Quote:
Originally Posted by Hammerhead 
Something else I noticed about the jump-door sequence is that we never actually see them in subspace, only approaching it. This despite the fact that they're already floating in that one shot.
Speaking of subspace, anyone else unreasonably bugged that Ramona's handbag isn't better established in the film? I don't think we ever even get a good look at it-- there's just the one part where she pulls out the hammer.
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They
are in subspace. There are doors at both ends of subspace, The idea is that the door you see them floating to is the one on the other end.
Not only is the bag basically unexplained, even subspace is pretty vague. Do people really understand what's happening? I read the comic, so I know, but I was wondering if any newcomers were thrown by that bit; I wonder if a brief scene (like 30 seconds) of them walking out of the subspace door at the other end would have "explained" it more thoroughly.
Quote:
Originally Posted by mcnooj82 
I think a huge part of my love for the Battle of the Bands against the Katayanagi Twins is the fact that it reminds me a LOT of Ghostbusters. Scott, Stephen, Kim, and Young Neil might as well have been crossing the streams with their proton backs as they were being blast with dragon breath. Sex Bob-omb's green-eyed monster representing a HUGE Slimer.  
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I mentioned this in my review. It's that lightning that pops out when Scott hits the bass pedal; that's the lightning I know from so many 1980's films (
Back to the Future and
Big Trouble in Little China come to mind too). It's such a great, exhilaratingly cinematic moment: the actors, Wright's direction, on-set effects like wind machines and flying bits of snow-like debris, and CG all combine to make this perfect moment. The shot of Kim behind her drum kit, determined look on her face, as that debris whips past her, may be my favorite shot in the film.