It's super catchy, and certainly well-crafted, but it doesn't really have much personality since it's just pastiche. It's basically early Weezer/Bossanova-era Pixies with reverb-drenched vocals in the James Mercer/Animal Collective/etc vein.
And that's fine, but what gets me are the annoying similarities to other works: I get taken out of "Floating Vibes" when it starts out with something as iconic as the riff from "Roadrunner," just slowed down. "Harmonix" feels practically like a lost Interpol cut. But the really shameless one is "Fast Jabroni," which totally cribs from "Rebellion (Lies)." Won't stop me from listening to it, though.
Lately, I've mostly been listening to the new Four Tet, There Is Love in You, which is pretty good, if a little generic for Kieran Hebden. It's obviously made for the dance floor, dumbed down for easy mixing. The new Titus Andronicus record, The Monitor, is a bit of a disappointment, but it's as good as a 65 minute-sophomore record-loose concept album concerning the Civil War can be. Could have been tightened. Beach House and Liars are definitely the best records I've heard so far this year.