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Cell phones in horror movies

post #1 of 13
Thread Starter 
While watching Funny Games (the US version) recently, I was struck by the scene in which Paul knocks Ann's cell phone into the sink water early in the movie. The advent of the cell phone has put a real restriction on horror films. One of the over-arching themes in many of these films is the "breaking of communication," getting the lead in a one-on-one situation with the monster/slasher/alien. In many of the 80's slasher films this was achieved with a 1-2 second shot of the killer cutting the phone lines, something that really didn't affect the movie. But, due to the cell phone, we are forced to watch scenes that make the characters out to be careless (they leave the cell phone uncharged or in the car), clumsy (they drop the phone and disable it), uncaring (they manage to actually call the police, but they only send a lone officer to check things out), or scenes that go to elaborate ends to make sure the characters can't simply call in reinforcements (they wander into a "no service" zone right as the villain arrives). For those of us that dabble in writing horror stories or scripts it can be just as daunting, trying to find a way to truly isolate your characters. The rise in social technology, keeping us all connected, is a serious problem for horror.

Are their any horror films that do a good job tackling the cell phone problem?
post #2 of 13
I like the clever use of the evil spirit/demon calling the victims cellphone. It's silly, but fairly effective.
post #3 of 13
As a person who has lost service in the past with shitty coverage (I use to live in mountainous rural PA), the "no service" cheat never bothered me.
post #4 of 13
Quote:
Originally Posted by DARKMITE8 View Post
As a person who has lost service in the past with shitty coverage (I use to live in mountainous rural PA), the "no service" cheat never bothered me.
Yeah, given many horror movies' tendency to take place in somewhat isolated or rural areas, "no service" isn't too bad of a cheat. "Clumsy" isn't too bad of a cheat either if say, the phone is dropped/lost in the midst of a chase.

That and it can cut the response time down significantly even if they do manage to get a call out.

Or you just tailor the horror movie so that being able to call someone isn't really going to make any difference, though that works better for more supernaturally-oriented horror than "slasher" horror.
post #5 of 13
1) The killer/monster/living dinosaur destroys the nearest cell tower! No tower, no (or very weakened) signal.
2) Put your characters in a situation or environment where it doesn't matter if they have good reception. If there's a raging blizzard going on it won't really matter that the protagonist can contact the authorities. Ditto certain environments; I'm reading a book about all the people who have died in Yosemite Park, and there are areas that are extremely difficult to reach by rescue workers. So the characters may be able to tell rangers that a giant mutant bear is after them, but the rangers won't be able to get there for several hours or more.
3) Some locations are just kind of vague. You may not be able to accurately describe where you are, and it can take a while for rescuers to triangulate your cellular signal.
4) As stated by others, not all cell phone services are created equally, and not all regions have great reception.
5) Sometimes the authorities are busy and can't get to you immediately. Sometimes they're just incompetent and lazy. So you call your Dad or best friend to help you, but they're not genre-savvy and BAM, they're eviscerated on arrival.
post #6 of 13
Make a movie where the victims are all technophobic luddites who don't have cell phones. Brought to you by Sprint.
post #7 of 13
Make it a period piece, or make the characters THINK they're in a period piece (LOL The Village).
post #8 of 13
I know this has been posted in the past, but it needs to be added for this specific thread.

http://www.nerdist.com/2009/09/a-ret...e-phone-fails/
post #9 of 13
Quote:
Originally Posted by JPL View Post
I know this has been posted in the past, but it needs to be added for this specific thread.

http://www.nerdist.com/2009/09/a-ret...e-phone-fails/
Sun spots. lol
post #10 of 13
Quote:
Originally Posted by DARKMITE8 View Post
Make it a period piece, or make the characters THINK they're in a period piece (LOL The Village).
A friend and I were recently discussing this topic, and how it relates to slasher films in particular. You can't do it all the time, but with the stuff we're interested in writing at the moment, a 1970's-80's setting seemed the best option, so long as we waded in the area of pastiche as opposed to spoof.
post #11 of 13
I like how Raimi handled it in Drag Me To Hell. When Lohman is trying to call Long, and the Lamia is right outside her bedroom door, the cell phone loses it's fully charged battery and the Lamia's face appears.
post #12 of 13
I'm surprised that no protagonist hasn't literally been 'Rick Roll'd' by having the slasher/mutant/nutter ring them during the 'hide-and-seek' part of the film whilst they STILL HAVE THEIR PHONE ON THEM!.
Actually, this has almost certainly been done, but bonus points if the Ringtone was 'Never Gonna Give You Up'.
post #13 of 13
Quote:
Originally Posted by Graham View Post
I'm surprised that no protagonist hasn't literally been 'Rick Roll'd' by having the slasher/mutant/nutter ring them during the 'hide-and-seek' part of the film whilst they STILL HAVE THEIR PHONE ON THEM!.
Actually, this has almost certainly been done, but bonus points if the Ringtone was 'Never Gonna Give You Up'.
'Cry_Wolf' is a pretty dull teen slasher film, but it does open with a scene just like that (but no Rick Astley).
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