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CHLOE Post Release

post #1 of 11
Thread Starter 
post #2 of 11
This has to be the fourth or fifth place I've read of you remarking on that mouthloud, and I still can't tell if you enjoyed the scene or not.
post #3 of 11
You're right, Seyfrieds eyes are just amazing. Looking forward to catch this.
post #4 of 11
I used to be freaked out by Seyfried's huge eyes, but I think she's grown into them. They don't look as freaky-big anymore. Thought she looked great in Mamma Mia and Jennifer's Body.
post #5 of 11
I liked this. Yes, it is slight and it is pretty silly at times. But those eyes are amazing (Moore's too) and the blink-and-you'll-miss-it nudity pretty sexy. No mystery at all where the plot's going, but I enjoyed the journey anyway. Decent acting, great house, lovely Toronto backdrops, and again those fleeting glimpses.
post #6 of 11
I enjoyed the movie even though it seemed to hit every note those old B-Erotic Thrillers had.

**SPOILER**
Even Chloe's fate was right in line with all the sexy & murderous temptresses before her. I half expected her to come back from the dead somehow at the very end. & maybe she did ... I didn't stay till after the credits.

I definitely noticed the size of Seyfried's eyes and lips in those close-up sceens in the cafe. Kind of like a living anime character.
post #7 of 11
I really liked it. Thought all three leads elevated the material, Moore in particular.
post #8 of 11
Knew what its was and mostly where it was going, but the cast simply elevates everything to another level. Plus who wouldn't lie about having sex with her husband to have hot lesbian sex with Julianne Moore. And even though she may have f'ed the son, I like the honesty that it was only ogling Moore's closet and heels that made her cum. Although I am sure Room In Rome will wipe the floor its full on Euro sensibilities.
post #9 of 11
The son watching him mom and Chloe make out was bizarre, to say the least.

The third act was more of a whimper than a proverbial bang. Frankly, I felt more sexual energy between Moore and Seyfried than any one time Moore and Neeson decided to get physical again.

These are the kinds of fascinating roles Seyfried should be exploring. No more DEAR JOHN and LETTERS TO JULIET bullshit. She's got the looks and the talent to go just about anywhere.
post #10 of 11
Yeah... I thought this movie was great. Not necessarily unpredictable and the third act feels the need to end too much like a traditional thriller, something that ultimately feels forced and out of place.

But it's emotionally honest, thought-provoking and sexy.

Pretty sure that isn't a body double and I have to say that Moore is just a stunner at 50. I'd go as far as to claim she looks better than Seyfried.

The three performances are terrific. And the confessional scene with Neeson in the coffee shop towards the end is a great one.

There is another recent Liam Neeson drama that also deals with infidelity - called The Other Man - it actually makes for an interesting companion piece. I recommend it if you enjoyed this.
post #11 of 11

I thought this didn't really work and Devin's review nails it. Its way too slow burn and the ending just doesn't work.

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