Alrght awesome. Then I guess I will be buying tickets for one of the DLP shows then!
post #51 of 271
11/15/10 at 6:19pm
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Umbridge is absolutely in the movie. Spotted her in a clip released online.
I wanted to ask Tati if the Hermione/Bellatrix torture scene is really as horrific as people are making it out to be, because in clips I've seen of Hermione immediately post-torture, she doesn't look to be as messed up as I'd envisioned. |
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That was uncalled for. I was trying to steer this coversation to an approprate thread rather than clog up a post release thread with coversations about the book.
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I'd be willing to bet nooj is right. Saw The Social Network in DLP and was pretty floored at the amount and clarity of detail.
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Umbridge is in the movie.
The Hermione/Bellatrix torture scene is soft as hell. Nothing really "tortury" about it. Just some threats. The one nasty scene comes really early. With Voldermort and the Deatheaters meeting and killing one of the former Howarts teachers (can't recall the name) |
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What is it about the first one that people hate so much? I get the hate for CoS. It's boring as hell, but I still like the first one. Not ashamed to admit that Neville getting his ten points always makes my eyes well up.
Thanks for keeping my expectations in check, Tati. It's really Part II that I'm excited for. |
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Indeed it was and I apologize. That was me this morning getting ready to respond and then glancing at the watching and realizing I had to get to work. This sounds like an internet cliche, but I intended it to be read in humor based off of the same scuffle I had with Prankster up above, but naturally there's no way you could read into that, so I'm sorry.
What I was going to write about was how I think it would be more interesting (at least until more of us have seen the movie) to discuss the book here. Yeah, there is another thread for it...but it sounds like it pertains to the movie as well. Again, sorry for being a prick. |
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I think they're both boring as fuck, although the first one seemed less so at the time. On re-watch it dragged to all get out. Other then casting, I will give Columbus one other saving grace other than the casting; he establishes the perfect tone and atmosphere.
But I don't think they're well made movies. They're trying too hard to be roller coaster rides. |
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True, but I really liked the ending of the fifth movie, even if it differs slightly from the novel. The ending of the last one was incredibly blundered, if you ask me.
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The 100 wand salute was a great touch, it's that the last scene doesn't work off of that as it should.
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| It's a summary, at the end, of not simply the Potter series, but of films like The Dark Knight and Sweeney Todd; No Country for Old Men and Where the Wild Things Are; Synecdoche, New York and all the pictures of this first decade in the new millennium that talk about moving forward from warm embraces into the dry salvages of the neglectful, capricious, bellicose world. If it sets a precedent its conclusion can't honour (and knowledge of how the book ends suggests that no one will have the heart to do the right thing), for the time being there's this open-ended, desolate march to Bethlehem into the mouth of the Beast. It's a film of great courage and artistry, a movie ostensibly for children that's also worthy of them. |
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Saw it at the midnight screening last night.
First, anyone claiming (like certain excitable webmasters at other sites) that this is the best Harry Potter film thus far is deluding themselves. The middle is a jumbled mess where plot points and action beats just occur without any real emotional context. Like someone pointed out in the tag team review (forgive me, I don't remember who), the middle seems more like a video game than an actual story with characters. Second, the camping sequence, while long, wasn't long enough. Or, rather, it wasn't constructed well enough for the point of the sequence to come through. Like Parker pointed out, the whole point of that section of the story is to 1) show the kids in a world without any adults, and 2) demonstrate how isolated they are, and 3) to show them dealing with the enormity of the task ahead of them, and how that enormity breaks down relationships. To accomplish those three essential emotional beats requires a bit of a slow burn. The movie just didn't give the characters enough time to work through the emotional beats that added resonance and context to the subsequent decisions by the characters. Case in point, it seemed like Ron just up and left after a week. From a character stand-point, this doesn't make a whole lot of sense as presented in the movie. I buy that Ron takes off, and I buy why he takes off, but I don't buy that he does so soon. It seems out of character for him to leave so soon after getting going, particularly after keeping Harry from leaving by himself before the wedding. And yes, the element of jealously is present in the film, but it needed a scene or two more to develop, to really show the weight of the task weighing on them and pushing each character to less than rational conclusions. In short, people just don't snap after a few days of hard times, and that's what feels like happened here. It seems to me that Kloves approached the camping sequence assuming that there was a lot in there to cut. If that's the case, he was right to a degree. That needed to be truncated, but it feels like it was cut too much. It's sort of like taking out a cake before it has a chance to fully cook and set. That part needed more time to produce the same kind of slow burn and emotional weight the characters needed. Unfortunately, now it feels more like they're just checking things off a list rather than having the characters come to emotional conclusions organically. |