
9/19/08 at 1:07pm
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Uh, aren't any of you starting to feel a wee bit ... manipulated? I'm seeing all these geeky gasps of "oh, she's so real!" from you. But haven't you notice that it's starting to look like that's all she's got to give you?
She wrote a book about stripping. She makes a big deal about it. And when she posts this "real" blog attacking her "haters", she gratuitously embellishes on the stripping. It wasn't just regular stripping, boys, it was toys-up-the-ass stripping! Let your virgin geek minds boggle! Please don't forget me, Diablo Cody, the stripper with rubber dildos up my ass! |
| And let's not forget that her "brilliant" film writing debut, JUNO, derives mainly from this stunted stripper view of humanity. This teenage girl basically power fucks a guy she is merely friends with, with typical stripper/prostitute detachment, and only learns to love him later. Not particularly insightful, just projecting her own Stripper-induced detachment from sex onto the character. |
| I'm not denying that she may be intelligent, but it's stunted intelligence, and it looks like she's already in a rut. |
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And let's not forget that her "brilliant" film writing debut, JUNO, derives mainly from this stunted stripper view of humanity. This teenage girl basically power fucks a guy she is merely friends with, with typical stripper/prostitute detachment, and only learns to love him later. Not particularly insightful, just projecting her own Stripper-induced detachment from sex onto the character.
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::blink::*
I found it fairly apparent that Juno was in love with Paulie Bleeker from the word go, even if he was, in name, her friend. Adolescent sexuality is tricky like that. |
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She didn't call out the massive undercurrent of sexism that lies beneath all the online hate.
The thing is that JUNO is a good movie. A really good movie. I'm sorry that 'you' weren't able to see the film early and had to hear people get excited for it before you caught it, but that doesn't make the movie bad. And people who complain about the dialogue are kind of why I hate the internet. It's stylized? NO SHIT. It's supposed to be stylized. Cody doesn't think she's writing gritty teen language here. |
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Weren't you the guy, and I'm so sorry if I've confused you with someone else, that bought five tickets to see The Dark Knight opening weekend before he'd even seen it once? The whole argument on why that's bizarre is because you could use that time to catch up on other movies. No one's saying you have to go outside your comfort zone and rent some obscure pretentious pseudo classic, but you sure as hell could have caught up on the best picture nominees from last year. |
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As per the Leo/Shia hatred, it's always been seen as that many fanboys are either closeted, or deeply uncomfortable in their sexuality, so anyone who exerts less masculine tendencies in their appeal becomes threatening to them.
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As per the Leo/Shia hatred, it's always been seen as that many fanboys are either closeted, or deeply uncomfortable in their sexuality, so anyone who exerts less masculine tendencies in their appeal becomes threatening to them.
Diablo gives the world the amunition to hate her, it's too bad that generally those that do only hate her for the things she wears as armor. Diablo told you these things, and you took the bait. People who can't seperate the artist from the art are idiots, though. That's different than art being so bad or mediocre that you can't divorce yourself from whatever X is. I don't ever watch City Lights, or Chinatown and think about how the directors had sex with 14-year-olds. |
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I'm deeply uncomfortable drawing any parallels between Leo and Shia. One's one of the more talented actors of his generation, who had the good luck/bad luck to star in the most successful film of all time and subsequently had to deal with the overexposure that accompanies that. The other's an average, not-bad-not-great actor whose hobbies include driving drunk, and who apparently has incriminating photos of Steven Spielberg in a very, very safe location somewhere.
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Why is it people say "Oh, I avoided that film because of all the hype," but they have no problem buying into other highly hyped films?
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Absolutely, it does. That's exactly what she's saying - "if you don't like my movies, you hate women." If you get any meaning besides that out of her blog post, you're completely misreading it.
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The thing is, that argument is absurd. "If you didn't like Juno, you obviously hate women." That's just silly, and doesn't really hold any water. To say nothing of the women I know who didn't like the film("cloying and over-sentimental"), it's just not an argument you can really effectively apply on any large scale. "If you don't like No Country For Old Men, you obviously hate men." See? It doesn't really flow that well.
If Juno was, say, a rousing portrait of Susan B. Anthony that was met with a resounding "what a slut lol" response, then yes. I could buy that argument. Otherwise, it strikes as remarkably insincere. |
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Really? And her affection for him was realistically portrayed by sitting him in a chair? That scene didn't seem to be very naturally affectionate. It was distant, strippery, lapdancey.
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| Of course, one COULD explore WHY a teenage girl would be that distant, clinical, in her approach to sex. I don't think the film really did explore that. That coldness, that practicality, that distance extended all the way through to the adoption process, and right to the final, "happy" ending where the absent child is seen as a great thing for the fledgling adolescent romance finally back on track. Cold as hell. I can't see a relationship based on such coldness actually surviving. |
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I remember in a "kids like you" ad for the Disney channel, where they have actors talking bout everyday things, he professed his love of Elton John "until Candle in the Wind". Then he sorta looked in the distance and shook his head, funniest fucking thing I ever saw on the Disney channel.
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Look at it this way:
Diablo/Shia/Leo -> Amadeus Fanboys -> Salieri, if he were completely tone-deaf |
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Not only does that gloss over most of Amadeus, it's just so easy and smug and falsely superior. Whenever fanboys come up, it's always a huge chance to break our arms off patting ourselves on the back for being more mature, or some shit. Why is the sharpest and most angry vitriol on Chud always directed by the small and easily ignored (and absent on Chud) fanboy minority? Most of these hated fanboys are fourteen year olds that weren't so different from us when we were that age. It's like everyone's still working through high school shit here, sometimes.
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I don't ever watch City Lights, or Chinatown and think about how the directors had sex with 14-year-olds.
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The problem with hating is - unless you are a critic - subjecting yourself to entertainment or people you don't like repeatedly makes you a hater. To invest enough in people or things to the point that you hate them is jealousy. As one comes to grips with the world, and finds that life is uniformly unfair, the best way to deal with things like that if it doesn't effect your daily life is to ignore it. I guess you can get apopeltic over Tyler Perry, or You Got Served, etc. but to have a real opinion on it, you'd have to experience it, and if you do then you're likely wasting your time.
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