Just got the Blu Ray and watched this again after a long time.
I think it's interesting because you see the seeds being planted for the U2 that became what it is today. And, while watching the movie, you basically see the band say good-bye to what they were.
I don't know that it works entirely because it's trying to be both a documentary and a concert film. And you really can't be both without sacrificing depth. You get great songs mixed in with some so-so numbers (Though, thank you so very much for not including God Part 2) and a whole bunch of genuinely irrelevant documentary footage.
I don't know how that trip to Graceland played in 1988. But it comes off as remarkably cheesy now. Particularly when Larry Mullen starts getting misty.
Still... It's an enjoyable experience. Phil Joanou was thinking big and, as such, the concert footage is exciting and vibrant.
And genuine.
The much criticized performance of Sunday Bloody Sunday is actually a highlight of the film. You don't get the sense that Bono is preaching (though he is) because there's a raw honesty to the moment. When he shouts "fuck the revolution!" you get the sense that he means it. And I respect a preachy attitude when it comes from the heart. This is something that affects him. It's not the manipulative schmaltz-fest of bringing the Chilean mothers out on the stage in Santiago to ask for Pinochet to give the disappeared children a proper burial.
So... Love the concert. And find myself wanting to fast forward through the documentary to get to the good stuff.
One exception: The Edge and his wonderful Van Diemen's Land performance. Not concert footage, five minutes in... And my favorite moment in the film.
I think it's interesting because you see the seeds being planted for the U2 that became what it is today. And, while watching the movie, you basically see the band say good-bye to what they were.
I don't know that it works entirely because it's trying to be both a documentary and a concert film. And you really can't be both without sacrificing depth. You get great songs mixed in with some so-so numbers (Though, thank you so very much for not including God Part 2) and a whole bunch of genuinely irrelevant documentary footage.
I don't know how that trip to Graceland played in 1988. But it comes off as remarkably cheesy now. Particularly when Larry Mullen starts getting misty.
Still... It's an enjoyable experience. Phil Joanou was thinking big and, as such, the concert footage is exciting and vibrant.
And genuine.
The much criticized performance of Sunday Bloody Sunday is actually a highlight of the film. You don't get the sense that Bono is preaching (though he is) because there's a raw honesty to the moment. When he shouts "fuck the revolution!" you get the sense that he means it. And I respect a preachy attitude when it comes from the heart. This is something that affects him. It's not the manipulative schmaltz-fest of bringing the Chilean mothers out on the stage in Santiago to ask for Pinochet to give the disappeared children a proper burial.
So... Love the concert. And find myself wanting to fast forward through the documentary to get to the good stuff.
One exception: The Edge and his wonderful Van Diemen's Land performance. Not concert footage, five minutes in... And my favorite moment in the film.





