Count me in.
First viewing
Theatrical viewing
Re-watch
TV
January 4, 2011
#1: Absolute Power (Eastwood, 1997) - A decent potboiler that got shit on in the script stage, but Eastwood's directorial eye is dead on and the turns from Clint and Gene Hackman are top notch. The opening scene where Hackman tries to rape Jan from The Office is disturbing in that context but so terribly clumsy. Anti-climactic as well, but it's decent.
January 5, 2011
#2: Black Rain (R. Scott, 1989) - Still my favorite of Ridley's work outside of Alien and Blade Runner, a visually breathtaking and thrillingly brutal cop thriller. Michael Douglas is fantastic, and it's got the best karaoke scenes this side of Lost in Translation.
I. Miami Vice: Baby Blues (Attias, 1986) - Painfully bland episode of an awesome show at the top of its game.
II. Deadwood: Requiem for a Gleet (Taylor, 2005) - Just when you thought Doc draining Swearengen's kidney stones in the last episode was the worst thing ever, turns out it isn't. More of Mr. Wu's hilarious broken English. "SWAYJUN! KOKSUKKAH! SAHFRUHSISKO KOKSUKKAH!"
January 6, 2011
#3: Black Sunday (Frankenheimer, 1977) - Convicting, ballsy action-thriller at the end of the disaster era and on the cusp of the golden age of action movies, deftly made by Frankenheimer with a notably disturbing turn from Bruce Dern and Robert Shaw at the top of his swag game. Many spectacular action sequences here, and the gritty realism it's crafted with only makes the film more relevant in the post-9/11 world.
III. Miami Vice: Streetwise (Walton, 1986) - Stylish as hell episode with early turns from Wesley Snipes as a psycho pimp and Bill Paxton as a deeply flawed cop.
IV. Deadwood: Complications (Fienberg, 2005) - Can't believe I didn't start watching this sooner.
January 7, 2011
V. Miami Vice: Forgive Us Our Debts (Eliasberg, 1986) - Atypical for Miami Vice, the second episode after Shadow in the Dark in season three to borrow heavily from the cops-and-robbers morality issues that have become so prominent in his films. Less based around action and more around a social message, it delivers and the ending's payoff is only heightened by the use of Peter Gabriel's "We Do What You're Told."
VI. Deadwood: Something Very Expensive (Shill, 2005) - Wire and Dexter vet Steve Shill returns behind the camera for this episode, where all the principles are in fine form: Bullock threatening a horse-fucker, Powers Boothe chewing scenery, and Al's recovery spelling the return to greatness for Ian McShane's performance. Possibly the best Swearengen/Mr. Wu meeting yet.
January 8, 2011
JACK SHIT
January 9, 2011
V/VI. Miami Vice: Down for the Count (Compton, 1987) - a dark, game-changing two-parter of the show, with some of the best music utilization (namely Steve Winwood's "There's a River" at the end of part one and Billy Idol's "Don't Need a Gun" in the second part) and featuring a memorable villain turn from Pepe Serna and nice supporting work from Randall "Tex" Cobb and Chris Elliott.
#4: Eye for an Eye (Schlesinger, 1996) - Death Wish for the more liberal Clinton era, a standard revenge story well made by John Schlesinger about the new complications and resources of vigilante justice. Despite the third act's glaring hiccup and Sally Field's miscasting, the creepiness of Kiefer Sutherland's baddie and reliable turns from Ed Harris, Keith David, Joe Mantegna, and Philip Baker Hall anchor it.
January 10, 2011
#5: Twins (Reitman, 1988) - a lighthearted, fun blockbuster, one of the few blanks I still had among what Schwarzenegger films I've seen. Danny DeVito is at the top of his game, and I could seriously listen to the former Governor of California sing "Yakety Yak" for an eternity.
VII. Miami Vice: Cuba Libre (Vogel, 1987) - Snore. A lazy excuse to get Crockett and Tubbs involved with contemporary Cuban politics and conspiracies. They're vice cops, not feds. It works in Smuggler's Blues when it's the heroin that leads them to South America, but it doesn't work when government conspiracies are being dealt with.
Edited by HunterTarantino - 1/10/11 at 10:28pm