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Originally Posted by Bailey 
Look, I think the life in space stuff is inert- but it works for me in a way that maybe only makes sense in retrospect. Maybe Kubrick was enamored of the space age and all that stuff, but for me it functions as satire. We were so focused on the future, it was almost like the square portion of society was looking to technology for enlightenment, and the counter-culture was looking to chemicals; I feel like the movie skewers both as empty pursuits.
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Yes that is the point, and it's why that sequence just goes on and on... He really wants to throw that in your face. That, plus he's setting the mood. This is "daily life" for these people - then they go into the solitude of space, where their only companion is a psychotic computer. I love that.
Quote:
Originally Posted by Richard Dickson 
Well I'll step up and defend West Side Story. I love the use of actual cityscapes for so much of it. It makes it feel more "real" than the sound stage musicals of the 50s. It really makes NYC feel like a character itself in the film, and lends the film a bit of gravity it wouldn't have otherwise. Plus, it's freakin' Bernstein.
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I'll give you that the music is awesome. Just some great tunes. And Wise gave the film a nice look. But the movie, overall, is kind of stuffy. That's the problem I have with it. And I can't agree that it feels "real." It's not meant, really, to feel that way. Not the same way that something like... never mind. It was done on a soundstage and it absolutely shows. It's all artifice.
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Should have known
NOTLD wouldn't make it past day one. But it really was a long shot on my list. And I'm not sure it entirely fits my theme. It's an essential film. And the only one in that series that I think legitimately functions as purely a horror film. It still holds up and is damn scary to watch alone in the dark. For me, anyway.
Just to be on the safe side, I think I know what my first pick will be. Assuming none of you dildos (I say this with love) grabs it first.