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Grace by Jeff Buckley

post #1 of 13
Thread Starter 
When I was younger owning this album was almost demanded of any aspiring music fan. Even now, in the UK at least, there's a sizeable cult of Buckley who almost canonised the guy after his death. As such I've always been a little cold towards his albums and never really gave them the time they probably deserved. Anyway this years X-Factor winners initial song was a cover of Leonard Cohen's Hallelujah and after playing Cohen's version a fair few times I decided to give Buckley's, insanely overused, famous cover of the song a go and with it Grace as an album.

Approaching the album on my own terms, and without a bundle of teen angst and rebelliousness, made me realise just why such a massive cult had grown up around him, such a phenomenal record. What gets me is that my memories of the album are of it being a sedate, Elliot Smith style, affair but Grace has thrust and momentum to spare and it carries this energy which is almost indescribable.

Is there anything else that Buckley did that is worth listening to, I can find a bunch of stuff on amazon but I'm always wary about buying post mortem because you tend to end up with shitloads of compiliations of 'previously unreleased' material floating around.
post #2 of 13
Sketches for My Sweetheart the Drunk and Mystery White Boy.
post #3 of 13
Quote:
Originally Posted by Spike Marshall View Post
Is there anything else that Buckley did that is worth listening to, I can find a bunch of stuff on amazon but I'm always wary about buying post mortem because you tend to end up with shitloads of compiliations of 'previously unreleased' material floating around.
Like Jake said, Sketches and Mystery White Boy, but also the two disc Live at Sin-'e. Additionally, the DVD of his concert at the Metro in Chicago is required viewing.

God, I love Jeff Buckley...
post #4 of 13
Quote:
Originally Posted by Jake View Post
Sketches for My Sweetheart the Drunk and Mystery White Boy.
Also, you need Live at Sin-E and make sure it's the Legacy edition that expands the original four-song EP to a massive two-disc collection.

It's less of the propulsive rock stuff, since it's just him an electric guitar, but the scope of covers is phenomenal and accurately explains where he was initially coming from as a performer and songwriter (i.e., Nina Simone + Edith Piaf + Led Zeppelin + Van Morrison).

With Grace (again, Legacy edition, if possible), Sketches, Mystery White Boy, and Sin-E, you've pretty much got all of his essential officially released stuff.

ETA - And, as MissZooey mentioned, the DVD is great. It really gives you a sense of how good he and his band were live.
post #5 of 13
Was lucky enough to see Buckley and band twice, once live acuostic in a small record store (where I was also lucky enough to meet the man himself and get my now framed cd cover of Grace signed) and once in a large proper show which I have to class as simply one of the best gigs Ive ever been to, they were indeed phenomenal live.

Really the extra stuff is great and all but Grace is the only truly essential piece of his work. It's such an amazing album he'll be spoken about long after we're all gone. He was the very definition of 'the flame that burns twice as bright...'
post #6 of 13
By the way, if you want to hear something cool, track down the interview Glen Hansard from Once and The Commitments talking about Buckley. Apparently Buckley was a roadie for The Commitments.
post #7 of 13
Quote:
Originally Posted by The Rain Dog View Post
....He was the very definition of 'the flame that burns twice as bright...'
The problem with that attitude is that Buckley wasn't a guy whose internal demons fueled his creativity.

He was a brilliant musician and a damn good songwriter too; unfortunately he ended up with an obit that read "death by stupid."
post #8 of 13
Spike, I do believe the x-factor cover is actually a cover of Buckley's cover. I don't think anyone would cover Cohen's original, cos it's so damn different to Buckley's version.

That's all moot.

Just go with what everyone else has suggested.

Also, I always felt Smith was the more sedate of the two. Nice alternatives to both - Joseph Arthur, Alexi Murdoch and Ane Brun.

ETA:
Quote:
Originally Posted by Chavez View Post
The problem with that attitude is that Buckley wasn't a guy whose internal demons fueled his creativity.

He was a brilliant musician and a damn good songwriter too; unfortunately he ended up with an obit that read "death by stupid."
Oh, man, that's funny but true. The number of people who take him as a martyr when, really, the crazy bastard just wanted a drunken dip in the Mississippi.
post #9 of 13
the concept of 'the flame the burns twice as bright' is in no way predicated upon the way a person dies so I'm not sure where you guys are coming from with that.

How he died is pretty irrelevant when discussing Grace as his musical legacy
post #10 of 13
Quote:
Originally Posted by The Rain Dog View Post
the concept of 'the flame the burns twice as bright' is in no way predicated upon the way a person dies so I'm not sure where you guys are coming from with that.

How he died is pretty irrelevant when discussing Grace as his musical legacy
The point is that his flame wasn't burning brightly due to his self-destructive tendencies or anything. He was just that insanely talented. When I think of "the flame that burns twice as bright..." I think of a person who is really destroying themselves either to get the art out, or just in general.

He would've been that insanely talented, and Grace would be just as awesome, were he alive today.
post #11 of 13
Yeah but he's NOT, hence the relevance of the maxim
post #12 of 13
Quote:
Originally Posted by The Rain Dog View Post
Yeah but he's NOT, hence the relevance of the maxim
Let's agree to disagree because you're completely missing my point.
post #13 of 13
I just think we think of the saying differently is all, no probs
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