To be honest, I think that EMDM is way underrated and definitely better than this. Skold did a good job musically and unlike HOEL, all songs on EMDM feel like born from the same womb.
Devour is good, but I honestly think that Vampire is more interesting as an opener. I know, the song title is a terrible choice, so are the lyrics, but if heard quite loudly (or live) it's very strong.
Are you the Rabbit is a damn good strip bar song.
Movies could have been so much better if the final part was different. The lead up is great, but the disharmonic end breaks it apart. I prefer the very similar Para-Noir.
Mutilation, Devil and Evidence are easy on the ears and Car Crash kills every slow number on HEOL.
What bugs me is Manson's ongoing interest in making songs about himself and how he handles... breakups. The Manson that got big was the one writing bitter, creative, sarcastic, fucked up and intelligent stuff about society. I want that back, and Manson's comments like "This Album is who I am" makes me doubt we'll ever get another album as good as Mechanical Animals. He doesn't seem to see why the whole music business accepted him in the first place; not because of his wild stage antics, but first of all because he delivered three actually awesome records in a row.
Also, you can definitely notice a current desinterest in all that he does. Guy did some shows in Europe and they were a mess, with him perfoming lazily, bored, without fx or show elements. I've seem him quite a few times by now but seriously, he's having a major midlife crisis.