Quote:
Originally Posted by Richard Dickson 
I really don't get how the characters in Aliens are "annoying stereotypes" when it seems like the only thing distinguishing them from the characters in Predator is that ones in Predator are played by guys most of you have man-crushes on.
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Well said.
Quote:
Originally Posted by Werewolf Girl 
Agreed, I was surprised to see so much negativity towards the directors cut in this thread, personally I think it's much better. The theatrical cut is an action movie, the directors cut is a dramatic atmospheric horror movie. I think everything that was taken out of the theatrical cut is the stuff that really makes you care about the characters and get a sense of tension and dread.
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Thanks, Werewolf Girl. Glad to see people who appreciate that speaking up.
Quote:
Originally Posted by Evi 
I bought every moment in Predators. They gave the characters nuances and made them pop for me. Aliens, on the other hand, played its characters to extremes and made them totally unrealistic.
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So an Arnie zinger amidst mass destruction during the opening raid felt more realistic to you? It didn't feel like an "extreme?"
Quote:
Originally Posted by Richard Dickson 
I don't know, I watch the scene in Aliens where the Marines are waking from hypersleep, and it sure seems like they have a shared history beyond the scope of the film....
Look, I like Predator. A lot. But I think the film is getting unreasonably elevated to a level it simply doesn't merit in this thread.
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You're not the only one, Richard. The briefing scene, as well, brings home their sense of "expanded universe." Ripley's clearly the outsider in the group there, just as she is during the dining scene. When she starts to wig giving her contribution, you get the same sense of unwanted intrusion into lives that the distress call they investigate in
Alien has. "Why did we have to get saddled with this?", essentially. The Marines' comfort-zone has been well and truly left behind.
Quote:
Originally Posted by Judas Booth 
I could go on but you get the idea. Are they the most rounded characters? No, but they're just as fleshed out as the Predator crew.
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You've made a lot of great points in here, man, and this is foremost among them.
Quote:
Originally Posted by Andrew Merriweather 
Everybody has an identity.
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Thanks to "let's all meet the gang about to get it" screenwriting just as routine as the dining scene/briefing banter of
Aliens. The chopper scene, in particular, isn't cinematic haute cuisine. It's diligent and effective, but hardly streets ahead of
Aliens.
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Originally Posted by Andrew Merriweather 
ALIENS mostly sucks when Newt's screaming. Mostly.
Judas Booth - Anna is fine. At least she's not a shoehorned-in neon-sign-obvious "motherly redemption" figure. This is even worse in the DC, with the explicit references to Ripley's daughter.
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Does anyone else here find it funny that Cameron's being punished for having a clear theme? It's not subtext and, as such, is to be ridiculed apparently.
Quote:
Originally Posted by Patrick Ripoll 
Facehugger scene aside, the action sequences in Aliens are really weak. Fact.
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This has to be a joke, because it's hyperbole of the most forced variety. The "you're not reading
it right", backed-into-a-corner battle and ensuing chase sequence (wherein Burke's character definitely
informs how he dies, by the way), Newt's rescue scene in the birthing chamber, the final battle in the loading bay, none of these action sequences are anything beyond "really weak?" Laughable.