As I sit here watching The Wizard of Oz on Blu Ray, watching a film from 1939 with better definition than my window, I'm struck by the fact that I really, really, find the Munchkins disconcerting. You sometimes see these pictures from the olden days and people have particular face types and looks that just don't exist now.
The Munchkins represent that facially incongruity and have the added ickiness of being both small and plastered in make up. They're genuinely disturbing, especially the Lollipop Guild who have the demeanour of a bunch of hoods and crooks who were just brought in on day release.
Also, I'm now 80% sure that Daniel Day-Lewis partially based his Plainview accent on the Wicked Witch of the West. Speaking of which, as I've grown older and more cynical I've found myself less mortally terrified by The Wicked Witch of the West and more impressed by the verisimilitude of the performance.
It's a wonderfully physical performance. In fact I think the design and icongraphy of the film sometimes cloud just how great some of the physical performances are. I love the scarecrows initial dance, it looks relatively simple, but if you're paying attention it's actually a really complex number. Even Jack Haley's quite subtle movements as the Tin-Man are a real joy to watch.*
*I also kind of love Dorothy and The Scarecrow looking on like adoring, but utterly bored parents, when the Tin Man starts dancing. Garland kind of half smiling and bobbing almost had me in hysterics.
The Munchkins represent that facially incongruity and have the added ickiness of being both small and plastered in make up. They're genuinely disturbing, especially the Lollipop Guild who have the demeanour of a bunch of hoods and crooks who were just brought in on day release.
Also, I'm now 80% sure that Daniel Day-Lewis partially based his Plainview accent on the Wicked Witch of the West. Speaking of which, as I've grown older and more cynical I've found myself less mortally terrified by The Wicked Witch of the West and more impressed by the verisimilitude of the performance.
It's a wonderfully physical performance. In fact I think the design and icongraphy of the film sometimes cloud just how great some of the physical performances are. I love the scarecrows initial dance, it looks relatively simple, but if you're paying attention it's actually a really complex number. Even Jack Haley's quite subtle movements as the Tin-Man are a real joy to watch.*
*I also kind of love Dorothy and The Scarecrow looking on like adoring, but utterly bored parents, when the Tin Man starts dancing. Garland kind of half smiling and bobbing almost had me in hysterics.







