CHUD.com Community › Forums › SPECIFIC FILMS › Foreign Films & Wishful Thinking › 800 Bullets (800 Balas, 2002)
New Posts  All Forums:Forum Nav:

800 Bullets (800 Balas, 2002)

post #1 of 7
Thread Starter 
Álex de la Iglesia is one of the more well known Spanish directors, having achieved a lot of acclaim with his break through feature of El Dia de la Bestia (The Day of the Beast), and then continuing to produce relatively solid films, including one in the U.S. with Javier Bardem, called Perdita Durango, which received a bad rap for being too "Tarantinoish" upon its release, but if you know the director, you know he's anything but. I have liked at least to an extent every one of his features besides his latest, The Oxford Murders, which was his second stab at English language film. He could of picked a better leading man than Elijah Wood, easily, but the whole film was pretty flawed.

That said, 800 Balas was the last of his features I had yet to see outside of Muertos de Risa, which I can't seem to find anywhere. I was a bit skeptical based on the IMDB and Rottentomatoes ratings, but overall it turned out to be very, very good fun, with location shooting in Almeria, Spain, site of countless Spaghetti Westerns from the glory days of the genre. The story focuses on the lives of the mostly Spanish stuntmen who stayed after all the actors had left, and continued to lead lives with cheap sideshows that did little but offer a small reminder of the glory days to tourists. It goes about it in a fun way, which is typical of Iglesia, and there's plenty of black humor mixed in with the eventual tragedy at the end of the film. I read somewhere that Clint Eastwood was nearly involved in this, playing himself (you'd see where if you saw the film), but filming of Mystic River prevented his involvement. Overall it's a fun reminiscence on the genre, and goes beyond that in showing what kind of lives those who remained lived after everything was all gone. I think it's the kind of film that nearly everyone here would enjoy. Check it out if you at all can.
post #2 of 7
For what it's worth, i've added it to my lovefilm list. It sounds superb.
post #3 of 7
So after all that, it's up there as being the most fun film i've seen all year.

Problem was, early on I tried to categorize it - put it into a genre. It begins as an exciting action homage with epic scope, only to bring it right back down with some intentionally sanitized modern family settings. The child actor is outstanding in achieving a level of not annoying the living daylights out of me.

Then confusion, the comedy - it's dark in places, yet oddly silly. Charming somewhat. Perhaps this is a family comedy where there just happened to be a glimpse of violence at the start? But no, the swearing, fighting and nudity continued unbated - it was gloriously confusing.

Perhaps a little overlong, elegantly shot (it looks like it cost a fortune to make just from the cinematography alone - let alone the ridiculous props and cast later in the film) and with possibly the best opening credits sequence you could hope for.

The only failure was my own attempts to try and define it. This was a film that wanted everyone to laugh, empathise and feel that sense of adventure associated with the west - yet it wasn't afraid to play. I felt like it was a Spanish Hot Fuzz.

Still, after all that, Tarkovsky - Yoima Valdés's prostitute (Sandra?) stuck with me the most. I'm not even ashamed of it. She's distractingly beautiful.
post #4 of 7
Thread Starter 
Extremely pleased you liked it. I agree that it's somewhat in the vein of Hot Fuzz, though if you're familiar with director Alex de la Iglesia, you'll see that this style runs through a few of his better films. I wouldn't be surprised though if Edgar Wright was influenced by him.
post #5 of 7
I think his style may well be whatever he wants it to be - but as far as tone goes, it's the closest I could get to a mainstream point of reference here - right down to the explosive third act, isolated locale and tone. There's no geek humour in the way that i'd expect from a Wright picture - but if there were such a thing as a geek following for the Western (which there must be, in some form), i'd expect this to be it.

But yes, i'm going to marry Yoima Valdés.
post #6 of 7
This is the first Álex de la Iglesia movie I saw and in a way it's still my favorite even though in some ways "El día de la bestia" might be a bit better film. Partially, it's because spaghetti western was/is one of my favorite genres and the film is such sweet, lighthearted yet never too nostalgic homage to the genre.
I love his inventive, stylish, but thoughtful visual style and his black sense of humor so it's a bit sad to see that his recent output isn't anywhere as good as his earlier stuff. And by that I don't only mean "Oxford Murders", because his TV horror movie and "Crimen ferpecto" leave a lot to be desired.
post #7 of 7
Thread Starter 
I completely agree with your opinions on Crimen Ferpecto and The Oxford Murders, both big let downs in my opinion. I don't think El dia de las bestia is a better film, I actually wasn't a big fan of it - I prefer La Comunidad and I think that his work with Bardem in Perdita Durango deserves a second evaluation since most of the criticism aimed at it upon its release tried to say that Iglesia was borrowing from the Tarantino style, which I'd say is pretty far off.
New Posts  All Forums:Forum Nav:
  Return Home
CHUD.com Community › Forums › SPECIFIC FILMS › Foreign Films & Wishful Thinking › 800 Bullets (800 Balas, 2002)