Had to post something about this, having re-watched again tonight. I hadn't seen it since I first bought it a few years back, and I guess I had forgotten just how good it was. One thing that particularly impressed me is how different this is from Fernando Meirelles's other films in style. All of his films have a totally different look and feel to them, regardless of overall quality.
I loved the way they used narration. Just something about how they used Rocket's point of view, the people he knew, etc, to weave together an impressive web of different stories, and then how they basically imply that (and it's the truth) the continuance of violence in the slums of Rio, which provide an amazing backdrop. Funny how they all talk about "getting out" of the slums, in search of a better life, when that is basically what Meirelles did, using this film as his ticket out of Brazil, to work in Hollywood. I hope he ends up doing more films in Brazil, this easily surpasses anything he did before or has done after.
I loved the way they used narration. Just something about how they used Rocket's point of view, the people he knew, etc, to weave together an impressive web of different stories, and then how they basically imply that (and it's the truth) the continuance of violence in the slums of Rio, which provide an amazing backdrop. Funny how they all talk about "getting out" of the slums, in search of a better life, when that is basically what Meirelles did, using this film as his ticket out of Brazil, to work in Hollywood. I hope he ends up doing more films in Brazil, this easily surpasses anything he did before or has done after.




