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Thief

post #1 of 15
Thread Starter 
There's so much going on in this film in terms of character and plot, it's the first film in what I like to call Mann's Manchild trilogy with Heat and Collateral. Frank is an asshole and a tough son of a bitch but you have to admire his determination to stick by his code of honor even if no-one else will, Frank wants the family he never had but he has to compromise to get it so he makes a deal with Leo, who literally becomes a father figure (Leo even states it during their first meeting)

This clash between Frank's independence and Leo's organization is what's so fascinating, Frank has to sacrifice everything in order to be truly independent again. There's no room in the world for someone like Frank.

You also have the dynamic of Frank's two father figures, Okla and Leo. Okla raised him in prison, like the father Frank never had, Leo provides a different kind of father figure, one who gives Frank anything he wants but when Frank tries to assert his independence he smacks Frank down.

Tuesday Weld is an underrated actress, her character is kind of there but Weld gives her a steely toughness, she wants what Frank wants, a family, the diner scene is terrific, Caan's monologue making her smile with almost admiration.

It's a shame the score sounds so dated in some scenes otherwise I'd consider this a masterpiece, as it is, it's very good.
post #2 of 15
THIEF wouldn't be half as effective without James Caan. He gives Mann's script the credibility it lacks.
post #3 of 15
Thread Starter 
That is true, Frank's monologue in the diner is so effective because of the way Caan tells that story. I think the whole cast elevates the script.
post #4 of 15
Yeah, James Caan is awesome in this. Authentic. The Diner scene and Adoption agency freak-out should forever ensure his legend and place amongst the greats. (Too bad cocaine derailed his momentum, taking him out for most of the decade) Also love the way Mann shot the climax in the gangster's house. Suspenseful perfection. I personally don't have a problem with the Tangerine Dream score. Fits the movie like a glove.
post #5 of 15
I love Thief... I pretty much agree with Elvis. That shootout is an amazing piece of work. One of my favorite action scenes of all time. And I have a feeling that James Mangold was thinking about it when he staged the climax to Cop Land.

This is my favorite James Caan performance.

Also really like the Tangerine Dream score and I don't think there's any problem with Mann's script. It's a tight crime thriller. There isn't much to it but there isn't supposed to be. It's about the characters and that's done beautifully by the top notch cast. Mann went on to better things of course, but this is a nice little warm-up for Heat.

One of my favorite scenes is that courtroom bribery thing with the finger signs. I giggle every time.
post #6 of 15
Thread Starter 
The score was good during the heist scenes but it sounded so cheesy during those beach scenes.

Robert Prosky get's the best death, tough old bastard that he was.
post #7 of 15
Quote:
Originally Posted by Dragon Ma View Post

Robert Prosky gets the best death, tough old bastard that he was.
He's the chief villain and so he goes out in fine action movie tradition. You really throw your fist in the air and shout "Yes!" when Caan finally pops him.

And that whiny scream he lets out... "Aaaarrggghhh!!!"

It's nice to see a bad guy get what he deserves sometimes.
post #8 of 15
Quote:
Originally Posted by Dragon Ma View Post

This clash between Frank's independence and Leo's organization is what's so fascinating, Frank has to sacrifice everything in order to be truly independent again. There's no room in the world for someone like Frank.
Frank is a fascinating character. The sacrifice of everything for independence and code of honor is both admirable and near sociopathic. It's chilling how coldly and harshly he disassembles his relationship with wife and child at the end. A desperate attempt to get his 'nothing to lose' edge back.

Another favorite beat I love, is after pulling off this impossible heist, the camera slowly pans on Caan's face. He has this little smile. I guess moments like this are, for the most part, the only happiness ever known.

Which begs the question: Was his relationship with Weld real? Did he feel anythng like love and happiness? Or was the idea of family a sham he convinced himself he wanted/needed?
post #9 of 15
I always found this to be a very sad movie about crushed dreams. He gets everything that he thinks that he wants in life, only to find out that his world won't let him keep them.

This is a very strong movie that I recommend to a lot of people, especially if they are fans of 'Heat'.
post #10 of 15
This one is definitely not among Mann's best, but I did enjoy it. I especially liked the Mann gave a fair sized role to John Santucci, aka Pauli Taglia from CRIME STORY.
post #11 of 15
Thread Starter 
Quote:
Originally Posted by Fat Elvis View Post
Which begs the question: Was his relationship with Weld real? Did he feel anythng like love and happiness? Or was the idea of family a sham he convinced himself he wanted/needed?
I'd say it's the latter, the only family Frank really had was Okla. I think Frank knew Leo was a man of his word so he chose to destroy everything he worked for rather than let Leo destroy it.

I think it was a void Frank wanted to fill, he wanted the family he never got growing up, It's funny that Frank has three families essentially, he has Okla who you could say was like a single parent, Leo, who represented one family in the form of a gang and finally the family Frank has with Jessie.
post #12 of 15
Quote:
Originally Posted by Malmordo View Post
THIEF wouldn't be half as effective without James Caan. He gives Mann's script the credibility it lacks.
Never heard that before. No one else could do the role but Caan (and it's a damn shame where his career went afterwards), but the script is excellent. The outburst at the adoption worker, the scene in the Chinese restaurant, his shot at Prosky, all great. And like so much of Mann's work, ripped off repeatedly.

Keep an eye out for the debuts of William Petersen and Dennis Farina in the film. Farina tells a funny story about it.

Always wondered if the 'Frank' Nate tells McCauley Vincent Hannah is responsible for shooting in Chicago was a reference to Caan's character.

Great commentary on the DVD for this one, as well.

One of the many great things about the definite book on Mann which came out a couple of years ago was the close up of Frank's 'family collage'.
post #13 of 15
Yeah, the commentary is great on this as Caan take Mann away from his normal technical babble almost into comedy.

Also this far and no comment on Belushi's death? Its the image that comes to mind first whenever I hear the title.

This also gets better and better with each viewing, as I saw it once in my teens and did not hunt it down until quite recently and each time it keeps getting closer and closer to Heat.
post #14 of 15
Just got this off Netflix and loved it. The adoption scene was my favorite. I love Caan pissed and upset.

Quote:
Originally Posted by Subotai View Post
Great commentary on the DVD for this one, as well.
Gave me some civic pride that Chicago had the best crews. Also loved how caan got so good the films advisors thought he could do it professionally.
post #15 of 15
When you watch this, it drives home what a shame Caan's career path has been. He should be ranked up there with DeNiro, Pacino and Nicholson (for further proof of this, also check him out in the James Toback scripted "The Gambler"). Someone needs to give him a comeback role in a major way.
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