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PAPILLON

post #1 of 4
Thread Starter 
- Oh, the guy who directed this, Franklin J. Schaffner, directed PATTON, BOYS FROM BRAZIL, and PLANET OF THE APES. Wow, he's a good director. Definitely a master of the widescreen composition and 'cast of hundreds', maybe even an under-appreciated master, as I don't seem to hear too much about him.

- Very much a big-budget B-movie. A simple plot driven by 'one damn thing after another' splashed on a big canvas with a great score, acting, and scenery.

- Steve McQueen and Dustin Hoffman act with a certain quirkiness which keeps things pretty light, and yet a single expression on their faces displays years of suffering. I can't think of any modern actors who could step in their shoes. I guess George Clooney, with a healthy dash of his Coen bros. kookiness.

- 'Jerry Goldsmith' always meant 'ALIEN' to me. Now, after this and PATTON, I realize he was truly one of the greats. Not only is the score during the trip to Honduras absolutely beautiful, but for two reels or so Goldsmith and the images alone power the story. Melodic and really...transporting.

Anyway, great Sunday afternoon flick.
post #2 of 4
A real favorite of mine. I try to watch this at least once a year. Really great 'yarn' film; full of daring escapes, mysterious social outcasts, violent seas, archaic clergy, beautiful natives, strutting martinets and the continually growing desire to see Papi make it the hell out of there.

Great faces stuck in there too. Billy Mumy, George Coulouris, Don Gordon, Anthony Zerbe and veteran 'that guy' John Quade.

The film falls into that crack (one I usually take issue with) that John Ford adressed about shooting the fact or the legend. Charriere's story was no doubt a bit more prosaic than the film portrays, but it does make for a damn cracking story.
post #3 of 4
I can watch this every year also. The book rules too. The book has many more scenes and convolusions, especially near the end. There is a whole long saga AFTER he rides the cocunut sack in the book - worth reading.
post #4 of 4
I was a little obsessed with this one as a kid. Mostly because of the guillotine, which was the coolest thing a 9-year-old horror fan had heard of. Ended up getting the book and its sequel Banco. People have called bullshit on the veracity of the story over the years, but it's still a cracking yarn, as noted above.

Sadly, the real Papillon died five months before the movie came out.
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