Quote:
Originally Posted by Fat Elvis 
Wow, Jeb!
How in the hell did Loggins & Messina get a higher billing than Skynyrd and Mac? Were they that big?
That was the Faces tour where (solo) Rod had eclipsed them in popularity, and the songs from his own album(s) took up half the show, right?
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Yeah, Loggins & Messina had several hit singles and, as I say, at this point, with the first Buckingham-Nicks Mac album either being just out or about to be relased, Mac was really only known to British blues junkies (many of whom had also pretty much given up on them during the Bob Welch era).
By the way, this was also just after the era of dueling fake versions of Fleetwood Mac touring the States like some luded-out version of The Coasters or The Drifters (with every one who had ever been in the band touting their version as the "original"). How anyone got the idea that they were popular enough to make that worthwhile I never did understand.
Why Skynyrd was at the bottom, as I say, no clue. It had been a year or so since "Sweet Home Alabama," and they hadn't really been back on the singles charts since.
Rod's stuff had always been bigger than the Faces, so that was nothing new, and their sets were usualy heavy on his solo stuff.
And, frankly, I'll match Rod's first four solo albums with any similar run that any of his contemporaries had at the time. All of the Faces albums together didn't produce as many classics as side two of
Every Picture Tells A Story.
(ETA: OK, that's a bit of hyperbole. But any Faces album would have been markedly improved by picking virtually any track at random from
The Rod Stewart Album, Gasoline Alley,
Every Picture, or
Never A Dull Moment.