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California Split (1974)

post #1 of 5
Thread Starter 
Stumbled on this on Netflix Instant yesterday, and was very impressed. Less sprawling than Altman's signature works, but still a very fun, just-this-side-of-seedy romp. Being a degenerate gambler myself, I was surprised both by how well he nailed the feel of those California card rooms, and how little they seem to have changed since the 70s. They've swapped out draw for hold em and chalkboards for whiteboards, but otherwise its the same types of people, the same half-drunkenness, the same mix of boredom and belligerence, the same bars next door where it couldn't be any more obvious who won and who lost. But beyond that, it really nails the highs and lows of gambling, of feeling like the most useless piece of shit imaginable when you blow that last 50 bucks that you weren't even going to bet, or splurging with money you halfway feel like you stole. The ending also took me by surprise, and has some interesting things to say about the American Dream and what it means to attain it.

But forget all that, this movie quite simply belongs to Elliot Gould. He's a careening ball of energy throughout, and the rest of the cast wisely doesn't even try to keep up. He nails an atypical but very real type of gambler, the boundless optimist for whom everything is a game, and none of them can't be improved with a wager. I never would've guessed the old fart from the Oceans movies had this much vitality and charisma once upon a time.
post #2 of 5
I fucking love this movie. It's easy to give the credit to Gould, but don't underestimate Segal's performance. Their weird gambling-based friendship what this film's all about, and I think they play off each other perfectly.
post #3 of 5
Gould is an incredible actor and if you liked him here you should check out his other 70's work. He's particularly good with Altman, but there's a lot of other great movies that feature his work.

Incidentally, there was another thread about this recently. Nothing terribly interesting, but in case anyone was curious:

http://chud.com/forum/showthread.php...lifornia+Split

And Sam, I agree. Segal is wonderful as well, just in a different way. And for all of Gould's energy, Segal owns the end of the film.
post #4 of 5
Thread Starter 
Oh, I don't think Segal was overshadowed because he is doing bad work or anything. It's just that Gould's is the showcase performance, and it seems like he doesn't try to compete with him for the spotlight. Of course, I could be projecting, and he really spent the entire shoot complaining that this obnoxious kike was hogging his spotlight. But I'd prefer to think he was just professional enough to realize that the movie didn't need two color men, and intentionally calibrated his performance to a different wavelength.

Edit: Doh, stupid search engine...
post #5 of 5
http://en.wikipedia.org/wiki/California_Split
Quote:
"After seven days, George Segal came to me and said, ‘This guy’s [Gould] unbelievable. He’s an octopus. He is absolutely strangling me to death. I don’t even know what to do.’ The man was pleading for his life." Walsh told Segal not to try and keep up with Gould because he had actually lived the life of his character in the film and to continue acting the way he had been doing so far.
I was surprised Gould had nothing to do in the climactic poker battle. He stood around without any money, helpless, Segal telling him he's bad luck. I didn't remember that from my last viewing, years ago, where all that stuck with me was his awesomeness. I took Segal's line "It doesn't change anything" to mean he recognizes he has an addiction and he knows he'll be back in the same position again, though the consensus seems to be he just felt no thrill in success.

Ann Prentiss and Gwen Welles are also just as great. My favorite part is Segal being introduced to their house, Eliot calming Welles down, Prentiss needing the TV Guide to sleep. I wanted to see what else they'd done and Prentiss is serving 19 years for attempting to murder Richard Benjamin. Welles has passed away.
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