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Louie on FX - Page 6

post #251 of 815
Favorite part of this week's episode was "Don't step in that diarrhea vomit. I think that's the vomit of someone who ate diarrhea." Such a random throwaway line.
post #252 of 815
Quote:
Originally Posted by BTSMGL View Post
Louie tweeted a few weeks ago than all the stuff from Hilarious, "Word" and Louie are different sets, and no jokes overlap.
Damn. Just how much material does the guy have?
post #253 of 815
in case anyone missed the preview for next week

Louie on FX, Starring Louis C. K. - "God"
post #254 of 815
Finally programmed the DVR to record this properly (It was recording something else for some reason). This was not at all what I thought it was going to be. It is funny, but not in anyway that I would have expected. So...interesting. I have seen the Dentist/Tarese and Bully. I love that they had two different stories going in the first episode. Felt kind of like the old cartoons.
post #255 of 815
Quote:
Originally Posted by Moltisanti View Post
One of the better impressions of a monkey being fingered I've seen.
Great segment, but I wish he'd included the line when he did this bit elsewhere: "He could be like, looking like he's having a good time... it's a he, for me its always a he for some reason... for some reason I'm not raping or fucking a girl chimp, its always a guy chimp every time."
http://www.youtube.com/watch?v=R8VlUFpqCqU
post #256 of 815
post #257 of 815
Quote:
Originally Posted by Diva View Post
Totally dug this episode. Traveling nightmares I can relate to. I seriously had that conversation at the airline check-in where they told me that I couldn't get on a flight they just booked me on.

The thing I have been totally digging about Louie's stand up is his train of thought. I love how he'll start telling one story and then get sidetracked, usually about something really juvenile (e.g., mom's vagina).
He actually riffs about when his ex-wife does this and he's like... Pick a thing!
post #258 of 815
...that is bananas

post #259 of 815
Tom Noonan acted like he literally just walked off the set from HOUSE OF THE DEVIL. At least this episode was creepier then that.

I think his bit with the kids was one of the more obvious jokes of the series thus far. It was still funny but went on a little too long. I liked the end though, with Louis and his mom in the car. And that shot of the guy with the cigarette dangling out of his mouth nailing the nails back in.
post #260 of 815
I remember at CCE they did the same Passion talk. I asked to leave the room and the guy said no. I left anyway and ran into the parking lot and hid until I saw they called my mom. Good times.

That last shot of driving the nail back in was fucking great. I like how this show can just be a Frank O'Connor short story if it wants to be.
post #261 of 815
I never had the scary Jesus painful death talk per say, but being raised Catholic was enough to make the whole "look at a Plyaboy and burn in hell" sequence resonate.
post #262 of 815
stuff

Quote:
Originally Posted by Louis CK
The "Mom" episode was a character idea. a parent that is completely narcisistic. My mother is the opposite. But this show is not entirely autobiographical. Often it's not that at all. I just wanted to try this mom character and it worked well with the brother character I had developed. I also don't have a brother. I threw a couple of scenes at Robert Kelly and there was something so endearingly pathetic about him that I brought him back. When I started screwing around with this idea of having this awful mother, Robert's character fit into it perfectly.

I had written the God script before we started shooting and I shelved it. I just didn't think I could pull it off in the best possible way and did not want to do a shitty version of it. So I wrote it and then put it away. Several weeks later I wrote and shot Mom. A few weeks after that, I revisited the GOD script. I had more confidence in how we were producing the show and photographing it and I wanted to take it on. So I dusted off the script. Gayle Keller, the casting director, told me her idea of Tom Noonan, who I love and that just made me have to do it. Amy Silver the designer, made a great Jesus. So we put it into the mill.

Before it was shelved, Gayle had put a few people on tape, auditioning for "God". Amy Landecker had read for the mom. I hadn't seen it. She subsequently got the part for Bully, which we shot pretty early in the season. (sorry I know the timeline is a mess here) Anyway I watched her audition for God and she just nailed it (sorry) . No one else came close. So I decided I don't care that she was in this other thing. This show doesn't really function as a series. I don't think of it that way. I use what I need to tell each story. Also this is a flashback. It's in the past so it's a rememberance. There is something about a flashback, it feels like it exists on a hazier plane of reality than a present day story. It felt right to me to do that. Also at the end of her audition she said "You wanna go get some donuts?" which had this weird chilly time-travelly feeling to it because our Bully scene was so donut-centric.

As far as the mom character... Yeah, the mom in GOD is really my mom. We're even in a Pinto just like hers. She was a working mom and always wore a trench coat. The Mom in MOM was a total crazy character having to do with nothing in my life. The kid playing me in God was vastly different in look and character than the kid who plays me in Divorce and Bully. Every episode is tacking a different thing. Some people will be confused. That's okay. I think it's worth it. If it irks you to watch it because of that, I understand. But I still want to make the show this way. And they're letting me.

By the way my daughter, Jane, is played by two different girls through the season. I don't think it matters. Thanks for watching.
post #263 of 815
Yeah, I think this might be favorite episode so far. Maybe it was the catholic school stuff hitting close to home with me, but I also think that this episode was the best marriage of his stand-up and the fucked-up, dark stuff that happens in a persons life that inspires his comedy. Loved the glory hole joke too.
post #264 of 815
It's weird, but before I read that explanation I kinda "got" that one mom was autobiographical (this one) while the other one was simply grotesque. The show dips into the surreal sometimes, clearly playing off of modern fears, and that episode seemed like a prime example. Besides, no mother wouldn't give a shit about her grand-kids, even if she was a newly celebrated lesbian who insisted on larger type menus.

It's so obvious that the two mothers are completely different. I was really touched by the scene with this weeks mother (although I didn't notice that she was the same woman from Bully...although that certainly is interesting).
post #265 of 815
Quote:
Every episode is tacking a different thing. Some people will be confused. That's okay. I think it's worth it. If it irks you to watch it because of that, I understand. But I still want to make the show this way. And they're letting me
I'm not quite as big of an FX fan as some on this website, but I have to give them credit for being as ballsy as they are, especially with this show.
post #266 of 815
This episode was intense as hell. It might be my favorite episode so far.
post #267 of 815
Quote:
Originally Posted by Parker View Post

It's so obvious that the two mothers are completely different. I was really touched by the scene with this weeks mother (although I didn't notice that she was the same woman from Bully...although that certainly is interesting).
I noticed right away that it was the same lady from Bully and wondered about it (so thanks Joseph for that info!). But I didn't catch the thing about the donuts. Hehehe. I want donuts now. Loved the scene with his mom in the Pinto.

I came here specifically to praise that shot of the nail being hammered back in by the cigarette dude. Clearly, I was too late.

I've kinda had my fill about jokes about God the Asshole when I was reading/listening to a bunch of atheism stuff a couple years ago, but the Tom Noonan stuff totally made up for it.

It really can't be said enough. This show is too damned short.
post #268 of 815
Anybody up for watching The Passion of the Christ?
post #269 of 815
Quote:
Originally Posted by mcnooj82 View Post
I came here specifically to praise that shot of the nail being hammered back in by the cigarette dude. Clearly, I was too late.
Is it crazy that I read that dude to be a priest in the parish? That would have taken the metaphor of him nailing Christ back to the cross to a whole other level.

For my part, I was raised and Catholic and still hold on, to a certain extent, to those beliefs, and that episode was brilliant. Such an amazing mixture of the grotesque (Noonan drawing blood on the kid's face), the absurd (Heaven) and the pathetically, sadly, darkly hilarious (Lil' Louie clutching the freed Christ).

Also, "That's... bananas."
post #270 of 815
I'm Jewish (in the most nominal way possible) and so anything I know about Christianity is from TV and movies. A definitely have a warped view of that religion because of it. This did not help.

i loved the "God as a shitty girlfriend" joke. It's easy but it works. And I can't say enough about how good Louie is at managing to make really important statements about our society's values (rape is not one of the 10 commandments but taking the Lord's name in vain is) without getting overly preachy.

I did not recognize the mom as the girlfriend in "Bully" but I think its cool that Louie doesn't feel constrained to normal TV conventions. I can't believe I didn't know about him before now. He's amazing.
post #271 of 815
Quote:
Originally Posted by Diva View Post
I did not recognize the mom as the girlfriend in "Bully"
I recognized her immediately, only because both episodes I couldn't help noticing the eerie Amy Brenneman resemblance. Until I read that stuff that Brenner posted above, I actually thought Louis might be setting up some kind of Freudian dual role flashback thing for the final episode. You never know with him!

Cool episode, the material reminded me of the late great Irish stand-up Dave Allen (look him up if you like jokes mocking the Catholic church, he kind of made a career out of it). Noonan was awesome as I knew he would be. With the graphic detail and the demonstrating on Louie's chum, his capping it with "and now I'm going to need another volunteer" killed me.
post #272 of 815
As soon as Noonan showed up I knew things would turn hardcore.

Also fun? Louis CK tweeting drunk from his flight.

The highlight was his response to a tweet by Sarah Palin: @SarahPalinUSA kudos to your dirty hole, you fucking jackoff cunt-face jazzy wondergirl.
post #273 of 815
Quote:
Originally Posted by Diva View Post
Yup. He wasn't being articulate about why he anted to ask her on a date. And the few words he did say were all about her race.
The end credits where he says something to the effect of "I'm trying to make it sound like I'm not just saying that black guys have big dicks, and I have money." She almost lost it.
post #274 of 815
post #275 of 815
This was posted in the "Older Women" thread. It's Louie's honest mother/honest date! In that scene with her in the Pinto, I got a strong Catherine Keener vibe from her. This is a good thing.
post #276 of 815
Quote:
Originally Posted by Phil View Post
The end credits where he says something to the effect of "I'm trying to make it sound like I'm not just saying that black guys have big dicks, and I have money." She almost lost it.
The end credits are the best part of the show. They always leave me cracking up.
post #277 of 815
Quote:
Originally Posted by Diva View Post
The end credits are the best part of the show. They always leave me cracking up.
Yes. I really liked the credits for the "heckler" episode.
post #278 of 815
Quote:
Originally Posted by Parker View Post
Yes. I really liked the credits for the "heckler" episode.
Made me feel sooo much better about laughing at her before.

ETA: Just caught the last one. I loved the conversation in the car.
post #279 of 815
Tom Noonan? Yes.

Such a great episode of such a great show. Echoing the love for the shot of the smoking dude hammering the nails back in Christ.

Quote:
Originally Posted by Diva View Post
The end credits are the best part of the show. They always leave me cracking up.
The end credits roll are usually the point I realise 20 minutes have passed and the show's nearly over. Not that they don't crack me up (including this weeks poop haggling)
post #280 of 815
I just started catching up with Lucky Louie. Went through 6 episodes in one night and i'll do the other six today.

While there are parts that are amazing. He really benefited from the change in format.
post #281 of 815
"It sounded like soup cans and pennies just tumbling into the water."

The other doctor fucking with him was great.
post #282 of 815
That return to the comedy club said more about comedians than the entirety of Funny People. And I liked Funny People.
post #283 of 815
This show is just too good. Like, it feels sort of miraculous that it exists at all. And it's going to have a second season! I feel so lucky. I've encountered people who aren't that bowled over by it or don't like it at all, and I guess I can understand that it's not for everyone, but to me this has pretty much been a perfect 13 episodes of humor and pathos.
post #284 of 815
Really great finale. That last shot was a stunner.
post #285 of 815
Louie's honks as he collapses onto the ground had me rolling. That opening with the blonde newscaster creeped me out more effectively than most so-called horror movies. That was just really weird and unsettling. I overuse this description, but I'll use it again. It was kinda Lynchian.

It isn't enough that each episode of this show just ZOOMS by. This season was only 12 episodes!? C'MON!!!

Which last shot are you talking about, Parker?
post #286 of 815
They're vastly different, but in many important ways this show sort of cements Louis CK's potential to be the next Woody Allen.
post #287 of 815
Quote:
Originally Posted by mcnooj82 View Post
Which last shot are you talking about, Parker?
The one with him and his daughters eating breakfast, and then the 180 pan to the skyline. I thought it was kinda beautiful, honestly.
post #288 of 815
Quote:
Originally Posted by mcnooj82 View Post
Louie's honks as he collapses onto the ground had me rolling. That opening with the blonde newscaster creeped me out more effectively than most so-called horror movies. That was just really weird and unsettling. I overuse this description, but I'll use it again. It was kinda Lynchian.
I dunno. I kind of thought it was hot.

That actress practicing her lines during the credits was pretty charming.
post #289 of 815
That last shot was technically great, but it seemed a little treacly to me. For this particular show at least. Also there were a few times last night where I knew where things were going, which felt weird (the second doctor, the mom who backs off when Louis says he has kids, Louie being a disaster at the club). I can't wait for next season but I hope he can stay fresh and keep surprising us.

That said I did like the final message that a comic like him is only ever really at home on stage. That was expressed in quite a graceful way. And the babysitter stuff was completely hilarious (especially when he returns and she starts up again and he shoves her out the door mid sentence).
post #290 of 815
I'm still amazed at how far they push the envelope on the language. That whole segment at the playground with Pamela Adlon was genuinely filthy.
post #291 of 815
Quote:
Originally Posted by Ratty View Post
That whole segment at the playground with Pamela Adlon was genuinely filthy.
That scene surprised me too. Initially I thought 'pussy' was being avoided (Louie came close twice), but then Adlon dispelled that assumption.

Sad to see the season end, but glad that we got two episodes last night.

Myocardial defecation.
post #292 of 815
more stuff

Quote:
Originally Posted by Louis CK
"This is not a series" Did I say that? It's funny how when you say something by way of trying to explain a feeling you had, when you're kind of reaching for an explaination so you try a string of words on and it sounds pretty good so you write it down, then that thing becomes etched in stone, taken to be a principal that you live by. I don't say this as a complaint. It's an observation. It's been fascinating to read about the show on the internet and this mother character issue is one I expected to come up.

Okay so this show is a series. You may call it that if you want. Now what? I still have the same feelings about it. I did one mother and then I wanted to do a different one. So I decided to go ahead. Some of you got taken out of the show for the time being by the difference. It so far doesn't seem like it was a fatal blow to your confidence in the show or ability to enjoy it.

I don't know if I'll do something like that again. I might. Maybe this was a brush-back pitch. Maybe you better not dig in too much in that batter's box, all expecting to see the same people all stay the same and develop and grow on you over time.

Bobby, my brother on the show, has no basis in reality, and as much as I love that character, it's occured to me to maybe not bring him back next season. Not as in kill off his character or have him move away, but resume the series with the premise that he doesn't exist and never did. I don't know.
The Mom episode was "what if I had a mom like this" the god episode was a concoction of a lot of things, some from my life and some not. That mother WAS my mother. She called me the other day to say how accurate she felt that scene was, in terms of what she feels her religious, moral and parenting views to be. She also loved the MOM episode and didn't identify with that woman and didn't think she was supposed to.

I'm sorry guys. I guess this show, to me, is like i turn on my brain each week and show some stuff that's in it. Sometimes it's real and sometimes it's not. Some things and people I like to show again (for now) some I don't. Some I want to change because I'm showing them for different reasons from show to show. I don't have a writing staff. The network doesn't read my scripts. I don't "vette" the stories the way a traditional show does. This stuff comes right out of my gut. I work very hard on the show and the scripts are forged carefully. But I try to trust my impulses and never do anything because I think it's neccicary, if it isn't compelling. I've worked on a lot of shows where you find yourself writing and shooting things that you don't want because you feel the show "needs" them. And NOT doing things you want because you think you can't do them or it hurts the show. I refuse to do either of those things on this "series".

Series. I had a thought about that. I remember reading a book by Milan Kundera called "The Book of Laughter and Forgetting". The book reads like a collection of short stories, each with a different set of characters and settings. But In the introduction, the author explains that the book is a novel. He says that to him, a novel is a collection of related chapters that are related, put in a book in a defined order. In most novels, the chapters are related by the plot. In his they are related by theme and not by plot, but it still functions as a novel.

I didn't love the book but the idea of that stuck with me, though I forgot about it until just now.

One last thing. When I was making Pootie Tang (ugh) after I did my first cut, I was flown to HOllywood to screen it for a test audience. We showed the movie to some people and then a proffessional movie tester asked them a bunch of questions. I was sitting in the back and watching. I remember that he kept asking questions like "Did you find anything in the movie confusing? people raised their hands and sited many places they were confused. I was told that these were all problems with the movie. But I felt they should have also asked these people "Did you mind being confused by that? Were you confused about it at the end?"

I feel sometimes that tv shows and movies today are so carefully constructed that audiences are used to being coddled and they get upset if their expectations are not met. I personally would rather see something that startles me and makes me ask questions. I am REALLY pleased from what I've seen with how people have taken in this show. I am encouraged by how intelligently I"ve seen it discussed, including this discussion about these fucking mothers that I made and bothered you with. You've all reacted the way I would and I think I'd be pretty irritated if I was a viewer of this show. But I guess I think taht irritation and confusion is not such a bad thing. Let's see what happens. I got fired off of pootie tang, by the way, and the guy who took the movie over used the testing and studio notes to "fix" the movie with narration.

In this case, I"m being allowed to keep going the way I'm going.

Yes, it's a series. But don't expect... well, anything.

thanks for watching.

Louis CK
post #293 of 815
I always saw it as an anthology show, personally.
post #294 of 815
Fry was so on the money...

"Clever things make people feel stupid and unexpected things make them feel scared."

There were enough people bitching about the mother stuff that he had to comment about it? Weird. It's pretty clear that this show isn't about that kind of consistency. Usually, I'm much more inclined towards things that are well-structured and clear. But that's clearly not what Louie is going for, and it's great on its own terms. Thanks for the blurb, Joseph.

No idea he worked on Pootie Tang...
post #295 of 815
Last night's episode also represented my exact feelings about being in a loud dance club to an absolute T.
post #296 of 815
Yeah, the club scenes hit too close to home for me to find them funny.
post #297 of 815
Quote:
Originally Posted by Ratty View Post
Last night's episode also represented my exact feelings about being in a loud dance club to an absolute T.
HOW DO PEOPLE HEAR EACH OTHER AT ALL IN THOSE PLACES!? I don't get it. I can't stand loud places. That sequence was short but brutal. But the moment he put his hands up to touch a girl's shoulder... hahahahaha, so good.

Turns out I had no idea what last shot Parker was talking about because I didn't realize there were 2 episodes. Heheh. It was a sweet moment.
post #298 of 815
Anthology? Series? I don't know if I'll keep watching. I mean, I'm pretty sure three weeks hadn't passed between when his brother asked him to do a threesome, and when he spoke to Robbie again.

I could have watched a whole show of Louie and Adlon sitting on that bench.
post #299 of 815
Seriously, the bench scene was absolute greatness. I loved that after Louie goes on and on about shoving balls into her pussy and how, she goes "I'm ok with that."

Also, having seen my good friend try and put his two girls to sleep while I was visiting with them this weekend, I can totally identify with that segment. The girls are 5 & 6 and were clearly tired, yet they would not shut their eyes. They begged for a movie which the parents relented to thinking the darkness would lull them to sleep, to no avail. They just laid in bed with their eyes wide open. And then the 5 year old started crying for no damn reason. I guess she was just upset that she was tired and couldn't fall asleep. It was so bizarre. I'm glad I'm not a parent.

Sad the to see the season end. It was a total blast.
post #300 of 815
Yeah, this show transcends comedy, some episodes are just not FUNNY, but they are great nonetheless. It's like a perfect mix of Seinfeld, Curb your enthusiasm and Annie Hall (I agree Patrick, it does feel like an evolution of Woody Allen.)
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