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Night of the Hunter

post #1 of 18
Thread Starter 
What an incredible film, I caught this on cable last night and was hooked from the first frame, it's like a nightmarish John Steinbeck novel, I was totally surprised to see Peter Graves show up, Robert Mitchum has the most unlikely entrance for a villain but it works, it's unsettling, his running conversation with 'the lawd' about 'pretty things, lacey things, things with hair' just tells us so much about the character.
Shelley Winters has the most interesting character, she goes from single mom to jesus lover over the course of the film, when she walks in on Mitchum attempting to harm Pearl, she has this weird reaction, like she's trying not to grin. The kids who played John and Pearl were remarkably assured, you could feel their fear, I was actively cheering when John got away from Mitchum in the boat.
The cinematography in this film was amazing, it was truly a gothic nightmare, the use of light and shadow in the bedroom scene where Mitchum kills Shelley Winters was stunning to look at and the shot of Winters in the lake was such a beautifully haunting shot.

Even though elements and scenes from this film have been lifted and parodied by other filmmakers, it still managed to draw me in, to marvel at the weird movie reality Charles Laughton created in this film, 50 years on that's pretty amazing.
post #2 of 18
The journey down the river is as beautiful, haunting and ahead of its time as anything in Citizen Kane. I think the performances of the film date it somewhat (as most films of the period do), but the sheer cinematic craft that Laughton pulled off is breathtaking. A very unique film and one, as you said, that parody and homage cannot spoil the impact of.

Such a shame it flopped, in a way, as I would have loved to see what else Laughton could have produced (he never directed again). But in a way, that is also part of its place in the canon of great films - it stand alone completely.

Side note: i've been compared, physically, to Mitchum in this film. That pleases me intensely for some reason.
post #3 of 18
Quote:
Originally Posted by sackley View Post

Such a shame it flopped, in a way, as I would have loved to see what else Laughton could have produced (he never directed again). But in a way, that is also part of its place in the canon of great films - it stand alone completely.
It's a reminder of why we do sometimes pay attention to/care about the box office: it's pretty clear that the film's poor performance robbed us of the contributions of a guy who might well have become an important director... hell, I'd argue that this film alone puts him in that category... and what else he might have brought us.
post #4 of 18
What no one said anything about Lillian Gish yet? She may have the best performance. She remind me of me of one of my grandmother in this movie.
post #5 of 18
Two highly-regarded films of the 80s quote/reference quotes from this film. Quick, what are they?
post #6 of 18
Quote:
Originally Posted by Phil View Post
Two highly-regarded films of the 80s quote/reference quotes from this film. Quick, what are they?
blues brothers and I can't think of the other two right now, but I know I have sen them.
post #7 of 18
Cape Fear
post #8 of 18
Cape Fear was 1991. Blues Brothers isn't one of the ones I was thinking of.
post #9 of 18
Shit.

I think I got both of them now, buuuuuuut I cheated a bit. A lot.
post #10 of 18
Spill it. With the quotes. Anyone taking this long must have looked them up.
post #11 of 18
Right, here goes.

Do the Right Thing:
Radio Raheem's story of right hand left hand, love/hate etc.

Raising Arizona
"It's a hard world for small things" Or something close to it.
post #12 of 18
What a fucking amazing film and yes utterly ahead of it's time. Whenever I refer to 'American Gothic' as a genre or a concept this is opften the first thing I reference.

Mitchum was both brilliant a terrifying and Lillian Gish is fantastic.

Anyone who hasn't caught this yet should do themselves a favour.

No wonder it flopped upon its release tho, to my knowledge there simply hadn't been something that dark done by Hollywood before.
post #13 of 18
Quote:
Originally Posted by Frankypanky View Post
Right, here goes.

Do the Right Thing:
Radio Raheem's story of right hand left hand, love/hate etc.

Raising Arizona
"It's a hard world for littlethings" Or something close to it.
Bang.

Check the forced perspective shots of Mitchum riding on the horizon. It's a midget on a pony.
post #14 of 18
Thread Starter 
I just love the goofy look on Mitchum's face right before he get's shot.
post #15 of 18
Quote:
Originally Posted by Dragon Ma View Post
I just love the goofy look on Mitchum's face right before he get's shot.
Hehheh. Yeah, I watched that shot several times in a row. I really need to watch it again one of these days. Errr, the whole movie, not just that one shot.
post #16 of 18
Quote:
Originally Posted by Dragon Ma View Post
I just love the goofy look on Mitchum's face right before he get's shot.
The look on his face and the inhuman sound he makes. He sounds like a dog that just got punted. It's so strange that it freaks me out just thinking about it. Fantastic movie...one of my favorites.
post #17 of 18
Saw it today for the first time. Holy shit Mitchum!

He was incredible. And the movie was creepy as fuck with some amazing camera work involved.

I think the film itself suffers from a not so great third act. But it was terrific overall.
post #18 of 18
Yeah, Laughton apparently had a slightly darker ending in mind (no idea what it encompassed), but the studio made him change it. Its a brilliant masterpiece, but just doesn't quite stick the landing as is.
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