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Originally Posted by devincf 
If you had access to the REAL accounting of the studios you would see it's very rare that a movie truly loses money. But Hollywood is all about image; it's why THE GOLDEN COMPASS, with 300 million in foreign grosses (!!!!) but only 70 in the US is seen as a huge bomb.
(It's the film that killed New Line because they didn't own the foreign)
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I must immediately do some research to figure out why The Golden Compass was so much more popular elsewhere. Maybe it's a film for atheists, and Europe loved it?
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| D9 cost 30 million. That's the stated budget, and it's what Sony paid for it (it was made independently). It's possible that Jackson ate some of the cost and sold at a loss, but that seems wildly unlikely. And D9's FX were not Weta, so they didn't get an in-house break. |
Somehow, independent films seem to be made so much more efficiently. Less bureaucracy? Less padding of costs to reduce the taxable revenue by buying things at a gigantic mark-up from ancillary vendors that are, in fact, controlled by the studio? People work for less in the hope of getting rich off a share of the profits?
So much to ponder. I wonder how much more it cost to market and distribute a movie like Blair Witch, Primer, or My Big Fat Greek Wedding than it did to actually make them. Probably by a factor of hundreds, if not thousands.