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Star Wars: The Prequel Trilogy

post #1 of 177
Thread Starter 
So, I'm stuck in the hospital on Christmas Eve watching the Prequel trilogy on Spike and I thought I'd start up a good-natured discussion about 'em. I know there are a couple Star Wars-related threads ("I still do like Star Wars," etc), but I didn't see one that specifically focused on the prequels. Now eleven years removed from The Phantom Menace and five years from Revenge of the Sith, I was really curious what people thought of the films now -- especially since we have some distance from the hype/disappointment of their initial releases. I know we have RedLetterMedia/Mr. Plinkett's lengthy enumerations of "what went wrong," but I thought it'd be cool to hear what everyone's two cents on these films are. I also fully encourage "fan casting/I woulda done it like THIS" digressions as well. Heck, maybe you love 'em.

Personally, I never had anything approaching a "George Lucas Raped My Childhood" response. I remember being massively entertained by The Phantom Menace when I watched it the first time, and then being surprised at my boredom at the second screening of it up until the final Darth Maul duel. Attack of the Clones was marred by a lackluster romance, while Revenge of the Sith turned out to be the best of the prequels (talk about damning with faint praise!). I don't hate them, but I don't love them. I've rewatched the Original Trilogy and can totally see their faults, but I've shown those movies to newbies and the OT still works exceedingly well (your mileage will vary about which ones, of course).

In response to the inevitable question "If you were in charge of the prequels, what would you do?" I guess one could quip "Never make them" or pitch some prequel trilogy you imagined as a kid (I didn't really have one; just hoped to see some Mandalorian Supercommandos. Color me disappointed), but I really think Lucas had all the material there, but for some reason, he just didn't develop his ideas as well as he did with the Original Trilogy.

Here's my two cents. Aside from the last one, I won't pretend they're all that original.

1. The Creative Process (a reasonable suggestion)

First of all, I was lucky enough to receive the expensive-ass Making of The Empire Strike Back book for an early Christmas gift and also have been watching the making of featurettes on the Clone Wars, and it's clear that while George Lucas is a hugely imaginative person, he hates writing and he needs other talented people around him to not only bring his ideas to life, but challenge him as well. It's clear that nobody but George would direct TPM, but I'm wondering what the prequels would have been like with other directors at the helm. Of course, I don't know how many directors nowadays feel comfortable executing someone else's vision (I remember Ron Howard expressing some discomfort with the process in reference to Willow), but I have a feeling it would have at the very least helped the performances (I mean, Natalie Portman sucks in these movies, and she's great in almost everything she's done). Still, I suppose some of that burden falls on the actor. I mean, you all know how Harrison Ford "improvised" the line "I know" in Empire Strikes Back? Well, the Making of ESB book shows that he and Kershner had a very thorough discussion about both the line and the staging of the scene prior to even showing up on the set. Ford says he's not just there to do what the director wants. It's a really fascinating read. Anyway, I don't know that having different directors and a strong screenwriter for Lucas to collaborate with would've made a huge difference; I'm just speculating. I mean, Jar Jar Binks -- a comic relief character meant for children to like -- isn't a bad idea per se. After all ,the Jedi are so goddamn humorless that such a stock comic character is practically required; it's just the execution that's off.

2. The Time Frame (slightly geekier suggestion)

To my surprise, I'm really liking The Clone Wars cartoon. Although the feature film was a mess and there are definitely some lackluster episodes this season (pretty much anything to do with the Senate), the show basically does a lot of the things that the prequels couldn't by skipping the majority of the Clone Wars -- showing Anakin's friendship/rivalry with Obi-Wan, demonstrating why Anakin could conceivably be the best fighter pilot in the galaxy, and giving us a nonwhiny Anakin you'd actually root for. I'm wondering what would have happened if Lucas would have begun The Phantom Menace with a teenaged Luke and then have the war commence at the end of that movie, thus making the second film a full-on Clone Wars movie. Just moving the ages and the time frame a bit could've helped. Although I suppose it's a moot point, because I don't think Lucas ever intended to start with anything other than Anakin as a kid.

3. What if you replaced Qui Gon Jinn with Count Dooku? (full-on geek suggestion)

By all rights, Qui Gon Jinn shouldn't exist at all, as Obi Wan refers to Yoda training him, but I understand why Lucas would create such a character -- it would be difficult to have Yoda serving the role that Neeson's character does and it'd be more interesting to have a character in the first prequel whom we don't know and whose fate is a mystery. However, in hindsight, it might've been interesting to have someone like Dooku be Obi-Wan's master. After all, Qui Gon was supposed to be a far less traditional Jedi, so collapsing these two characters into one could have been narratively beneficial. For one, to have Qui Gon/Dooku go bad at the end of The Phantom Menace would necessitate Obi Wan finishing his training under Yoda (off-screen, of course) and thus explain why he didn't mention any other master than Yoda in the OT. In addition, it would not only create an interesting pattern of Jedi training: Yoda (good), Dooku (bad), Obi-Wan (good) and Anakin (bad), but also give the prequels a villainous character who not only appears in all three films a la Vader in the OT, but one to whom Obi-Wan would have some personal investment in when he faced off with him (he could be tempted by his old master, but -- unlike Anakin -- he'd resist). It's the stuff of fan-fic, I know, but it was just a thought I had as I see these movies playing out in front of me.

Ugh...I wrote too damn much. What an incredible smell I've discovered! I now reek of geek. Please folks, help me out! Any thoughts on the Prequels?
post #2 of 177
Without being flippant about it, Lucas should have just followed the course charted by the EU writers in the years leading up to 1999. Zhan's vision of the Clone Wars is still "the right one", IMHO. There is not a single idea in the prequels that tops the world building that had lovingly been done in Lucas' absence, and for him to have taken the name Coruscant and tossed the rest out just kills me

The prequels are not good films, but it's Lucas' own inferior vision of SW mythology that kills me. I will never be able to enjoy the movies on any level, and have not seen them since ROTS hit DVD

EDIT: oh and he is a bad director. Should have kept his own promise and let Speilberg do prequel 2.

PS Also, I love how current STAR WARS geeks believe there even can be a cannon for the series. Stuff from SHADOWS OF THE EMPIRE showing up in the SPECIAL EDITION means that somehow the pre Lucas holocaust EU coexists with the prequel EU, but both cannot be equally true


Edit 2: ugh, I hate myself for knowing/caring about this on any level, all these years later
post #3 of 177
Sucks you're in hospital dude. Hope everything's ok. Won't they let you change the channel?
post #4 of 177
Revenge of the Sith is a lot more awful than I remember it to be. It seems like Lucas or the editor changed takes in mid-sentence a lot of the time.

"A sith...Loahrd?"
post #5 of 177
I tried watching Sith recently and didn't last ten minutes. It's just grating how bad the prequels are. I haven't seen Clones or Menace in a long time...I might see if I can tolerate them. But yeah, they're terrible terrible creations.
post #6 of 177
Marlowe's Cat, I hope your stay in the hospital is short. I love both...Attack Of The Clones, and Revenge Of The Sith. The negative one is...The Phantom Menace. Anakin is...Way, too young in that one. Also, I do not really care who...Obi-Wan's master was. I wanted to see...Master Jedi Obi-Wan, training Anakin, from the beginning. I did not need to see Padawan Kenobi. Those are the main complaints, I have. Ewan MacGregor is...Awesome, as Obi-Wan, and is the best part of the prequels. Revenge Of The Sith, is...Awe-Inspiring. I love all the lightsaber battles in the Prequels. I also...love the romance between Padme and Anakin. Ending AOTC, with their marriage was...Epic! The Phantom Menace is a...B-
Attack Of The Clones...A+
Revenge Of The Sith...A+
post #7 of 177
Quote:
Originally Posted by Ambler View Post
I tried watching Sith recently and didn't last ten minutes. It's just grating how bad the prequels are.
Did you start at the beginning? Because I actually find SITH's opening space battle -- especially that first long tracking shot of the two ships -- to be among the best things in the entire prequel trilogy.

Oh, and let me just say this before someone else does (because I know many around these parts agree with it): John Williams' scores for all three prequels are epic and moving and grand. Too bad about the films that go with them.
post #8 of 177
I took notice of your hospitalization situation too, but forgot to address it in my post. My apologies, and I hope all is well or soon to get better. Merry Xmas and may The Force be with you, Marlowe's Cat
post #9 of 177
I thought Anakin and his mother being slaves was an intresting idea. I mean hell! No wonder Anakin was all kinds of fucked up! He was a slave!! Then it turns out his slavery is pretty equal to summer camp. Him and his mother being beaten and all that would made you feel for these characters. Instead we get an annoying little brat.

Oh and I agree with starting the film with Anakin being much older, maybe Lukes age.
post #10 of 177
Quote:
Originally Posted by Princess Kate View Post
PS Also, I love how current STAR WARS geeks believe there even can be a cannon for the series. Stuff from SHADOWS OF THE EMPIRE showing up in the SPECIAL EDITION means that somehow the pre Lucas holocaust EU coexists with the prequel EU, but both cannot be equally true
There is an official canon policy for all of Star Wars. What you just said is not how the policy works.

Sucks that you're in the hospital Marlowe's Cat. Hope all is well or on the way to well. At least you have the prequels to get your minds off your troubles. Heh.

It's weird having Anakin be a kid in the Menace, and then a older teenager/adult in the other two movies. Menace feels so completely disconnected to the other to movies for me, which is a bad thing since it then wastes 1/3 of the time allowed for the story to unfold. All it did was set the scene. At least the films got better rather than worse.
post #11 of 177
I've said it before and I'll say it again, Revenge of the Sith is actually a pretty good Star Wars movie with genuinely great performances by Ewan McGregor and Ian McDiarmid. I still hold that while it is not as good as either Star Wars or Empire Strikes Back, it works much better for me than Return of the Jedi. Lucas might get flack for his overuse of CGI but one of the best scenes in the movie is when Palpatine is talking to Anakin at the opera which has none or very little of it.

Oh, and John Williams' score is incredible.
post #12 of 177
Quote:
Originally Posted by zak chase View Post
Did you start at the beginning? Because I actually find SITH's opening space battle -- especially that first long tracking shot of the two ships -- to be among the best things in the entire prequel trilogy.
Yeah...it's boring. All the flaws are more glaring now that so much of the Star Wars fever has worn off. The stilted dialogue stumbles its way out of their mouths, how terrible Christensen is as Anakin, the CGI just looks like a massive blob of cartoonish FX....McGregor just begging to be let out of his contract...it's all blatantly obvious and it ruins the movie. None of it has any weight...it doesn't even feel like a Star Wars movie. Maybe it's just me.
post #13 of 177
I got together with some members of AICN's Jedi Council to watch TPM a year and a half ago for the ten year anniversary. Everyone got bored. I like to pretend these don't exist.
post #14 of 177
That's sad. I'll bet even snarky comments toward the film were stale as well. I'm surprised you guys even bothered.
post #15 of 177
SITH is the best, although that's not saying much. Weirdly, even with the improved tech the space battle pales beside the battle in JEDI.
post #16 of 177
Quote:
Originally Posted by mcnooj82 View Post
That's sad. I'll bet even snarky comments toward the film were stale as well. I'm surprised you guys even bothered.
There were those of us who were saying it was the best of the three. By the end, not so much.
post #17 of 177
If Lucas truly is planning another set of films, I pray to God he lets someone else write and direct them. The prequels really suffer under the crushing weight of his mediocrity. Hell, I'd even be content to let someone like Paul WS Anderson helm them...anybody but Lucas...at least Anderson would make them exciting to watch.
post #18 of 177
Quote:
Originally Posted by Andre Dellamorte View Post
There were those of us who were saying it was the best of the three. By the end, not so much.
Was this before or after Plinkett's video came out? You said a year and a half ago... so I'm assuming it was before. But I have a terrible sense of time.
post #19 of 177
Yeah, I think it was before. We honestly tried watching the film for about twenty minutes or so, and then just began talking amongst ourselves.
post #20 of 177
Padme dies because she loses the will to go on.

No matter how much fun Revenge of the Sith is, I just know this moment is coming, and I refuse to care.
post #21 of 177
Know what I hated almost most of all about ROTS? When Obi Wan chops off Anakin's other arm. We all know that The Emperor took Vader's only remaining flesh based limb as punishment for the loss of the Death Star at the BOY (with Mara Jade there in the room to witness). Come on, Lucas.. How can you sign off one one mythology and give it your official seal of approval only to toss it all out when you decide that you'd rather sell toys than books?
post #22 of 177
I'm pretty sure Lucas ignores all EU.
post #23 of 177
Quote:
Originally Posted by Ambler View Post
I'm pretty sure Lucas ignores all EU.
He inserted shots of Corruscant into ROTJ SPECIAL EDITION, featuring the square that has the top of the tallest mountain left on the planet left jutting out as a little nub. This is a detail from Timothy Zahn's trilogy. He included Dash Rendar's OUTRIDER space craft taking off during ANH SPECIAL EDITION. This ship only was created for SHADOWS OF THE EMPIRE. SHADOWS OF THE EMPIRE was a multimedia event that was to be the official word on what went down between EMPIRE and JEDI (featuring a fun novel, a videogame, comics, and footage retconned into the original trilogy) and was an official Lucas Film LTD priority project with Lucas himself putting the stamp of approval on the story line. It says that Rendar was on Tattooine meeting with Han right before Luke and Old Ben show up in the Cantina, and director George Lucas inserted Rendar's ship taking off from Mos Eisley in order to bolster that version of events when he recut the films for the SPECIAL EDITION

The name Corruscant is also an EU name, yet shows up in the Prequel films

EDIT: BTW, I know that I am now forfeiting any chance I ever had of being considered cool, but this is first time in like 10 years I've even spoken about STAR WARS in this kind of depth so please cut me some slack. I wish all these facts were not still kicking around in my memory but they are
post #24 of 177
I can't believe there isn't a Star Wars Episode VII with Emperor Clones!!!!

The EU is largely terrible. Really, who cares?

I like the prequels, by and large. Especially Revenge of the Sith. I'd take all three of them over Return of the Jedi.
post #25 of 177
Revenge of the Sith is just as poor quality film-making as the other two. The only reason it could get a pass compared to TPM and AOTC is because the stuff we waited through two awful films to see actually happens in it, and even that is fucked up. This in many ways makes it worse than the other prequels, as we watch Yoda meet Chewbacca, Anakin and Obi-wan fighting in what looks like a level of Rayman, and the mother of Luke and Leia reduced to a 50s housewife.
post #26 of 177
@The Dark Shape

Really? You like Attack of the Clones? I ask because you have always come across as a sane and reasonable person, and I don't understand how a sane and reasonable person could like that movie. That film is utter shit. I was reminded of how bad it was by the SW marathon on tv today. Truly some of the worst dialogue ever put on film. I mean, it's bad even by Lucas standards.
post #27 of 177
Quote:
Originally Posted by Kevin Macken View Post
@The Dark Shape

Really? You like Attack of the Clones? I ask because you have always come across has a sane and reasonable person, and I don't understand how a sane and reasonable person could like that movie. That film is utter shit. I was reminded of how bad it was by the SW marathon on tv today. Truly some of the worst dialogue ever put on film. I mean, it's bad even by Lucas standards.
I like Kamino, I love Anakin's slaughter of the Tusken Raiders / subsequent confession, Ian McDiarmid rocks, and John Williams' score is just... wow. Across the Stars is my favorite piece of music in the whole series. I don't think it's a great film (and it's totally obvious that Lucas is going overboard trying to please fanboys post-TPM backlash), but I have fun with it.
post #28 of 177
Quote:
Originally Posted by The Dark Shape View Post
I can't believe there isn't a Star Wars Episode VII with Emperor Clones!!!!

The EU is largely terrible. Really, who cares?

I like the prequels, by and large. Especially Revenge of the Sith. I'd take all three of them over Return of the Jedi.
(I can't believe I know this, but..)

I think EPISODE VII would cover the X Wing books (which I never read), where the rebels are mopping up and retaking Corruscant ETC, and you could probably roll some of the first Zahn into that as well. Then 8 and 9 could be DARK FORCE RISING and LAST COMMAND

EDIT: As for the EU being largely terrible, I disagree. I read through most of it between 96 and 2000 and usually it's pretty top notch sci fi and fantasy IMHO. New Jedi Order was just a crushing slog though and that's when I threw in the towel. Lucas had already abandoned that timeline so it was like "Why bother?"

EDIT2: Young Han Solo Trilogy, the Cantina, Bounty Hunter and Jabba's Palace books, and the Zahn books are the best of the bunch IMHO

EDIT 3: And SHADOWS OF THE EMPIRE, of course
post #29 of 177
Quote:
Originally Posted by The Dark Shape View Post
I like Kamino, I love Anakin's slaughter of the Tusken Raiders / subsequent confession, Ian McDiarmid rocks, and John Williams' score is just... wow. Across the Stars is my favorite piece of music in the whole series. I don't think it's a great film (and it's totally obvious that Lucas is going overboard trying to please fanboys post-TPM backlash), but I have fun with it.
Well, I can agree with you on the score at least. Across the Stars is indeed a fine piece of music. I think his scores for all of the prequels were fantastic actually.
post #30 of 177
Seriously. For all the anger at the prequels, can we be happy they were made for the scores alone?
post #31 of 177
Hey Kate, here's a hint, HE'S MAKING IT UP AS HE GOES ALONG. There is no plan, no story worth a Shit, just marketing revenue projections and merchandising tie in potentials. There was a time when the guy was a great story teller. That time is long past. No body will ever convince me that the prequals were shot from anything other than first draft scripts.
post #32 of 177
I'm always amused by people who are angered by the fact Lucas didn't have three final prequel drafts ready in 1983. Of course he makes chunks of it up as he goes along. Spoiler alert: Darth Vader wasn't always Luke's father.
post #33 of 177
Yeah, the prequels are awful, but "making it up as he went along" is the M.O. for pretty much every film franchise and television series ever.
post #34 of 177
Quote:
Originally Posted by Jackson View Post
Hey Kate, here's a hint, HE'S MAKING IT UP AS HE GOES ALONG. There is no plan, no story worth a Shit, just marketing revenue projections and merchandising tie in potentials. There was a time when the guy was a great story teller. That time is long past. No body will ever convince me that the equals were shot from anything other than first draft scripts.
Oh, believe me, I know. That is why I no longer can enjoy STAR WARS on any level. I can almost look back with fondness for the warm feelings I used to harbor for the series, but somehow that memory has been corrupted and it swiftly turns to bitterness whenever I try to dredge it back up from the depths of a half forgotten childhood

I am convinced that ORIGINAL EU stuff showed up in the SPECIAL EDITION to sell EU stuff, and when it came time for the prequels, he wanted to be able to sell new books to a new generation, so he just randomly rebooted the mythology in order to tell every story twice and sell twice the crap. He clearly doesn't give a shit, and now that I say that, I realize neither should I. Especially not on Christmas

G'night, everyone

PS: As far as I'm concerned, Boba Fett will always be a guy called Jaster Mereel, who hailed from the planet Concord Dawn. Jango? Never existed
post #35 of 177
The difference was that Lucas used to make things that he "made up as he went along" feel exciting and vital. Until he didn't. That's how he raped.
post #36 of 177
Lucas's 50th birthday party (1994)




Quote:
Sick Boy: It's certainly a phenomenon in all walks of life.
Renton: What do you mean?
Sick Boy: Well, at one time, you've got it, and then you lose it, and it's gone forever. All walks of life: George Best, for example. Had it, lost it. Or David Bowie, or Lou Reed.
Renton: Lou Reed, some of his solo stuff's not bad.
Sick Boy: No, it's not bad, but it's not great either. And in your heart you kind of know that although it sounds all right, it's actually just shite.
Renton: So who else?
Sick Boy: Charlie Nicholas, David Niven, Malcolm McLaren, Elvis Presley...
Renton: OK, OK, so what's the point you're trying to make?
Sick Boy: All I'm trying to do, Mark, is help you understand that The Name of the Rose is merely a blip on an otherwise uninterrupted downward trajectory.
Renton: What about The Untouchables?
Sick Boy: I don't rate that at all.
Renton: Despite the Academy Award?
Sick Boy: That means fuck all. It's a sympathy vote.
Renton: Right. So we all get old and then we can't hack it anymore. Is that it?
Sick Boy: Yeah.
Renton: That's your theory?
Sick Boy: Yeah. Beautifully fucking illustrated.

So how do his peers compare in terms of Georgie's latest output(fuck Ron Howard)?

Godfather I & II, The Conversation, Apocalypse Now
Jack, The Rainmaker, Youth Without A Youth, Tetro

Used Cars, Back To The Future. Who Framed Roger Rabbit A Christmas Carol, Beowulf, The Polar Express

Mean Streets, Taxi Driver. Raging Bull, King Of Comedy, Last Temptation Of Christ, Goodfellas Shutter Island, The Departed, The Aviator. Gangs Of New York, Bringing Out The Dead

Phantom Of Paradise, Carrie, Blow Out, Dressed To Kill, Scarface, Untouchables Redacted, Black Dahlia, Femme Fatale, Mission To Mars, Snake Eyes, Mission Impossible

Jaws, Close Encounters, Raiders, E.T., Schindler's List, Saving Private Ryan A.I. Minority Repot, Catch Me If You Can, The Terminal, War Of The Worlds, Munich


(Now try the same thing with Romero, Carpenter, etc......)


I think the only right column films that might be percieved as arguably weighty enough to be talked about as highlights in their respective director's career, would be Munich and (maybe) The Departed. Also perhaps A.I. because of the Kubrick link.


People get old (and filthy fucking rich/content/successful/domesticated) y'know. I also think that if you like a director, even their weak output is a fascinating part of their careers. I mean, I'm still curious what a modern non-Star Wars feature by Lucas would feel like.
post #37 of 177
Quote:
Originally Posted by mcnooj82 View Post
The difference was that Lucas used to make things that he "made up as he went along" feel exciting and vital. Until he didn't. That's how he raped.
This. He was always making it up as he went along. The issue is whether you like the stuff he comes up with or not. It's quite silly to be angry that he didn't have locked scripts years before shooting.

I mean, really. Would Dex's Diner be better if Lucas knew in 1982 that he'd write that scene?
post #38 of 177
Except that in Damn near every interview the guy has ever done, he vehemently maintains that he planned the entire 6 (or 9, this fluctuated) film story arc in detail from the get go. Sure, it's obviously just spin or BS or whatever, but Kate was bringing up the conflicting back stories, and the question of what was really cannon, and why would Lucas approve a story element he was just going to throw out later. The most likely scenario is that he never approved any EU stuff. He has lawyers and licensing people for that.
post #39 of 177
Quote:
Originally Posted by machiav View Post
Lucas's 50th birthday party (1994)







So how do his peers compare in terms of Georgie's latest output(fuck Ron Howard)?

Godfather I & II, The Conversation, Apocalypse Now
Jack, The Rainmaker, Youth Without A Youth, Tetro

Used Cars, Back To The Future. Who Framed Roger Rabbit A Christmas Carol, Beowulf, The Polar Express

Mean Streets, Taxi Driver. Raging Bull, King Of Comedy, Last Temptation Of Christ, Goodfellas Shutter Island, The Departed, The Aviator. Gangs Of New York, Bringing Out The Dead

Phantom Of Paradise, Carrie, Blow Out, Dressed To Kill, Scarface, Untouchables Redacted, Black Dahlia, Femme Fatale, Mission To Mars, Snake Eyes, Mission Impossible

Jaws, Close Encounters, Raiders, E.T., Schindler's List, Saving Private Ryan A.I. Minority Repot, Catch Me If You Can, The Terminal, War Of The Worlds, Munich


(Now try the same thing with Romero, Carpenter, etc......)


I think the only right column films that might be percieved as arguably weighty enough to be talked about as highlights in their respective director's career, would be Munich and (maybe) The Departed. Also perhaps A.I. because of the Kubrick link.


People get old (and filthy fucking rich/content/successful/domesticated) y'know. I also think that if you like a director, even their weak output is a fascinating part of their careers. I mean, I'm still curious what a modern non-Star Wars feature by Lucas would feel like.
Every single one of those red Scorsese films is at least damn good.

Same for the Spielberg ones.

But keep on cherry pickin'...
post #40 of 177
I'd say most in Spielberg and Scorsese's late period can be arguably percieved as "damn good", but definitely not iconic classics that will be considered the highlights of their career. Sorry, no. And if you can't objectively understand the diference between Scorsese's left column with his right column, then it will be like me talking with a kid who grew up with the prequels and doesn't see much of a discrepancy between the two trilogies. Or someone who thinks new Woody Allen is up to snuff with old Woody, etc..




(And shit, talk about cherry picking. I didn't even include Crystal Skull in Stevie's right column )
post #41 of 177
Quote:
Originally Posted by machiav View Post
(And shit, talk about cherry picking. I didn't even include Crystal Skull in Stevie's right column )
And nobody knew or cared to point it out! That's how much fuck Skull. Heheheh
post #42 of 177
Quote:
Originally Posted by mcnooj82 View Post
And nobody knew or cared to point it out! That's how much fuck Skull. Heheheh
Exactly...

With Marty and Stevie... what you included is different strokes for different folks. I'm not arguing the iconic status of the stuff on the left.

Older does not necessarily mean worse JUST because of the films you listed. It means different... and so what?

Lucas on his best day /= Marty/Stevie/Kubrick/De Palma on their worst days
post #43 of 177
Zemeckis is probably as close as you can get to Lucas from that photo. A guy who used to make the best in escapist fare... succumbing almost completely to digital wankery. And I actually enjoyed Beowulf.

EDIT: Also, what's with all the retouching on that photo? Especially on Howard. Seems like his face was pasted into that shot.
post #44 of 177
Yeah, I don't get the BEOWULF hate. I thought it was pretty damn fun, dead eyes excepted.
post #45 of 177
I'd argue that the 1-2-3 punch of THX-1138, American Graffiti and Star Wars is as good, iconic, influential as any first 3 films by any director ever. It's really an amazing first 3 films. Just in terms of diversity and variety, it's astounding. Regardless of the fact that Lucas's heart really wasn't into directing (too hard!), his first 3 films hold up against any of his peers at the time. Yeah, they're 'Pop art", but they are also excellent.

Then he retired. And returned 20 years later to make sequels/prequels (yeesh).


But Lucas as a storyteller/producer/Walt Disney type probably peaked in the period of 1979-1981. So the sickboy argument for Lucas would be that's when he really had "it". At the peak of his powers and influence. The Lucas who concieved the Empire Strikes Back or the one spieling in that Raiders story conference, was just an amazing storytelling mind.


He's just not one anymore.
post #46 of 177
Lucas still laments his lack of involvement in ESB.
post #47 of 177
Quote:
Originally Posted by machiav View Post
He's just not one anymore.
But Lucas' fall from grace is just so stark compared to that of his peers (if you want to argue any of their falls from grace, that is). He peaked so high, and allowed it to simmer for a couple of decades before showing us just how much he had lost it. It's difficult to judge his colleagues the same way, since whatever fall (or rise) is a bit muted by the fact that they've directed films on a more consistent basis.
post #48 of 177
Quote:
Originally Posted by Jared Melton View Post
Lucas still laments his lack of involvement in ESB.

Lucas's lack of involvement in Empire is revisionist fanboy bullshit. The only thing he laments/ regrets is the financial crisis the production put him in. It actually forced him to be in England for the final month of filming because the film wouldn't be completed without him! Before that, besides supervising FX and editing, Lucas and Kershner "communicated" regarding the production at all times.

Some highlights of Lucas's involvement...


Script----Lucas did more than lay out the story or do a treatment. He actually wrote the draft that essentially creates all the scenes in the final film. On his own. He then oversaw Kasdan's polishing. And Kasdan didn't just rewrite all of Lucas's dialogue. In fact, as an example, the duel scene dialogue (inluding the build-up to the revelation) is basically from Lucas's handwritten draft. Pretty much intact.


Design----Just like SW, Mcquarrie and Joe Johnston worked on designs and concepts with Lucas as he worked on the script. This began before Kershner was even hired.


ILM----This is where Lucas mostly concentrated his time. He basically was the "director" the special fx portion of the film. Which in a production like a SW film is pretty much half the film.


Editing---While Kersh was filming, Lucas began working on different cuts with editor Paul Hirsch. This continued into post. An example of something Lucas and Hirsch had to solve editorially before filming was even finished, was the "exposition-problem" in the first reel of the film.


For the first 2 months of production, Lucas visited The England studio about 3 or 4 times. Mostly he was worried about Yoda and concentrated on that.


The last month of production had to be overseen by Lucas in person because the production was so over-budget, so financially-strapped, the production was in jeopardy of not being finished. The scenes that needed to be shot during this time was all of Dagobah (it was saved till the end because of Yoda) Also all of the duel was shot during this time..
post #49 of 177
Didn't Lucas also direct some second and third unit scenes?
post #50 of 177
Quote:
Originally Posted by mcnooj82 View Post
But Lucas' fall from grace is just so stark compared to that of his peers (if you want to argue any of their falls from grace, that is). He peaked so high, and allowed it to simmer for a couple of decades before showing us just how much he had lost it. It's difficult to judge his colleagues the same way, since whatever fall (or rise) is a bit muted by the fact that they've directed films on a more consistent basis.

Jack from The Godfathers, Conversation and Apocalypse Now, says otherwise!


But I'm really not trying to compare them in a competitive sense. I'm trying to use the big picture "sick boy perspective" to take some of the heat out of the bitterness regarding the prequels. I know SW represents childhood for alot of you, but stop taking it so personal.


I mean, the same guy who recorded "Never Let me Down" recorded "Ziggy Stardust". Am I gonna act like Bowie is a no good untalented asshole because of it.
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