So I'm watching Hellraiser II, and it occurs to me how the mental asylum became such a common setting in mid to late 80s horror films.
To name a few
Friday the 13th part 5 (1985)
Nightmare on Elm Street part 3 (1987)
Hellraiser II (1988)
Halloween 4 (1988) starts in one, and Halloween 5 (1989) spends most of its running time in one
Now Michael Myers as a mental patient has always played a large part in his character. The original Halloween (1978), as well, is essentially what started the slasher craze (although Texas Chainsaw Massacre, or even Psycho, could be argued as the first slasher). In the early 80s, however, the slasher craze had begun to die down, with only Friday the 13th sticking it out while other franchises fizzled.
The popularity of A Nightmare on Elm Street (1984) reinvigorated the slasher genre, showing Hollywood that creativity and intelligence could benefit horror as well. This, I would argue, is what led directly to the start of the Hellraiser (1987) franchise. There was money to be made, however, and old favorites were trotted back out, like The Texas Chainsaw Massacre 2 (1986) and of course Halloween 4.
With this new intelligence, what is the significance of the mental asylum? Well, it shows repercussions, something most horror movies hadn't dealt with at that point. Each Friday the 13th stood alone, barely acknowledging the existence of the last movie, until part 5. Not only does Tommy Jarvis return, but he's a damaged, violent individual now.
In ANOES3, it's clear that Freddy hasn't just been killing the children willy nilly, but making it look like suicide. Their cries for help, unlike in the first two movies, have been acknowledged, but misinterpreted, landing them in the loony bin.
Hellraiser II is also unique in that it shows an instance in which the authorities get involved. Most slasher flicks imply that the heroes got away scott free either by running away or lying, but Kirsty didn't have enough sense to not mention the demons and magic boxes to the cops.
Now that I've rambled on a bit, my question is: why the introspection? Almost ten years of slashers had gone by with the authorities being oblivious. What changed in the U.S. post-1985 that had horror films considering the mental and legal consequences of a movie maniac's massacre?
Of course the setting is ripe with possibilities. Fear of false imprisonment, claustrophobia, and insanity as a contagion is very common in people and movies. The fact that not only do your parents not believe you, but neither do the authorities makes the threat of the villain all that more potent, adding to the underdog effect.
I'm just wondering if these movies were playing off each other, or off a growing trend in late 80s America.
To name a few
Friday the 13th part 5 (1985)
Nightmare on Elm Street part 3 (1987)
Hellraiser II (1988)
Halloween 4 (1988) starts in one, and Halloween 5 (1989) spends most of its running time in one
Now Michael Myers as a mental patient has always played a large part in his character. The original Halloween (1978), as well, is essentially what started the slasher craze (although Texas Chainsaw Massacre, or even Psycho, could be argued as the first slasher). In the early 80s, however, the slasher craze had begun to die down, with only Friday the 13th sticking it out while other franchises fizzled.
The popularity of A Nightmare on Elm Street (1984) reinvigorated the slasher genre, showing Hollywood that creativity and intelligence could benefit horror as well. This, I would argue, is what led directly to the start of the Hellraiser (1987) franchise. There was money to be made, however, and old favorites were trotted back out, like The Texas Chainsaw Massacre 2 (1986) and of course Halloween 4.
With this new intelligence, what is the significance of the mental asylum? Well, it shows repercussions, something most horror movies hadn't dealt with at that point. Each Friday the 13th stood alone, barely acknowledging the existence of the last movie, until part 5. Not only does Tommy Jarvis return, but he's a damaged, violent individual now.
In ANOES3, it's clear that Freddy hasn't just been killing the children willy nilly, but making it look like suicide. Their cries for help, unlike in the first two movies, have been acknowledged, but misinterpreted, landing them in the loony bin.
Hellraiser II is also unique in that it shows an instance in which the authorities get involved. Most slasher flicks imply that the heroes got away scott free either by running away or lying, but Kirsty didn't have enough sense to not mention the demons and magic boxes to the cops.
Now that I've rambled on a bit, my question is: why the introspection? Almost ten years of slashers had gone by with the authorities being oblivious. What changed in the U.S. post-1985 that had horror films considering the mental and legal consequences of a movie maniac's massacre?
Of course the setting is ripe with possibilities. Fear of false imprisonment, claustrophobia, and insanity as a contagion is very common in people and movies. The fact that not only do your parents not believe you, but neither do the authorities makes the threat of the villain all that more potent, adding to the underdog effect.
I'm just wondering if these movies were playing off each other, or off a growing trend in late 80s America.







