CHUD.com Community › Forums › SPECIFIC FILMS › Films in Release or On Video › Shallow Grave (1994)
New Posts  All Forums:Forum Nav:

Shallow Grave (1994)

post #1 of 4
Thread Starter 
Saw this for the first time in at least a decade recently. Still seems to be oddly little known outside the UK considering that it's Danny Boyle's one and only 'warm up' movie before he started doing great things, and considering it's still totally watchable.

Two starmaking performances in this thing, one from Boyle who takes a small scale setup and makes it feel as dynamic and energetic as you'd now expect from him. Second is McGregor who's so magnetic here that he was obviously a perfect match for Boyle from the start (and all the more sad that it fizzled out so soon).

That said, stuff that didn't bother me watching it as a teenager now feel kind of off now. The whole plot is built around a plan that is just totally stupid. They were absolutely innocent of the guy's death, there was no reason for anyone else to assume the guy hadn't hidden the money somewhere else before he died. All they needed to do was hide the friggin' money! Making you all look guilty as fuck by dismembering and burying his corpse, as if no one would ever think to track down this missing guy they know nothing about... yeah great plan guys.

Another thing is that as charismatic as McGregor's character is, it has the weird effect of making him come across as a total sociopath for the first half of the film. He's the one who pushes for the ridiculous, reckless plan, who manipulates Eccleston's character into going along with it and doing the dirty work for them, and he gets over the sick brutality of what they've done in like 5 minutes. Maybe this was intentional, but I'm pretty sure by the end of the movie we're supposed to be rooting for him as the likable protagonist.

And Eccleston is the unlikeable, uptight one who becomes the villain. But again, for the first half of the movie, even if he's bit of a tit, he's still the only one who seems to have halfway sensible emotional reactions to the messed up things they're doing. Him turning into a psychotic loon seems to happen because the plot demands it more than because it makes much sense for the character. It might actually have been more interesting if charming old Ewan was the one to turn into the bad guy. Kerry Fox suddenly turning into some manipulative femme fatale at the end didn't make a whole lot of sense either.

Still, basically a good film. Just don't look for realistic character studies.
post #2 of 4
I see Ewan and Eccleston as more of a play on Lady MacBeth / MacBeth. Alex is the unlikeable asshole through the first half (though somehow still charming and *cough* adorable), but when it comes to the truly lethal stuff - like murdering Peter Mullen and the other drug dealer - he can't do it. His line has been reached. David has turned away from the notion of even having any limits by the end, having totally come unhinged. I always thought we're supposed to be rooting for Alex.

You're led to think that Juliette is just a heartless opportunist...until she jabs the knife further into Alex, proving that she was rather rotten to the core from the beginning, but the kind that waits and watches.

Their plan is a bit illogical, but maybe that's the nature of what happens when a huge amount of money falls into your lap - you lose all sense. Maybe they thought notifying the police would tip both the police and the drug dealers that they have or had the money - surely both the cops and bad guys knew or suspected the guy would be loaded with cash, and if he was found without it...

Anyhow, I obviously love the film. I show it to my Intro to Political Theory classes, so even if they don't read their Hobbes and Locke, my students are at least introduced to some good cinema. Of course, I always pump up the film as Danny Boyle's first, first collaboration with Ewan, etc., and these 18 year olds just go to fucking screensaver. The vast majority of them haven't even seen TRAINSPOTTING.

Oh, and I recently just picked up the UK version (solely for the short documentary) - I was amazed to learn that the entire apartment is an inside set. All the "natural" light and exterior views are paintings.
post #3 of 4
I only saw this once, but I found it a dreary slog despite being a fan of Boyle's other movies (particularly A Life Less Ordinary, which I think would qualify as a goofy little forgotten gem if it didn't have a ridiculously bad ending). I just remember thinking all of the characters were awful assholes and not quite following why (as the OP may have alluded to) the money even needed to be moving most of the time. One of these days I should give it another shot, though, just because I like Boyle.
post #4 of 4
New Posts  All Forums:Forum Nav:
  Return Home
  Back to Forum: Films in Release or On Video
CHUD.com Community › Forums › SPECIFIC FILMS › Films in Release or On Video › Shallow Grave (1994)