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Why doesn't someone else direct Kubrick's Napoleon script?

post #1 of 20
Thread Starter 
Just a thought.
post #2 of 20
Devin's new job!
post #3 of 20
Rights? A fear of fucking it up? I mean, Spielberg only went forward with A.I. because Stanley had already explicitly told him that Kubrick had intended him to direct it.
post #4 of 20
Same goes for Aryan Papers.
post #5 of 20
I'd actually like to see Chris Nolan give it a tilt.
post #6 of 20
Quote:
Originally Posted by The Rain Dog View Post
I'd actually like to see Chris Nolan give it a tilt.
He'd only do it if he could get Michael Caine in there somewhere.
post #7 of 20
Quote:
Originally Posted by Martin Blank View Post
He'd only do it if he could get Michael Caine in there somewhere.
Would that be so bad?
post #8 of 20
Not at all. I'm just saying it's in Nolan's contract now.

In fact, word is that Nolan's going to digitally insert Caine into Following, Memento and Insomnia.
post #9 of 20
I care more about LUNATIC AT LARGE, which Kubrick was supposed to direct from a treatment he wrote with Jim Thompson. Edward Pressman planned to revive this four years ago:

http://www.nytimes.com/2006/10/31/mo...=2&oref=slogin
post #10 of 20
I think its more to the broader question of why there hasn't been the epic treatment given to Napoleon of late. It's not like the story isn't utterly fascinating.
post #11 of 20
Maybe the script isn't done.
post #12 of 20
Because it's Stanley Kubrick's vision. It would be too hard for a director to put their own stamp on it when they're constantly thinking what Stanley would've done. And Christopher Nolan, while a great director, could never do a Stanley Kubrick movie. They're completely different in style. Nolan is more akin to Ridley Scott in style.

A.I. was a different situation as Kubrick always intended Spielberg to direct it and for him to produce.
post #13 of 20
Much of what went into the Napolean project found its way onto film in Barry Lyndon, which I think most filmmakers who might be interested in tackling that project realize.
post #14 of 20
It's also probably a question of financing. Steven Spielberg couldn't get the funds to make a film about Abraham Lincoln. Abraham Lincoln! Do you think studios are going to pony up $100+ million for a sprawling epic about a Frenchman? Unless Will Smith's eyeing the role, then maybe.
post #15 of 20
I'd go see a Will Smith Napoleon movie.
post #16 of 20
Is the script available in print or online?

Without having read what Kubrick had in mind, the main problem with any Napoleon biography I would have thought is that it is almost too big. There are about four of five principal phases to the man's life, any of which could be the tenor of a film, but oddly enough none of which contain all of the elements of his life.

I'd venture (slightly hesitantly since US history is not my forte) that it's not like a Lincoln movie, where presumably you'd focus on the Civil War. Napoleon went through about three or four transitions as a historical figure: ambitious young soldier to successful general, general to politician, politician to emperor, emperor to conqueror, conqueror to hostage to apotheosis.

Sure, you could use poetic licence and deal with the missing thematic bits through dialogue, but I think you'd really struggle to make it coherent. Unless you're Oliver Stone, maybe.

That was a joke.

The obvious answer, I suppose, would be a TV mini-series done with the production values, skill and integrity of a Wire or Band of Brothers.
post #17 of 20
Maybe a trilogy of films - not that we live in a world where that sort of epic franchise would receive finance.

Shit I still dream of an epic trilogy showing the life of Julius Caesar and the battle for Rome upon his death - the story of young Caesar in the shadow of Marius and Sulla alone is one of the great parts of the mans life that's never made it to screen - so I'm already out here living in a dreamworld.

Hell does anyone know if Sergey Bodrov ever got financing to continue his Genghis Kahn trilogy after Mongol?

I wish we had more sweeping historical epics these days.
post #18 of 20
Blame Get Shorty
post #19 of 20
The idea of a trilogy sounds great in theory, but I'm not sure there's a market for historically accurate epics. I feel almost that people need a supernatural or mythical element to be bothered to go and see it: at least in the prime commercial markets.

The French do seem to be capable and willing to make pretty large scale movies that (presumably, or am I reaching...?) make a profit - Cyrano comes to mind, as well as Mesrine. Perhaps the answer is to translate the script into French, line up a melange of Euro financing and film it in the cheaper corners of the continent. Price it for the global rather than the US market?
post #20 of 20
Quote:
Originally Posted by jhp1608 View Post
Is the script available in print or online?
Yes. Here. And it's very, very good.

Quote:
Originally Posted by Cuchulain View Post
Much of what went into the Napolean project found its way onto film in Barry Lyndon, which I think most filmmakers who might be interested in tackling that project realize.
True, but Kubrick did have intentions of making NAPOLEON into the eighties, so he, at least, didn't think BARRY LYNDON covered all the bases.
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