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RED CLIFF International Version

post #1 of 38
Thread Starter 
Well, this film annoyed me in alot of ways, but I'm not going to dwell on that too heavily.

I've been a Woo fan since highschool, and it's cool to see him make another film with Tony Leung even if it's pointlessly over long* and basically an ad for Chinese communism.

However, once I accepted the fact that it was a propaganda film I was able to enjoy it on some levels. Woo can do action, even if his story was ham-stringed by jingoistic nationalism... and yes, the action was pretty cool

Back in highschool, a friend of mine was obsessed with the game DYNASTY WARRIORS. I'd play with him and it was alot of fun. I got a kick out of the fact that the game featured real people from Chinese histor, but gave them giant swords and claws and magic powers. One guy who was even in our world history text book was in the game, complete with a giant serrated metal fan. I thought it would be hilarious if there was a DYNASTY WARRIORS for US history where Washington carried a 9 foot long sword.

Anyway, once I got that Woo was approaching the combat as "Dynasty Warriors The Movie", I was able to enjoy it a bit more. Characters would single handedly kill hundreds of people, and I guess that must be what attracted Woo to take the money from the Chinese to make it. There was a clear disconnect from the super serious tone of the script and how Woo was shooting things. I very much got a 'Uncle Ko' vibe from some of the silly "ride high" stuff with the mentally challenged soccer player at Cao Cao's base

It's just a shame that Woo can't make gangster films in China anymore. You see, gangsters and corruption are no longer fit subjects for film in Mao's glorious republic of freedom and happiness. China has no corruption, duh! Woo was in HK making movies that were essentially all about fear of reunification with the main land... but I guess now if he wishes to keep making films in Mandarin, he'll have to restrict his efforts to the sand box of China's ridiculously boring history.*

All the same, for some of the running time at least it was worth while**

Any movie that has a character say a line like "The winds changed?! Impossible!" with a straight face is a movie that's sort of hard to hate.

PS I love the fact that so many of the outdoor scenes have CGI matte painted backgrounds, even though what the matte paintings show are real world locations in China. Why the need for FX then? Because the air in china is so polluted the image would look awful. Check out "THE PAINTED VEIL" for shots of similar locations to where RED CLIFF is supposed to take place. In PV, the air is so smog choked that mountains a half mile away are barely visible.

*It's nearly five hours long. That's completely retarded, sorry. The Chi-Com's sense of self importance knows no limits

*As cool as some of the battle scenes were, I couldn't help but think that Alexander would role his eyes at those generals and their tactics. "Let's tie all our ships together, that's a great idea!"... ::facepalm::. Alexander would have done what he did at Tyre and just made a peninsula out of rocks, ditching the boats entirely.

**I need to see the US version. I'd imagine it's much better. There is no reason to make a five hour movie.


EDIT: Apparently since you now are not allowed to be a Chinese movie star without selling your soul to the forces of darkness, (Ahem, Mr Chan) I guess maybe it's a good thing that CYF stayed away.


"Star in your ode to Chinese nationalism? Not on your life, Old Friend.."
post #2 of 38
Princess Kate, I enjoyed the...5 hour edition, and if you didn't like it, I am fairly sure you wouldn't like the shorter version. I cannot imagine watching the shorter version, so I bought the director's cut the other day, and it is definitely...Epic in scope. There is also a...4 hour film about Che Guvera (sp), that I will be seeing when I also watch...Precious, which will be...Never!
post #3 of 38
I almost watched this. Thanks for the warning. And I only know the American John Woo movies, a problem I'll have to remedy soon.
post #4 of 38
Thread Starter 
Quote:
Originally Posted by duke fleed View Post
Princess Kate, I enjoyed the...5 hour edition, and if you didn't like it, I am fairly sure you wouldn't like the shorter version. I cannot imagine watching the shorter version, so I bought the director's cut the other day, and it is definitely...Epic in scope. There is also a...4 hour film about Che Guvera (sp), that I will be seeing when I also watch...Precious, which will be...Never!
Mr Fleed,

I am glad you enjoyed the rather extreme length. To me, it felt like things were being needlessly lengthened in order to make the film seem more epic or important

It did have it's moments though


PS The CHE film is entirely too long as well

PPS I saw PRECIOUS recently and thought that while there were some good elements, it was pretty manipulative and definitely is over rated

Quote:
Originally Posted by dreary louse View Post
I almost watched this. Thanks for the warning. And I only know the American John Woo movies, a problem I'll have to remedy soon.
Well, there are some good parts but it's almost FIVE HOURS LONG. You just have to keep that in mind

PS As for Woo, you need to see his HK work ASAP!

I'd watch them in this order:

1) HARD BOILED
2) THE KILLER
3) A BETTER TOMORROW
3) A BETTER TOMORROW 2

After that you could go with Bullet in the Head, which I'm sure other Chewers will tell you is his best film (I disagree)
post #5 of 38
First off, you're an idiot if you think this is in any way a glorification of Maoism.

Secondly, you're an even bigger idiot if you think Chinese history is boring. Or you have the attention span of a goldfish.
post #6 of 38
Thread Starter 
Quote:
Originally Posted by Ryan S~ View Post
First off, you're an idiot if you think this is in any way a glorification of Maoism.

Secondly, you're an even bigger idiot if you think Chinese history is boring. Or you have the attention span of a goldfish.
They just war with themselves and the mongols all the time. Their entire history is just one big struggle for unification , then dissolution followed by more unification.

At least in Western History we went out and conquered strange new lands and peoples.

So yea, it bores me.

PS I loved THE MONGOL. Mongol history is great. I'm talking about actual Chinese history, not the history of every place that modern day PRC pretends is part of China

PPS: I have to deal with Maoists in my day to day life, so frankly I have pretty limited patience for that kind of stuff these days.
post #7 of 38
You really must hate Hero then.
post #8 of 38
Quote:
Originally Posted by Princess Kate View Post
They just war with themselves and the mongols all the time. Their entire history is just one big struggle for unification , then dissolution followed by more unification.

At least in Western History we went out and conquered strange new lands and peoples.

So yea, it bores me.

PS I loved THE MONGOL. Mongol history is great. I'm talking about actual Chinese history, not the history of every place that modern day PRC pretends is part of China

PPS: I have to deal with Maoists in my day to day life, so frankly I have pretty limited patience for that kind of stuff these days.
Again, this has as much to do with Maoism as Platoon has to do with neo-conservativism. Come up with a connection or give it a rest.

If you think that's all Chinese history is you're just plain uneducated.

ETA: So, you support colonialism then?
post #9 of 38
It's a trap, Kate.
post #10 of 38
Quote:
Originally Posted by NathanW View Post
It's a trap, Kate.
Shut up, Nathan, you'll ruin the surprise.
post #11 of 38
Thread Starter 
Quote:
Originally Posted by Ryan S~ View Post
Again, this has as much to do with Maoism as Platoon has to do with neo-conservativism. Come up with a connection or give it a rest.
?
Platoon was obviously diametrically opposed to the conservative take on Vietnam.

In Red Cliff characters regularly spout little red bookisms as if there were casual dialog.
Quote:
Originally Posted by Ryan S~ View Post
If you think that's all Chinese history is you're just plain uneducated.?
I know all about Chinese history. Just because I find it boring does not mean that I am uneducated. I just happen to think that most of their antics are pretty yawn inducing. After Megas Alexandros conquered Arabia (which most scholars say was his next target, had he not been poisoned), many argue that he would have turned his sights on China*. I happen to believe in alternate realities, and I'm sure there exists a reality where the Lord of Asia cut a bloody path through the middle kingdom. In that reality, I do not find China boring.

* Some also argue that he didn't know China existed, but I have a hard time believing that.
Quote:
Originally Posted by Ryan S~ View Post
ETA: So, you support colonialism then?
Of course not. But that doesn't mean that it's not interesting.


EDIT: You also seem to be ignoring the fact I had alot of nice things to say about the film and flat out stated that I "don't hold a grudge" agaisnt it
post #12 of 38
Quote:
Originally Posted by Princess Kate View Post
Platoon was obviously diametrically opposed to the conservative take on Vietnam.

In Red Cliff characters regularly spout little red bookisms as if there were casual dialog.
Examples please.


Quote:
I know all about Chinese history. Just because I find it boring does not mean that I am uneducated. I just happen to think that most of their antics are pretty yawn inducing. After Megas Alexandros conquered Arabia (which most scholars say was his next target, had he not been poisoned), many argue that he would have turned his sights on China*. I happen to believe in alternate realities, and I'm sure there exists a reality where the Lord of Asia cut a bloody path through the middle kingdom. In that reality, I do not find China boring.
You clearly don't know all about Chinese history. You thought Buddhism was common among the people at the time Red Cliff happens.

You can find Chinese history boring but perhaps you should learn something about it before you spout off.


Quote:
EDIT: You also seem to be ignoring the fact I had alot of nice things to say about the film and flat out stated that I "don't hold a grudge" agaisnt it
I honestly don't give a rat's ass what you think of the film but your constant (incorrect) harping on the Maoist tendencies of Red Cliff is absurd.
post #13 of 38
Thread Starter 
Quote:
Originally Posted by Ryan S~ View Post
Examples please.
.
I'd find one but I don't know the next time I'm going to sit through the film. It was five hours long
Quote:
Originally Posted by Ryan S~ View Post
You clearly don't know all about Chinese history. You thought Buddhism was common among the people at the time Red Cliff happens.
.
I was off by 100 years*. Doesn't really change the fact that I think Woo sold out making a film that glorifies the principals of a regime that drove his family from their home and blew up monasteries and churches alike.
Quote:
Originally Posted by Ryan S~ View Post
You can find Chinese history boring but perhaps you should learn something about it before you spout off.
.

It's just my opinion.
Agreement is not compulsory.
Quote:
Originally Posted by Ryan S~ View Post
I honestly don't give a rat's ass what you think of the film but your constant (incorrect) harping on the Maoist tendencies of Red Cliff is absurd.
Again, I deal with Maoists in my day to day life. I have little tolerance for their nonsense at this point. I said I enjoyed it though and so I am not sure what the problem is


*A pretty small error, in the grand scheme of things!
post #14 of 38
This movie is amazing. It is a masterpiece. The only thing I thought was slightly distracting was the overly bright blood splatter, but it didn't bother me too much. It was John Woo showing off his artistic flair.

The battle scenes are amazingly choreographed, and I became really invested in the characters.

This is how you make an epic battle movie.

I didn't have any issues with the length of the International Cut either. Then again I don't suffer from ADD. I could have gone for another hour and still wanted more. If people have problems with the length, you can break it up pretty easily and watch an hour or so at a time. It really is not that much different than watching one story unfold over a miniseries (such as "John Adams" or "Generation Kill"). Five hours might be a little bit long to sit in a movie theater, but having the blu-ray/DVD at home makes watching "Red Cliff" easy.

Also, for some goofy reason, I don't think the director of "Face Off", "Hard Target", and "Broken Arrow" is really trying to be political and brainwash people with Maoist principles. It might just be possible he was trying to tell a good, entertaining story.
post #15 of 38
I really don't see how the movie is Maoist at all. Where the hell is it all coming from?
Considering that the movie is based off a story from a novel dating back to the 1300s AD, the whole thing literally is more Confucian in value than anything else. Of which why it is still highly acclaimed to this day as a work of Chinese literature.
post #16 of 38
It's not, the film has your standard plot of a group of men and woman fighting against a power mad prime minister who essentially wages war to impress a woman. Unless you apply the idea of a group of people working together for a common goal, that's not communism, that's teamwork.
post #17 of 38
Quote:
Originally Posted by Princess Kate View Post
I'd find one but I don't know the next time I'm going to sit through the film. It was five hours long
If you can't think of examples off the top of your head then nothing really stood out, did it?

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I was off by 100 years*.
The point is that you asked why Woo, a Buddhist, didn't use Buddhist imagery. Because it would have been inaccurate to the hostorical context is the answer.

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Doesn't really change the fact that I think Woo sold out making a film that glorifies the principals of a regime that drove his family from their home and blew up monasteries and churches alike.
Holy hell, the American, the British and the Germans in WW2 were all Maoists? I didn't know that.

And, again, you have yet to point to any part of the movie that is Maoist so your point is idiotic.

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It's just my opinion. Agreement is not compulsory.
I was saying that you can find it boring but you at least better be right when you're referring to it. You're quite simply basing your opinions on wrong information.

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Again, I deal with Maoists in my day to day life. I have little tolerance for their nonsense at this point. I said I enjoyed it though and so I am not sure what the problem is
Why do you keep bringing up this point about you working with Maoists? It is irrelevant to the conversation.

The problem is you keep referring to it as a Maoist film and chastising Woo for selling out. You're wrong on both counts.


Quote:
*A pretty small error, in the grand scheme of things!
But one that makes a difference when one of your complaints is about Woo not using Buddhist imagery. It makes your complaint unfounded and wrong.
post #18 of 38
I saw the edited cut of this film last year, clocking in at just over two hours, and I thought it was okay.

I recently got myself a Blu Ray player and the five hour cut of the film was one of the first things I invested in. Watching the expanded, unabridged, cut this afternoon pretty much made the film one of my favourite things to come out of Asia since Sympathy for Lady Vengeance.

The main difference between the expanded and edited cuts of the film are in characterisation and context. Often with HK films the sense of characterisation gets lost in translation, there's an alienness to the customs and society which can make it hard to understand motivations and arcs.

Red Cliff in its expanded version has an ensemble of characters who feel relatable, you understand their motivations, understand their goals, and as such it immediately feels more intimate and earthy than a lot of other wuxia films.

The expanded cut also gives a lot of context to the action setpieces which are kind of butchered in the edit. This is a film largely about tactics and war psychology and losing that takes a lot of the impact from the battles. Admittedly some of the tactics get diluted a little by having the main characters being practically invincible (the battle with the tortoise formation goes from being tactically fascinating to being fantastically awesome as five guys essentially take on two thousand soldiers)

The film this most reminds me of is Seven Samurai, although that's not a quality judgement, and it reminds me of Seven Samurai in that it's equally invested in the preparation for battle as it is in the battles themselves.

There are tons of great moments which are either about the set up for battle (the scene where the strategist gets 100,000 arrows is amazing) or discussions about tactics (the tortoise conversation) which are just riveting and the battle scenes are chaotic, and invention and followable. The switch from overall battle perspective to individual skirmishes really works in the film and gives the more intimate fight scenes a sense of place and purpose.

It's also amazing looking, just fantastic use of set design and CGI to create this really sumptous looking, epic movie.

Tony Leung continues to be fucking awesome in the film too, I don't think I've seen him give a performance which wasn't fantastic.

Also someone best deal Johnnie To that the Chinese Government doesn't like him making films about corruption and gangsters anymore.
post #19 of 38
Quote:
Originally Posted by Spike Marshall View Post
There are tons of great moments which are either about the set up for battle (the scene where the strategist gets 100,000 arrows is amazing)
That's the moment where I really "got" Takeshi Kaneshiro as a star. That wry look he gives as his plan is clearly working as he intended... Love that scene.
post #20 of 38
Yeah this is probably my favourite Kaneshiro performance outside of Chungking Express, he's just fantastically likeable and it's great seeing the machinations on his face. You can actually see him thinking and considering each and every action.
post #21 of 38
I think I mentioned this in an older Red Cliff thread, but I only recently realized that Kaneshiro was in Chungking Express. I first saw the film such a long time ago that I wouldn't have had any idea of who the guy was at the time. I'd assumed that he was just some fresh new face that showed up in the past decade. Shows you how much I know about HK cinema, eh?

Anyway, I also mentioned how much I loved the way Woo shot Kaneshiro (as I love the way he shoots all of his hero characters). He nearly always made sure that Kaneshiro's eyes glistened in an almost otherworldly way. Made him really pop out from all the other characters.

I remember reading in an old Premiere magazine back when MI2 came out where Woo talked about how he had specific frame-rates he used to shoot certain actors in heroic slow-motion. Chow Yun Fat had a different speed to that of Tom Cruise, for example.
post #22 of 38
Quote:
Originally Posted by Ryan S~ View Post
If you can't think of examples off the top of your head then nothing really stood out, did it?

The point is that you asked why Woo, a Buddhist, didn't use Buddhist imagery. Because it would have been inaccurate to the hostorical context is the answer.



Holy hell, the American, the British and the Germans in WW2 were all Maoists? I didn't know that.

And, again, you have yet to point to any part of the movie that is Maoist so your point is idiotic.

I was saying that you can find it boring but you at least better be right when you're referring to it. You're quite simply basing your opinions on wrong information.

Why do you keep bringing up this point about you working with Maoists? It is irrelevant to the conversation.

The problem is you keep referring to it as a Maoist film and chastising Woo for selling out. You're wrong on both counts.


But one that makes a difference when one of your complaints is about Woo not using Buddhist imagery. It makes your complaint unfounded and wrong.
Not only that, Princess Kate seems to think that this film is a shill for the current government of China and Maoism. That strikes me as odd as the Communist Party of China in fact abandoned Maoism during the reforms of Deng Xiaoping in 1978.

As to the supposed Lord of Asia's cutting through Ancient China? Clearly Princess Kate never paid attention during Chinese history, or she would have known that the Chinese were light-years ahead of anything that Alexander could have fielded. This is in the area or tactics:Sun-Tzu, Sun-Pin, T'ai-Kung, Zhuge Liang. Plus Iron, maneuverablity (how a phalanx is destroyed) etc. Let us not forget that the ancient chinese had a powerful navy, and were powerful in the sea in that area . Something that men like Hitler, Napoleon and ALEXANDER never accomplished or fathomed, but the British and Romans did. Alexander toppled Persia because it had Darius, a single ruler. China during the warring states had many feudal lords, conquer one still have more. Hell, Porus gave Alexander trouble, and Porus was a minor king. Lol, pyrrhic victories, how do they work? Que the obligatory PK hand-job of alexander.

That being said, i enjoyed this movie and its depictions of the characters. Kaneshiro really pulled it off, and now I will think of him not only as Sammanosuke, but also Zhuge Liang. Battle scenes were thrilling.
post #23 of 38
Mao is still revered in China. Especially recently.
post #24 of 38
Thanks for the info!
post #25 of 38
post #26 of 38
Quote:
Originally Posted by dreary louse View Post
Mao is still revered in China. Especially recently.
Interesting link. Either way, the current platform of the CCP today seems to be capitalism.
post #27 of 38
Quote:
Originally Posted by dreary louse View Post
The article suggests that there's some interest in Mao but very little interest in Maoism. Pretty big difference.
post #28 of 38
Certainly there's no invested, acted out interest in Maoist ideas. I was actually just trying to convince somebody at a bar that China isn't communist (random girl at a bar who disagreed with the suggestion that China isn't communist). But Mao serves as a propaganda tool nonetheless, to increase one's faith in a government that's supposed to be his successor. I haven't seen Red Cliff, but it is conceivable that a Chinese movie would pay tribute to Maoism. The government wants to be seen as a benevolent force, as Mao's image is as a party leader. To the Chinese people, they officially call themselves a communist government.
post #29 of 38
Quote:
Originally Posted by dreary louse View Post
Certainly there's no invested, acted out interest in Maoist ideas. I was actually just trying to convince somebody at a bar that China isn't communist (random girl at a bar who disagreed with the suggestion that China isn't communist). But Mao serves as a propaganda tool nonetheless, to increase one's faith in a government that's supposed to be his successor. I haven't seen Red Cliff, but it is conceivable that a Chinese movie would pay tribute to Maoism. The government wants to be seen as a benevolent force, as Mao's image is as a party leader. To the Chinese people, they officially call themselves a communist government.
Of course it's conceivable but that film isn't Red Cliff.

And I don't believe the first part of your post.
post #30 of 38
Man, I should have posted in the DVD Review thread.
post #31 of 38
Thread Starter 
Quote:
Originally Posted by El Thain View Post

As to the supposed Lord of Asia's cutting through Ancient China? Clearly Princess Kate never paid attention during Chinese history, or she would have known that the Chinese were light-years ahead of anything that Alexander could have fielded. This is in the area or tactics:Sun-Tzu, Sun-Pin, T'ai-Kung, Zhuge Liang. Plus Iron, maneuverablity (how a phalanx is destroyed) etc. Let us not forget that the ancient chinese had a powerful navy, and were powerful in the sea in that area . Something that men like Hitler, Napoleon and ALEXANDER never accomplished or fathomed, but the British and Romans did. Alexander toppled Persia because it had Darius, a single ruler. China during the warring states had many feudal lords, conquer one still have more. Hell, Porus gave Alexander trouble, and Porus was a minor king. Lol, pyrrhic victories, how do they work? Que the obligatory PK hand-job of alexander. .

Hahahahahahahahahhaha... ah hahahaha... hah ha ha.....


Oh, sorry. Forgive me for being snide. I think that rather than my lack of familiarity with Chinese history, the problem here is your apparent total ignorance about Alexander and what he was able to achieve in his 32 years. I'm literally at a loss as to where to start debunking your post, it's just that crammed full of 'FAIL'.

So, where to begin...

Well let's start with your assertion that
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she would have known that the Chinese were light-years ahead of anything that Alexander could have fielded.
Did you just make that up? Off the top of your head? Cause that's really creative!

The reality of course is that Alexander III of Macedon had the most technologically advanced army on the face of the earth. They had catapults and cross bows hundreds of years before such things became the norm in combat. The weapons fielded by his army were superior to those in the possession of even his mightiest enemies.

Now you make your most absurd claim of all and suggest that the tactics of the Lord of Asia were less advanced than those of the Chinese. Forgetting for a moment that having NEVER LOST A BATTLE is a pretty good indication of a deft tactical mind, your claim is baseless and silly. "That's how a phalanx gets destroyed!"... ummm... you are aware of the Bactrian and Sogdian campaigns in modern day Afghanistan? Alexander ran into all the problems you foresee. The "swarm and destroy" tactics of the enemy horsemen were the undoing of the isolated phalanx, but overall the Greek army was more than able to adapt to the totally new style of combat. Alexander conquered Afghanistan in three years, and killed 20% of it's population (by some estimates). Despite their maneuverability, the home filed advantage, and intimate knowledge of the culture and terrain, the Afghans were brought to heel and his war moved on to India.
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Let us not forget that the ancient Chinese had a powerful navy, and were powerful in the sea in that area . Something that men like Hitler, Napoleon and ALEXANDER never accomplished or fathomed, but the British and Romans did.
I'm really not sure you know anything about Alexander's war. Alexander had a *huge* navy that saw much combat and many victories. He had no problem sailing ships up and down the Nile, so I doubt the Yangtze would have posed some special challenge. Most of China is not on a coast anyway, so their supposed naval mastery is a moot point. Alexander would have crossed into China from India. He was right at their back door. This wasn't some Korean or Japanese invasion where naval might was an important factor. Even if he had for some reason decided to fight by the sea, Alexander had the ships and wealth* to totally blockade their coast and starve their population into submission.
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Alexander toppled Persia because it had Darius, a single ruler. China during the warring states had many feudal lords, conquer one still have more.
I'm starting to feel sorry for you here! Tell me please, who was the "king of Afghanistan" before Alexander invaded? If you answered "Darius" you're dead wrong. Persia claimed Afghanistan as part of it's empire, but it was a labyrinth of local tribes and warlords who had the power. With Darius dead Alexander had to contend with uncounted foes and feudal kingdoms in that region. (FYI, THE AFGHAN CAMPAIGN by Pressfield is an excellent book on this subject)

1) He won anyway

2) He'd defeat people, and offer them the chance to keep their position of power and join his army and empire. That way he could pit one warlord against there traditional enemy with the promise that when the war was done that warlord would be more powerful than ever before. It was most effective.

Do you think Chinese warlords are any different? It took him three years, the longest, bloodiest stretch of his life, but in the end Afghanistan was conquered. Sorry. C

China would have fallen the same way
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Hell, Porus gave Alexander trouble, and Porus was a minor king.
Yes yes... Porus... Porus gave Alexander no trouble (and he was not a minor king, he was quite powerful in the region). Alexander's troops mutinied and that threw him for a loop*, but the actual battle was not particularly challenging. Alexander was in the process of redirecting the river Indus by over 30 miles so he wouldn't have to cross a river under arrow fire when he decided that he was bored of waiting and just attacked across the river anyway. Alexander, by himself, climbed up a 50 foot wall ahead of his entire army. He took an arrow in the lung and the rest of his army got annoyed at Porus and decided to defeat him.

Then, Alexander incorporated Porus and his kingdom into his empire and left him in place as a regent.
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Lol, pyrrhic victories, how do they work?
Uh, yeah, King Pyrrhus was not even born till four years after Alexander died. There was no such thing as a Pyrrhic Victory when Alexander was fighting.

Plus, Pyrrhic victory? You mean the cost of subduing China would have been to great to bear? Alexander had vast rooms filled with gold and over a fourth of the globes population under his command. There were people in Greece just begging to go fight but they were turned down because Alexander's army was already too huge. He had an entire empire of resources to throw at the Chinese. He could have burned each and ever last building in China to the ground and still had too much money with not enough to spend it on, and too many troops left with not enough battles to fight.



As for your crude comment, had I been alive at the time I'd not want to be involved romantically with Alexander. You'd probably end up on someone's enemies list. Just look at what happened to Roxanne after he died.

Instead I like to imagine that I'd be a country girl from Pella and have grown up hearing of Alexander, son of the great Phillip. When my mom told me of Phillips assassination, I'm sure I'd have cried.

As I turned 15 Alexander would have just finished unifying Greece and would have set off with his army to conquer the Persian empire.

My BF would be one of Alexander's Calvary Companions ($$$$$) and when Alexander got to Babylon my BF would have sounded the all clear and have sent for me by courier . I'd excitedly pack, and say my good byes to family and friends as I set out for the most remarkable journey anyone could imagine. I'd have traveled in luxury , carried by slaves and eating only the finest foods as I first sailed to Alexandria Egypt and then followed along the army's rout of conquest till I reached Babylon. When I got there my BF would introduce me to all his friends and everyone would be impressed by me and like me instantly. My BF and I would chill out there for a while and then he would leave to go fight in Afghanistan when Alexander and the army moved out. I'd be sad but not that sad, cause I could hang out in the coolest place on the planet. I'd stick around in Babylon for a few years (perhaps having an affair with a handsome Persian?) , enjoying the good life. Then once the Afghans are laid low my BF would send me a message saying it was safe to rejoin the expedition if I liked. I'd say good bye to my new Persian friends and ride off to live in super fancy tents and stuff with Roxanne and everyone, getting to see history made (safely from the sidelines) as the supply train marches ever eastward and down into India

Thats what I like to imagine anyway.

*He had more gold than anyone on the planet. His empire was, proportionately, richer than any before or since.

**For the record I understand why they did it, they'd not really signed up for a war to the literal ends of the earth, but yeah, I also totally support his decision to stone them all to death. It was war time.
post #32 of 38
So what does this have to do with "Red Cliff" again?
post #33 of 38
Damn if I know. All I see was the Godwin button being mashed for all it's worth cheerleading for Alexander.

The quote about Alexander sailing his ships up and down the Yangtze had me laughing though. WTF?
post #34 of 38
I thought some of the CGI was spotty, but given that the movie's 5 fucking hours, I'll cut 'em some slack. The film is really well paced for its length, which is a minor miracle and most of the battles are exceptionally choreographed.
post #35 of 38
Thread Starter 
Quote:
Originally Posted by Chet Ripley View Post
So what does this have to do with "Red Cliff" again?
I suggested that Alexander would have laughed at the "let's tie all the boats together!" tactics on display in this film. Someone chose to insult Megas Alexandros and I needed to rally to his defense since he died over 2330 years ago and can no longer set the record straight himself.

Quote:
Originally Posted by Strumvogel View Post

The quote about Alexander sailing his ships up and down the Yangtze had me laughing though. WTF?
Why was it funny? He had an accomplished navy.
post #36 of 38
I really liked this movie, and thought that the germinating nationalism displayed in the film was justified by the subject matter. Compared to "Hero" for instance, this film was actually fairly even-handed with its politics, depicting weakness, strength, and dissent among politicians on both sides. The unit of leadership formed by the heroes, and the dialogue they engage in is also more suggestive of western political principals than eastern ones, and didn't seem to parallel modern china's political structure whatsoever. It's also dishonest to take a study of military command as being a microcosm of the society itself, as militaries are almost universally fascist, by principle.

I also found a great deal of universality in the film... the story of three repressed groups rising up against a tyrant is an inspiring one, and similar to other stories told throughout history in cultures around the world. While history has undoubtedly been simplified for the sake of "A John Woo Film", I think it's probably wiser to view the movie more as a document of how the Chinese view their own history, than to be frustrated that it's not an objective document crafted by an impartial observer. While such a history lesson could have proved interesting in its own right, this film never makes a claim for historicity. It's more Herodotus than Thucydides, more interested in the opacity of history, and how a people have integrated a historical moment into their own personal mythology and self-identification.

To come out against a film as being nationalistic or too political is wrong-headed. When you're dealing with art, you need to accept the context in which it's presented. Is it nationalistic? Yes. But how is this surprising *at all*? This is a Chinese film made by Chinese for Chinese. This same sort of context needs to be considered when watching films made in the States or any country. The bias inherent in any work of art should be considered just as valuable and meaningful as the work itself, not as a "strike against it." A film should be judged on its own merits, not on pre-conceived notions of what you'd like the film to be.

I would suggest not dismissing films simply because they embrace cultures and ideologies that you don't agree with, and instead try to use these films as a means of gaining a perspective on how a culture sees itself. You may find that it views itself similarly to how we view ourselves: with irrational pride, among other things, and yes, xenophobia as well. But how are these things offensive when they're ubiquitous to every culture?

That said, I'm wondering if you read "Alexander of Macedon" by Peter Green? Your recall of battle strategies seems to adhere to his retelling.
post #37 of 38
Thread Starter 
Quote:
Originally Posted by Hadjimurad View Post
I really liked this movie, and thought that the germinating nationalism displayed in the film was justified by the subject matter. Compared to "Hero" for instance, this film was actually fairly even-handed with its politics, depicting weakness, strength, and dissent among politicians on both sides. The unit of leadership formed by the heroes, and the dialogue they engage in is also more suggestive of western political principals than eastern ones, and didn't seem to parallel modern china's political structure whatsoever. It's also dishonest to take a study of military command as being a microcosm of the society itself, as militaries are almost universally fascist, by principle.

I also found a great deal of universality in the film... the story of three repressed groups rising up against a tyrant is an inspiring one, and similar to other stories told throughout history in cultures around the world. While history has undoubtedly been simplified for the sake of "A John Woo Film", I think it's probably wiser to view the movie more as a document of how the Chinese view their own history, than to be frustrated that it's not an objective document crafted by an impartial observer. While such a history lesson could have proved interesting in its own right, this film never makes a claim for historicity. It's more Herodotus than Thucydides, more interested in the opacity of history, and how a people have integrated a historical moment into their own personal mythology and self-identification.

To come out against a film as being nationalistic or too political is wrong-headed. When you're dealing with art, you need to accept the context in which it's presented. Is it nationalistic? Yes. But how is this surprising *at all*? This is a Chinese film made by Chinese for Chinese. This same sort of context needs to be considered when watching films made in the States or any country. The bias inherent in any work of art should be considered just as valuable and meaningful as the work itself, not as a "strike against it." A film should be judged on its own merits, not on pre-conceived notions of what you'd like the film to be.

I would suggest not dismissing films simply because they embrace cultures and ideologies that you don't agree with, and instead try to use these films as a means of gaining a perspective on how a culture sees itself. You may find that it views itself similarly to how we view ourselves: with irrational pride, among other things, and yes, xenophobia as well. But how are these things offensive when they're ubiquitous to every culture?

That said, I'm wondering if you read "Alexander of Macedon" by Peter Green? Your recall of battle strategies seems to adhere to his retelling.
Interesting take, Hadjimurad. I agree with much of what you say, I guess I just personally have little patience for people for the Chinese at this point in my life. I know that the nationalism in RED CLIFF is really no more virulent than the content of, say, TRANSFORMERS 2, but I just have to draw the line somewhere. There is a value in seeing how China views itself, but watching them toot their own horn about their history is a bit more than I can take right now. I can't help but think that the Yangtze river dolphin and I would share a hearty laugh at the way they call their country "the middle kingdom".

Anyway, you do make good points, I just have a low tolerance for China. I will shut up now though about it and let people make up their own minds


As for ALEXANDER OF MACEDON, that is one of the biographies I've yet to read. I'll have to check it out. I've read Robin Lane Fox's ALEXANDER THE GREAT and a few others, along with some of the original histories. I've even read all of THE ROMANCE OF ALEXANDER which is an awesome account from a few hundred years after he lived and it chronicles his many adventures. Apparently he spent time on the bottom of the sea, living in a diving bell and hanging out with mermaids It's fanciful, and most likely more myth than history, but fun.
post #38 of 38
Quote:
Originally Posted by Princess Kate View Post
Why was it funny? He had an accomplished navy.
He did have a good navy, it's just that it's all beginning to sound like the good old "Battlestar Galatica vs Starship Enterprise" pointless argument.
He may have sailed his navy up and down the Nile but it not the same as Yangtze. Different situations, different enviroments. What would have worked for one does not necessarily mean it will on the other.
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