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Floydian Trip:
I'm not really looking forward to part 2 at all but if they answer my question of why a demon with the capability of flight drive around in a panel van. I thought 'The Duel' aspects of the beginning were sweet as well but then the van is abandoned never to be used again. Of course, if I were a demon with wings I probably wouldn't waste time driving around anyway. |
Um, the thing about the van was actually explained quite well. #1 - The Creeper didn't want folks to know that he was something other than human. #2 - The way he finds the parts he wants is by instilling fear in his possible victims: the fear casts off a scent, in the scent he can smell what he wants. The van was cast off after he didn't need to hide himself anymore. I thought all this was pretty self evident, actually...
I dig this flick immensely, warts and all. I purposefully stayed away from every spoiler, and went in not really knowing what to expect at all. The first half hour, while tense, really gave me an unpleasant "Aw shit, I've seen this movie before..." kind of feel - "Whoopie, a DUEL remake...".
Then when the kid wanted to check out that pipe? I groaned. The reveal of the walls was really well done, but then I had a nagging suspicion that I was now looking at a TEXAS CHAINSAW retread.
Actually, it was the phone call that really started to get me interested - all of a sudden this creepy psycho started to become something else for me. Something creepier. And then the movie started to really pick up speed for me.
My favorite movies have always been critter flicks, the cooler the critter, the better. And, let's face it, we haven't HAD that many cool critters around, lately. THE RELIC had a cute beastie, but that was YEARS ago. Good creature features are few and far in between - and suddenly here was a bitchin' critter in the middle of an American Gothic serial-killer flick!
HOT DAMN!
And not a mindless munching machine, either - this thing had pizazz and personality, and a wicked sense of humor besides ("B EATING U"). It wasn't enough that he was going to be doing cruel and unmentionable things to your person - he wanted to make sure you were good and scared before he got you to that point.
As far as special effects go, I thought they were pretty damned good, actually, especially considering that the flick only cost about 10 mil to make. And where are all these other low budget movies with flawless S-FX? I can't think of any, myself. People have been making a lot of noise about GINGER SNAPS lately (love that flick, too, by the way), but that woof at the end was pretty fugly, folks. And the budget was TWICE that of JC! And how about that critter in BOTW? Pretty bitchin', but that thing looked REALLY fake (at least in CGI)! Still didn't detract from how good the movie was, tho', am I right? And that flick had a pretty fat budget, too!
Which brings me to another thought: what's with all this bullshit about keeping the critter in the shadows? "In the old days, movies depended on the audience's imaginations to scare them." That's because they couldn't make convincing enough critters back then! Everybody applauds Speilberg for keeping the shark hidden until the end of the movie, but the only reason he did that in the first place was because old Brucie was pretty pathetic looking to begin with. He just hid it with some good old-fashioned suspense, and he did it well. Pissed me off when I was a kid, tho', all I wanted to see from that flick was sharks and lots of them (POF - the Great White Shark happens to be my favorite animal). It was only as an adult that I was truly able to appreciate what the man did, and well. Bitchin' flick, shark still looks fake. And what about THE THING? We got LOTS of good long looks at that little bugger, yet I don't hear much complaining from the peanut gallery on that one...
And the ending? Pure poetry. No explanations. No resolutions. No apologies. No eyes! Oh, and incidently, about that last scene? There weren't no S-FX there - they created a skin "dummy" of Justin Long, hung it up, then made Justin himself up as the Creeper, so it's actually him looking thru his own eyesocket. No CGI, all practical. Looked pretty convincing to me...
And one more thing, the van DOES make one more final appearance in the movie - after the credits, horn wailing away across the sunset.
Now, I'm not saying that you have to LIKE the flick, but if you're gonna shit on it, at least get your fucking facts straight and come up with a few more convincing arguments - makes you look less like an idiot and more like someone who has a valid opinion... But that's just my 2 cents...
