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Those physical, tingley moments that remind you why you love the movies

post #1 of 384
Thread Starter 
You know what I mean, those moments in your favorite films that make you smile involuntarily, or give you a physical feeling of pleasure up your spine, or make the hair on your arms and back of your neck standup. We've all had them. It might be a line, a scene, a sequence, it's those moments that give you a high that you're jonesing for forever after - those moments that remind you just why you love the shit out of movies in the first place and are always looking for your next fix of.

Maybe certain film-makers stylistic moments or flourishes do it for you, maybe it's screenwriters and their turn of phrase or maybe it's an actors performance - or maybe it's just a wonderful combination of factors.

I was watching Butch Cassidy and the Sundance Kid last night for the umpteenth time and that film never ceases to give me quite literally about a dozen of those moments, which is what puts it into my top 2 or 3 films of all time. Butches knife fight with Logan and it's leadup, the bank robbing montage in Bolivia, Newman and Redfords incredible chemistry with Bill Goldmans words in their mouths. The film is a true feast of pleasures for me and I get that tingle quite a few times.

I'm wondering what other peoples are. Remember too these aren't just 'my favorite moments in my favorite movies', they need to give you that zing that sets the moments apart, that chemical rush to the brain that only another cinephile gets from watching the very best that film has to offer.

Some of my other favorite tingle moments:

Blade Runner: Roy Battys final speech on the rooftop
God damn if I have any idea what he's talking about, but Hauer sells it so fucking beautifully, the moment is so visually stunning, Vangelis score punctuates the emotion of the scene and everything comes together that I find myself swelling with emotion and tingling all over each and every time I watch it.

The Thing: after the blood test and it's aftermath
"I know you gentlemen have been through a lot. But when you find the time... I'd rather not spend the rest of the winter tied to this fucking couch! " - such a gorgeous moment of levity after the tightly wound tension leading up to it - just perfect

The Godfather: Sonnys beatdown of Carlo
Many people prefer Henrys beatdown of the preppie in Goodfellas, but for me this is just a pure visceral experience that I really shouldn't enjoy as much as I do every time I see it. There's no way not to love Sonny after that and every time it finishes I feel like I need a cigarette.

True Romance: Gary Oldmans Drexyl
While this film has paled a bit for me as I've gotten older and I find Tony Scotts bombastic style to be a terrible distraction from Tarantinos story, the one scene I still adore as much as the day I first saw it is Gary Oldmans entire scene with Christian Slater as Drexyl. Maybe it's because this for me was the moment of awakening where, upong realising that this was the man who'd also played both Lee Harvey Oswald and Dracula, I realised I'd be hard pressed to find a better actor as long as I lived - a view I still hold to this day - but Oldman is so incredibly playful in his short amount of screentime, so obviously relishing playing such an outlandish character that the joy of watching such a great actor chew the shit out of the scenery, always leaves me tingling with enjoyment.

JFK: Jim Garrison sums up
The last ten minutes of this film is quite simply the greatest film acting Kevin Costner has ever done. As Jim Garrison sums up and essentially pleads to the courtroom, the film audience, America and the world his case with his voice finally cracking near the end, I have a hard time believeing people don't get as lost in the moment as I do every time.

The Princess Bride: The duel
A simple and maybe obvious choice, but Goldmans words punctuaing what is one of my favorite sword fights on film is just every reason this film is so utterly beloved. The fact that Elwes and Patinkin are so good both physically and verbally just sends it into the startosphere. A pure tingle sequence for me.

Raising Arizona: The first ten minutes
So hard to pick from Coen Brothers moments because almost all their films give me a minimum of two or more truely great tingles (one of the best reasons that they're so special to me), but this one holds a special place in my heart being just about the greatest opening to a film and story setup ever. From "My name is H.I.McDonaugh - call me Hi" to the opening credits there's a special joy in the sequence that gives me a good ten minute tingle every time I've watched it.

Inglourious Basterds: The lead up to the farmhouse scene
While the entirity of the scene of Landa in the farmhouse that opens this film is simply purest cinematic poetry in anyones language, it's the opening for me, with Morricones score kicking in, the germans driving down the road and the farmer sending his daughters into the house that sets my tingles into positive vibrations. This opening moment set's the entire mood for what is one of the best films I've seen in the last decade and just drips down my spine like pure concentrated cinema.

Ben-Hur: the chariot race
Yeah yeah, it's a bit of a cliche I know, but the absolute on-the-edge-of-my-seat elation I get for this entire sequence goes a long way to explaining why I used to name it my favorite film as a kid. What's so impressive is that I still to this day get the same feeling for the entire ten minutes of this sequence, it is truely one of the greatest action sequences ever filmed, and as we get further and further away from practical effect works in this day and age, it's amazing how a scene as old as this one can still remind me why the practical is superior. I always have sore fingers from digging them into whatever is nearest when I watch this sequence. I always jump and hold my breath at the same points. It's just about the most effective scene of it's kind ever made.


There are more moments, so many more, some because of other film-makers I adore but haven't mentioned yet or actors or what have you - but I don't want to write a thesis, I want to start a conversation. I'll pop in with more down the line, but lets all revel in what we love most about the movies - what are those moments that give you an actual visceral thrill, a physical moment of joy and pleasure, that remind you why you love the movies so much, that remind you why you come to the best damn film chat board on the internet?
post #2 of 384
Bill's death in Kill Bill. I can get shivers down my spine just THINKING of that scene. Same with Shosanna putting on her make-up at the premiere and later her face projected in the smoke as the theater burns down in Inglourious Basterds.
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Rapid Fire... the rousing scene at the beginning with the protest at Tienanmen Square. Just made me appreciate the lives lost. I had goosebump and me eyes started to well up. Just beautiful beautiful work for an action movie, I was full of chills til the end of it..
post #5 of 384
BARTON FINK: "I'll show you the life of the mind!!"
post #6 of 384
Both flying bike scenes in E.T.

Ripley versus Alien in Alien

Ripley versus Alien Queen in Aliens

Skateboard chase and Clocktower scene in Back To The Future

Ending of One Flew Over The Cuckoo's Nest

Stargate sequence in 2001 A Space Odyssey

Last 15 minutes of Ghostbusters

Last 15 minutes of Requiem For A Dream

Death star trench run in Star Wars A New Hope

Batmobile through the woods in Batman ('89)

Too many moments to mention in The Right Stuff

Devil's tower sequence in CE3K

T-Rex attack in Jurassic Park

Last 10 minutes of Seven

Firing squad sequence in Paths Of Glory

Freeway gap jump in Speed
post #7 of 384
Joe Versus the Volcano - "Dear God, whose name I do not know...thank you for my life...I forgot how big" Such a beautiful life affirming moment in a really great life affirming movie.

The tracking shot in Goodfellas - Not just technically proficient but a perfect directorial choice. A close second is the vertigo shot at the end when Henry has his meeting with Jimmy.

The dance montage at then end of An American in Paris - Beautifully shot by Alton and incredible dancing by Kelly.
post #8 of 384
The Battle Without Honor Or Humanity scene from Kill Bill vol 1. Just oozes badassery.
post #9 of 384
Butch looking for a suitable weapon in Maynard's shop in Pulp Fiction. I smile so hard during that scene my face hurts afterward.
post #10 of 384
-SUPERMAN (Iron Giant):
It makes me cry every single time i see it....everyone who has seen it knows why.

-Vader turns on the Emperor (ROTJ):
Just the way the whole sequence is cut, with Vader staring at his son's agonizing torture, and Williams's score kicking in at the exact perfect moment....it gives me chills every time.

-The Mask speech in "The Incredibles":
Its the moment when you realize this is NOT your typical Disney/Pixar flick.

-"I'm going to die", "The Fountain":
Easily the best sequence and the "soul" of the movie; add to that a fantastic score and you have a great, overwhelming moment.

-The brachiosaurus reveal, "Jurassic Park":
Any kid who loves/loved dinosaurs (and what kid didnt?) cant do anything but stand in awe at that scene.

-The discovery of the killing fields, "The Killing fields":
One of the best reveals i cant think of...the slow realization of what those eerie, out of place cracking sounds were just a few seconds ago is horrific.

-"You're a god among insects; never let anyone tell you different"; "X2":
McKellen easily steals the movie with that scene.

-The ending of "Ordet":
Brilliance cant even describe it; hell, the film still mesmerizes me because of that sequence.
post #11 of 384
The final scene of Oldboy gets me every time. I get goosebumps and I get that cold shot up my spine and then the end credits music starts and I'm just sitting there in awe until the DVD menu comes back up.

I get goose bumps and my eyes well up during the opening credits of Inglourious Basterds. I don't know why. I guess it's a combination of the awesome music and the sheer awe that the movie exists after anticipating it for a decade.
post #12 of 384
WHATEVER HAPPENED TO BABY JANE
- When Davis gets all made up and fixes her hair and sings that song, letting her guard down and letting herself slip back into what was (for her) a happier time, then she takes a few steps forward and sees her reflection in the mirror. That scream. Oh my.

WHO'S AFRAID OF VIRGINIA WOOLFE
- The whole damn movie, honestly. If I had to pick one moment it would be outside of the bar when Taylor is giving her "And it just SNAPS" speech. Or the moment when she looks at Burton and says "But you can STAND it!" Goddamn.
post #13 of 384
Quote:
Originally Posted by ryoken View Post
-"You're a god among insects; never let anyone tell you different"; "X2":
McKellen easily steals the movie with that scene.
I have found myself putting in the DVD just to watch that scene. The choir music coming in during that shot of Magneto handing Pyro the lighter back...goosebumps.

But my number one has to be the opening sequence of The Lion King. That sunrise...every single time that I see it or hear that music, my eyes immediately fill with tears.
post #14 of 384
The final epic, Mexican stand-off in The Good, The Bad, & The Ugly.

Lee Marvin rolling thunder in Prime Cut

The chariot race-- Ben Hurr

Richard Roundtree strutting the streets of New York as the main theme kicks in--Shaft

The mall car chase and Church conversion in The Blues Brothers

George Bailey's happy ending It's A Wonderful Life

Final car chase and Kurt comeuppance in Grindhouse

Opening bank robbery Dirty Harry

Redneck bar 48 Hrs.

The "Heeeeere's Johnnny!" moment in The Shining

"The cutthroat song" and "My Rifle, My Pony, and Me"--Rio Bravo

pre-title sequence Thunderball

russian roulette / national anthem The Deerhunter
post #15 of 384
"Origin of Love" in Hedwig and the Angry Inch


Braveheart - "SONS OF SCOTLAND!" - just great, in the way that the English army is heard before its seen, and the way Wallace rallies the Scots to him ("William Wallace is seven feet tall!")

13th Warrior - Ahmad's Prayer - "merciful father, I have squandered my days with plans of many things...this was not among them; but at this moment I hope to live the next few minutes well; for all we ought to have thought, and have not thought; for all we ought to have said, and have not said; for all we ought to have done, and have not done....I pray thee, God, for forgiveness"....followed by the Viking death prayer..."Lo there do I see my father; lo there do I see my mother and my sisters and my brothers; lo there do I see the line of my people, back to the beginning; lo, they do call to me; they bid me take my place among them in the halls of Valhalla - where the brave may live forever!"


Casablanca - "La Marseillaise" ETA - I think Claude Rains may very well be the straw that stirs the Casablanca drink.
post #16 of 384
Quote:
Originally Posted by The Rain Dog View Post

Blade Runner: Roy Battys final speech on the rooftop
God damn if I have any idea what he's talking about, but Hauer sells it so fucking beautifully, the moment is so visually stunning, Vangelis score punctuates the emotion of the scene and everything comes together that I find myself swelling with emotion and tingling all over each and every time I watch it.
Take away Hauer's speech and would Blade Runner have resonated with as many people over the years as it has?

I'm thinking "not so much".

It's mere seconds of screen time, but the way it elegantly drives home the underlying theme and anchors the entire story can't be overstated.
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post #19 of 384
"Dash, RUN!" - just a great scene on all levels - real danger, some slapstick, action, and the palpable joy of Dash finally being able to let loose.
post #20 of 384
Gandalf and Karl Urban's character bringing reinforcements down the mountainside in Two Towers. The music, the shot composition, the lighting... it just looks like Caravaggio or some shit.
post #21 of 384
Tom Hanks on the piano:

With Paul Newman - http://www.youtube.com/watch?v=A_Uovbgq7R4

With Robert Loggia - http://www.youtube.com/watch?v=KosJK...eature=related
post #22 of 384
Carl dumping all of his memories so he can go have a new adventure that launches us into the third act of UP. The score, the visuals (especially that simple pan over to Carl and Ellie's chairs next to each other), and it coming right after the Adventure Book montage makes you smile and cheer, all while your tears are still wet on your cheeks. That part might be one of my favorite moments in any movie ever.

For some reason, Mrs. Brisbee raising her house from the mud in The Secret of NIMH gives me that goosebumps moment. Might have to do with it a) being an excellent film, and b) Goldsmith's score choosing that moment to bring it home.

"See you on the other side, Ray."
"Nice working with you, Dr. Venkman."

Spock's Funeral in Wrath of Khan.

Spidey leaping out of his apartment to once again help the people of New York after "Go get'em, tiger." Might be Raimi's best moment ever.
post #23 of 384
The Final Mexican stand-off in The Good, The Bad & The Ugly. That score plus the impeccable editing. I get goosebumps every time, even though I know the outcome.

Any of the dance sequences in The Red Shoes. They hardly feel like movie moments, there is something almost magical in the execution of these scenes.

The opening titles to any Tarantino movie. That guy can really pick a piece of music, they always make me excited for what is to come. Now, knowing what greatness comes soon after, the titles get me even more pumped. I think my personal favourite would be Jackie Brown's, though.

The mirror scene in Duck Soup. Probably my favourite gag in my favourite comedy. Just perfect physical comedy.

The McBain Massacre in Once Upon a Time in the West. The lead up is a masterclass in tension building, the massacre itself is quick and vicious, and then the youngest McBain child runs out to see what happened - then that amazing Morricone score kicks in. But really that entire movie is one long tingley moment for me.

The final scene of Fight Club. The music cue, the apocalyptic imagery, the final line. A great way to cap off a great movie.

The opening scene + the titles to Watchmen. I haven't revisited the film in a while but the giddy thrill this one-two punch of an intro gave me watching the film has stuck with me. The use of music was particularly effective.

The introduction to the Shire in Fellowship of the Ring. For all the epic imagery that Jackson and co would create in the rest of the trilogy, nothing grabs me emotionally or in sheer awe of the craft, quite like those first sweeping shots of the Shire. That's when I knew I was watching something special, and I welled up. And it works every time.

The Copacabana scene in Goodfellas. The scene that made me fall in love with the art of film, before that moment I just watched them for entertainment, but I became aware of a director's vision with this scene. I began following directors, studying their own unique voice, becoming aware of the technique. It all started with this movie, and this scene in particular.
post #24 of 384
Great post Rain Dog.


Jaws, showing off scars and the Indianapolis speech.

Where The Wild Things Are, the howling scene on the beach as Max sails.

Last Of The Mohicans, Chingachgook's unstoppable clifftop charge to avenge Uncas.

When We Were Kings, when Ali starts to come off the ropes.

Ben Hur, you know the scene.

Tombstone, Johnny Ringo's face when he sees who turned up in Earp's place.

The Right Stuff, any scene with Chuck Yeager.

Before Sunset, the final scene.

Rocky, the most loveable movie character of all time hollering his love to his woman.
post #25 of 384
Bucho, you stole my choice! (Mohicans)

HEAT - Waingro toys with the 13 year old prostitute. "You don't know what this is...Grim Reaper's visiting with you." CHILLING.

MIAMI VICE - Crockett and his lady pop over to Havana in a go-fast boat, as you do. The Ocean is beautiful and Moby's score soars.

MASTER & COMMANDER - Crowe and Bettany are playing the Chello & Violin. Suddenly Bettany realises the Frenchie tricked them and they will have to go back. They start playing some great classical music.

WALL STREET - Bud Fox knocks on Gekko's Limo and says he's in. Gekko's grin is awesome and chilling.

THREE BURIALS OF MELQUIDES ESTRADA - Barry Pepper breaks down and begs for forgiveness.
post #26 of 384
"My name is Shosanna Dreyfus, and this is the face of Jewish vengeance."
post #27 of 384
Brolin´s "Yeah." in NCFOM does make me shiver every single time. That´s your whole move right there in this moment. Glorious.
post #28 of 384
The Fellowship of the Ring -- The entire closing sequence. Never has a cliffhanger felt so simultaneously satisfying and agonizing.

The Magnificent Seven -- The funeral procession. "You elected?" "No. I got nominated real good." Concentrated bad-assery from Brynner and McQueen.

Brazil -- "Has anyone seen Sam Lowry?" And then there he is, soaring among the clouds.

Empire of the Sun -- Jim's salute to -- and from -- the Japanese pilots.

Close Encounters of the Third Kind -- Roy and Jillian see Devil's Tower for the first time. Nobody conveys awe and wonder like the Spielberg/Williams combo.

The Great Escape -- The intro of the prisoners, as they all try to escape on their first day in the camp. Just a great way to introduce all the characters.

Jaws -- The first encounter with the shark out at sea. Sharply defines all three characters on top of being a rousing sequence.

Raiders of the Lost Ark -- The opening in the temple. Immediately thrusts you into this world and this character.

Star Wars -- That opening blast of brass before the prologue rolls; the twin sunset; the exquisite rendition of the Force them as Luke hears Obi-Wan in the trench; the throne room; the whole goddamn film.

Pretty much every time I hear Godzilla's roar.
post #29 of 384
THE DIRTY DOZEN: Too much fucking timeless swag.

EXTREME PREJUDICE: When Nick Nolte, Michael Ironside and gang go into Mexico to confront Powers Boothe. Ooo wee! Shit doesn't stop until the final frame.

WALL STREET: Michael Douglas says, "I'm talking about liquid. Rich enough to have your own jet. Rich enough not to waste time. Fifty, a hundred million dollars, buddy. A player. Or nothing." Fuck, this helps w/ my money mind-set. Just fab.

THE KILLER: FUCKING ALL OF IT! A special movie for me.

HARD BOILED: The warehouse shoot-out is where it kicks in and doesn't let up. Also, when Tony Leung and Chow Yun-Fat meet with guns drawn. Damn, just amazing.

LEON: The Finale. Game Over.

CRIMSON TIDE: Denzel and Gene Hackman face/off and Denzel gets punched. Good shit.

HEAT: When De Niro and Pacino meet for coffee. De Niro tells him about "HEAT" and when to walk away. I was spellbound.

RONIN: When shit starts in Nice, France. John Frankheimer set the standard for car chases that has yet to be topped.

THE GOOD THIEF: Nick Nolte starts to win at the casino. I smile.
post #30 of 384
Not like this thread needs more LOTR, but:

post #31 of 384
Quote:
Originally Posted by Ryan S~ View Post
Joe Versus the Volcano - "Dear God, whose name I do not know...thank you for my life...I forgot how big" Such a beautiful life affirming moment in a really great life affirming movie
Easily my favorite moment in this unsung gem.

Quote:
Originally Posted by ryoken View Post
-"I'm going to die", "The Fountain":
Easily the best sequence and the "soul" of the movie; add to that a fantastic score and you have a great, overwhelming moment.
Oh, yeah. Others:

- Hawkeye and Cora wordlessly hooking up in Last of the Mohicans

- "Don't be afraid. The world is greater than you know." - Ben-Hur

- Arwen's stand against the Nazgul and gifting Frodo with her passage to the West in Fellowship of the Ring

- The interrogation scene in The Dark Knight

- Shoshanna's final laughter amidst smoke and flame in Inglourious Basterds

- Tombstone: Doc Holliday's death, and Wyatt's dressing room speech to Josephine
post #32 of 384
The end of Batman: Mask of the Phantasm when Batman and the Joker are fighting while strapped to a jet pack.

Joker: You fool, let me go or we'll both die!
Batman: Whatever it takes!

Sums up their relationship perfectly.
post #33 of 384
CRIMSON TIDE: When Denzel orders them to shut the hatch - thus drowning everyone trapped in there - or the whole sub will flood. Brooding, moving music by Hans Zimmer.
post #34 of 384
The Abyss: Bud and Lindsay's exchange via the commlink in his deep sea suit.
post #35 of 384
I couldnt care less how everyone feels about the movie as a whole at this point but your love of the medium will always be suspect to me if you werent awestruck by Flint Marko pulling himself together for the first time in Spider~Man 3.

On the Batman front: That last holy minute of Batman 89.
post #36 of 384
post #37 of 384
Quote:
Originally Posted by Justin Clark View Post
Not like this thread needs more LOTR, but:

The whole build-up to Helm's Deep actually trumps anything in ROTK for me. Theoden's moment of relection as the light shines around him, and the slowly building torrent of rain. Sure, it's a Kurosawa homage, but it makes the hairs on the back of my neck stand up.
post #38 of 384
Quote:
Originally Posted by alan "nordling" cerny View Post
Yes!
post #39 of 384
Quote:
Originally Posted by Justin Clark View Post
I couldnt care less how everyone feels about the movie as a whole at this point but your love of the medium will always be suspect to me if you werent awestruck by Flint Marko pulling himself together for the first time in Spider~Man 3.
Agreed. That was really, really well done and never fails to produce goosebumps and more in me.
post #40 of 384
Can't believe I forgot this one:



"You shall not pass!"
post #41 of 384
Once- The first time "Falling Slowly" is played, and when the band starts kicking in while recording "When Your Mind's Made Up".
post #42 of 384
I've been trying to find a clip or gif or jpg of The Shape sitting up behind Laurie Strode in Halloween, but eff it, use your imagination.
post #43 of 384
THE ROYAL TENENBAUMS
- "I've had a rough year, Dad."

SHAUN OF THE DEAD
- Pretty much all of it, but especially right after Barbara dies.

DEATH PROOF
- The little sound effect at the end after the girls have (presumably) killed Stuntman Mike and jump in the air in victory. Freeze frame + "da DAAA!" Love it.

WALL-E
- When he's following Eve around in the grocery store and he starts that whole corral of shopping carts taking off across the floor, he runs away from them and ends up getting smashed into the sliding door.

UP
- There's a lot, but I'm always amazed by the shot in the little girl's room when Carl first launches his house. When the balloons pass by her window and the entire frame is draped in all of this color - it's dazzling.
post #44 of 384
Also, those final shots, as Myers' breathing echoes around Haddonfield. THAT'S the fucking boogeyman.
post #45 of 384
So many perfect moments have already been listed. Just reading some of them brought a smile!

Mad Max: Near the end, when Max is separated from his wife and kid, there's a great shot of Mel running up the street and the camera tracks in. I'm probably not describing it well, but I love, love, love this shot.
post #46 of 384
The first time we see the apes in the original Planet of the Apes: riding horseback with guns and that terrific score. Never fails to electrify me with fear, awe, and "Holy shit!".
post #47 of 384
When Johnny 5 becomes a gold-plated US Citizen at the end of Short Circuit 2
post #48 of 384
Oddly, for Planet of the Apes, the scene that makes me tingley isn't even one of the ones most would think of. For me, it's the scene when Dr. Zaius calls Taylor into his office and pretty much tells him that he knows more about the apes' past and Taylor than he will ever admit to his people, then attempts to make a deal that will allow Taylor to go free. The character beats on display here always make me giddy.
post #49 of 384
Quote:
Originally Posted by Ambler View Post
Skateboard chase and Clocktower scene in Back To The Future
Batmobile through the woods in Batman ('89)
I'll see that and raise you Kirk returning fire after Spock lowers the shields on Kahn's ship.

eta: Flash Gordon putting War Rocket Ajax right through Ming's chest.
post #50 of 384
Quote:
Originally Posted by Nicholas View Post
Mad Max: Near the end, when Max is separated from his wife and kid, there's a great shot of Mel running up the street and the camera tracks in. I'm probably not describing it well, but I love, love, love this shot.
In a similar vein, that shot in Jaws where Brody sees the shark eat Alex Kitner and Spielberg does that dolly zoom in on him, and it makes it look like his whole world just fell in around him.

Also...

1941: The dogfight over Hollywood. Belushi going hell bent for leather after the other plane, anti-aircraft fire going off everywhere, and John Williams' over-the-top theme blaring away.

Titanic: Call me a softie, but the "curtain call" at the end never fails to get me every single time.

The Producers: Dick Shawn has just finished the most god-awful audition in history, and over his blissed-out face comes Zero Mostel's howl of "THAT'S OUR HITLER!"

Fantasia: Chernabog. 'Nuff said.

GoodFellas: The "Layla" montage. One of the best marriages of song and image Scorsese has done.

Superman II: "General. Would you care to step outside?" Oh yeah, this shit is ON.
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