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post #101 of 177
Quote:
Originally Posted by TCD View Post
Aside from the recycling of the Death Star basically being George Lucas saying "I'm out of ideas", I always hated how it undermined the awe and menace of the first one.

We are told it's a weapon of singular destructive power, only to eventually find out there's an assembly line of them somewhere. It would be like Darth Vader getting killed in one movie, only to have Darth Vader II show up in the next one.
You could have gotten a lot of the same mileage out of Jedi by having the final assault be on Coruscant itself. It would still be a last-ditch all or nothing attack by the Alliance, and it would still give you the Luke/Vader/Emperor dynamic. Plus, we'd see something we hadn't seen before and we wouldn't have any Ewoks.
post #102 of 177
Quote:
Originally Posted by Richard Dickson View Post
You could have gotten a lot of the same mileage out of Jedi by having the final assault be on Coruscant itself. It would still be a last-ditch all or nothing attack by the Alliance, and it would still give you the Luke/Vader/Emperor dynamic. Plus, we'd see something we hadn't seen before and we wouldn't have any Ewoks.
I always thought the same thing. Granted, Coruscant was almost a decade away from existing, but the idea of an Imperial capitol isn't too much of a stretch. It would have raised the stakes and provided much more weight to the "into the lion's den" motif of Luke facing the Emperor.
post #103 of 177
There was an Imperial throne world in early drafts of both Empire and Jedi, so the concept, if not the name Coruscant, had been around for a while.
post #104 of 177
Quote:
Originally Posted by TCD View Post
I always thought the same thing. Granted, Coruscant was almost a decade away from existing...
The Imperial capital world appears in early REVENGE OF THE JEDI drafts. It just wasn't called Coruscant. It was called Had Abbadon. I'm sure we'll be seeing lots more of this proto-Coruscant world in Rinzler's next Making Of book.

http://lostepisodes.fateback.com/conceptart/
post #105 of 177
Nice they kept Ralph McQuarries early concept and used it for the Jedi Temple..

post #106 of 177
Thanks for that link Litmus. I can't get enough of McQuarrie's work. To me, Star Wars is Lucas, Williams and McQuarrie.
post #107 of 177
Quote:
Originally Posted by Richard Dickson View Post
There was an Imperial throne world in early drafts of both Empire and Jedi, so the concept, if not the name Coruscant, had been around for a while.
Quote:
Originally Posted by Litmus Configuration View Post
The Imperial capital world appears in early REVENGE OF THE JEDI drafts. It just wasn't called Coruscant. It was called Had Abbadon. I'm sure we'll be seeing lots more of this proto-Coruscant world in Rinzler's next Making Of book.
Hmm... interesting. Why was this idea abandoned?
post #108 of 177
Because it didn't rhyme.
post #109 of 177
There's also some concept art of the final confrontation taking place on a Mustifar like lava planet, right?
post #110 of 177
Quote:
Originally Posted by Gabe Powers View Post
There's also some concept art of the final confrontation taking place on a Mustifar like lava planet, right?
Correct. Vader brought Luke to the Emperor inside his lava throne room in a frickin' hallooowed-out volcanooo.

It's been a while since I read the REVENGE script, but I remember something about Obi-Wan's and Yoda's ghosts taking part in the final conflict as well. Silly shit, actually, that wouldn't be seen again until the Prequels. Marcia Lucas only stalled the inevitable, it seems.
post #111 of 177
Yeah, I think Yoda and Obi-Wan fought the Emperor while Luke fought Vader or something like that.
post #112 of 177
Quote:
Originally Posted by Richard Dickson View Post
Yeah, I think Yoda and Obi-Wan fought the Emperor while Luke fought Vader or something like that.
Ha. Lucas probably couldn't have written a check big enough to keep Guinness around for that.
post #113 of 177
Quote:
Originally Posted by Richard Dickson View Post
Yeah, I think Yoda and Obi-Wan fought the Emperor while Luke fought Vader or something like that.
I'm the guy who likes the prequels and Jedi, and even I think that's stupid.
post #114 of 177
It's actually worse than that. I seem to remember Ghost Yoda flying around, deflecting the Emperor's Sith lightning bolts in mid-air, protecting Luke.

If only Salacious Crumb was a good guy, he could have shown up and fought an Imperial Mouse Robot, just to add a third conflict to the scene.
post #115 of 177
I am happy that this thread has shifted to discussing the original trilogy.

ETA: I first heard rumors of Ben having beat Vader in a lava fight as early as 1980, which is also when the 'three trilogies' talk started. I think it was in a sidebar to the Time Magazine cover story.
post #116 of 177
Some Ralph McQuarrie RotJ Concept Art.

Lava Throne Room


Had Abbadon


Force Lightning
post #117 of 177
Quote:
Originally Posted by themykra View Post
Some Ralph McQuarrie RotJ Concept Art.

Lava Throne Room
That's the image I was thinking about. Kinda Conan for Star Wars I guess, but it would've been something new, which Jedi is lacking.
post #118 of 177
The first third of Jedi is pretty darned Conan. Or John Carter at least.
post #119 of 177
I could use more John Carter in my Star Wars, which is maybe why I like the last act of AotC so much.
post #120 of 177
I would say more John Carter. And pretty Flash Gordon as well. He was always getting thrown into pits with monsters.
post #121 of 177
Quote:
Originally Posted by Gabe Powers View Post
I could use more John Carter in my Star Wars, which is maybe why I like the last act of AotC so much.
Same. Jedi and Clones are very similar films for me; two acts of bullshit topped with a last act that I quite like.
post #122 of 177
You'd think with their Force powers that Obi-Wan and Anakin would just wreck shit in the arena. Hell, they weren't even able to Force power their shackles off. Was Christopher Lee blocking their powers?
post #123 of 177
Quote:
Originally Posted by Greg David View Post
Same. Jedi and Clones are very similar films for me; two acts of bullshit topped with a last act that I quite like.
Exactly. Well, I like the Obi-Wan as James Bond stuff too. I think Jedi is actually weaker when it's weak, and stronger when it's strong, if that makes any sense.
post #124 of 177
Quote:
Originally Posted by neoolong View Post
You'd think with their Force powers that Obi-Wan and Anakin would just wreck shit in the arena. Hell, they weren't even able to Force power their shackles off. Was Christopher Lee blocking their powers?
Don't let's start thinking about THAT.

This is the trouble a writer gets into when heroes/villains are given such vague all-inclusive powers.

Wait! Toydarian shackles! Insert coin to release (but not republican credits...)!!!!
post #125 of 177
Quote:
Originally Posted by Greg David View Post
Same. Jedi and Clones are very similar films for me; two acts of bullshit topped with a last act that I quite like.
Opposite for me. I liked the first act of both films, and then not so much after that.

As much as I liked the concept and creature design of the coliseum sequence in AOTC, it was rendered for shit. Truly some terrible CGI. Everything was flat and textureless. At no point did I believe the actors weren't simply standing in front of a green screen.
post #126 of 177
Quote:
Originally Posted by mcnooj82 View Post
Don't let's start thinking about THAT.

This is the trouble a writer gets into when heroes/villains are given such vague all-inclusive powers.

Wait! Toydarian shackles! Insert coin to release (but not republican credits...)!!!!
Maybe they shouldn't have made Starkiller such a badass with the Force. What happened to pulling a Star Destroyer out of the sky? And Obi-Wan can't even break some measly handcuffs?

For shame.

(Okay, I'm done now.)
post #127 of 177
Well you see, the Force works in mysterious ways...
post #128 of 177


So, is that the two fish people or whatever from Phantom Menace? Cropping up in concept art for Jedi? Looks similar...
post #129 of 177
For me, Jedi is two peaks with a pretty deep valley in between. I like the Jabba's palace stuff, in part because it shows how Luke has matured, as opposed to his reckless rescue attempt on Bespin. Then comes all the tedious setting up of the third act with the speeder bike chase only briefly livening things up*. Rock bottom comes with the Luke/Leia scene, but then we've got that killer Luke/Vader scene, and then the fleet goes into hyperspace and the film is on absolute fucking rails.

*Is it just me, or has that sequence really not aged well? I can still marvel at Hoth and the asteroids and overlook some of the technical shortcomings, but the speeder bike chase shows a lot of seams for me now.
post #130 of 177
Quote:
Originally Posted by Richard Dickson View Post
Is it just me, or has that sequence really not aged well? I can still marvel at Hoth and the asteroids and overlook some of the technical shortcomings, but the speeder bike chase shows a lot of seams for me now.
For me it's the use of the stop-motion marionettes that kind of ruins it. Same with the mine cart sequence in Temple of Doom. There are shots in both that feel like they came from "Thunderbirds".

Of the three original films, I think ROTJ has aged the worse. It just seemed that Lucas was able to effectively shoot around the limitations in special effects in the first two, and then in Jedi his reach finally exceeded his grasp.
post #131 of 177
Quote:
Originally Posted by themykra View Post
So, is that the two fish people or whatever from Phantom Menace? Cropping up in concept art for Jedi? Looks similar...
No, probably just these guys:



I still can't believe they made a figure of one of them. Which I proudly own. Nothing cooler than a boring old man action figure!

post #132 of 177
Holy shit. Those names.

Reminds me of the Steve Coogan film 'Cruise of the Gods' in which all the sci-fi characters names are revealed to be anagrams of Indian food.
post #133 of 177
Quote:
Originally Posted by TCD View Post
Opposite for me. I liked the first act of both films, and then not so much after that.

As much as I liked the concept and creature design of the coliseum sequence in AOTC, it was rendered for shit. Truly some terrible CGI. Everything was flat and textureless. At no point did I believe the actors weren't simply standing in front of a green screen.
This is one of those tired complaints that I just don't understand, especially when compared to the original trilogy. Did you believe that Jabba was an actual giant slug? Did you believe that Yoda wasn't a puppet? Did you believe that the Death Star was actually the size of a small moon?

Effects looking like effects doesn't bother me. I grew up with stop motion monsters, and at no point in my childhood did they not look like animated miniature models to me. It didn't matter. Kong didn't have to be photoreal and convincing for me to love watching him. I honestly don't think that Lucas wanted the arena monsters to look completely real. I think he was evoking old Sinbad movies, and they work for me for that reason.
post #134 of 177
I actually thought the AOTC coliseum monsters looked pretty good. The big crab lizard was my favorite.
post #135 of 177
Yeah, not all the effects have aged particularly well, but for all its massive fuckups, having a monster mash arena battle is not one of the ones perpetrated by AOTC.
post #136 of 177
Quote:
Originally Posted by Greg David View Post
This is one of those tired complaints that I just don't understand, especially when compared to the original trilogy. Did you believe that Jabba was an actual giant slug? Did you believe that Yoda wasn't a puppet? Did you believe that the Death Star was actually the size of a small moon?

Effects looking like effects doesn't bother me. I grew up with stop motion monsters, and at no point in my childhood did they not look like animated miniature models to me. It didn't matter. Kong didn't have to be photoreal and convincing for me to love watching him. I honestly don't think that Lucas wanted the arena monsters to look completely real. I think he was evoking old Sinbad movies, and they work for me for that reason.
Well, it's not so much the nature of the effect as how it's used. There have been good and bad special effects since the dawn of cinema, but talented filmmakers have always figured out creative ways to make them work.

John Carpenter's The Thing comes to mind. Great lighting, shot composition, and editing were used in conjunction with what otherwise could have been very cheesy special effects, and so we a movie almost thirty years old that still holds up.

Lucas was able to use these same skills to make Star Wars work in very much the same way. But with the prequels he forgot special effects are a filmmaking tool and not the film itself, and it's one of the reason why those movies don't work.

Quote:
Originally Posted by mcnooj82 View Post
I actually thought the AOTC coliseum monsters looked pretty good. The big crab lizard was my favorite.
The creatures themselves were fine. It was the environment that they and the actors were placed in that makes that scene so flat and sterile.
post #137 of 177
Quote:
Originally Posted by TCD View Post
The creatures themselves were fine. It was the environment that they and the actors were placed in that makes that scene so flat and sterile.
Oh yea, that. I know what you mean. For that, I would place the blame on the sterile digital look that plagued the entirety of AOTC.
post #138 of 177
Quote:
Originally Posted by Richard Dickson View Post
For me, Jedi is two peaks with a pretty deep valley in between. I like the Jabba's palace stuff, in part because it shows how Luke has matured, as opposed to his reckless rescue attempt on Bespin. Then comes all the tedious setting up of the third act with the speeder bike chase only briefly livening things up*. Rock bottom comes with the Luke/Leia scene, but then we've got that killer Luke/Vader scene, and then the fleet goes into hyperspace and the film is on absolute fucking rails.
I maintain to this day the space/death star battle has yet to be topped by any movie.

Quote:
*Is it just me, or has that sequence really not aged well? I can still marvel at Hoth and the asteroids and overlook some of the technical shortcomings, but the speeder bike chase shows a lot of seams for me now.
The visceral quality of it keeps it from aging.
post #139 of 177
I don't find it all that visceral, frankly. It's just fast. Plus, I just keep having to ask myself why it's vital to keep the troopers from reaching the base when they've probably already communicated their position. Wouldn't that be the first thing they'd do? Before jumping on speederbikes?
post #140 of 177
They jam their comlinks right as the chase begins. Perhaps they should have communicated the info right away but the film tells us they haven't. Hence the importance of running down the scouts.
post #141 of 177
In other words, the scouts don't radio back because if they did then there wouldn't be a chase scene. It's the attention to detail that really makes that film hum.
post #142 of 177
Considering the sheer number of stupid decisions made by Imperial stormtroopers throughout the entire OT, this seems like an odd nitpick to plant your flag on. The series isn't necessarily adored for its iron-clad logic and realism.
post #143 of 177
Quote:
Originally Posted by Episode29 View Post
No, probably just these guys:



I still can't believe they made a figure of one of them. Which I proudly own. Nothing cooler than a boring old man action figure!

Now how much did that set you back?
post #144 of 177
Well it looks like this thread is heading into OT territory (which is cool) so I'll wrap up my contribution by saying that, having just finished enjoying the Red Letter Media Episode III review, I'm think I'm about done with the prequels. The reviews by Mr Plinkett have been incredibly cathartic for an old butt-hurt fan like me, and it feels like now is the time to stop dwelling on the whole thing. It's been fun though.

I will say though, that I do credit the prequels with making me a movie fan. Seeing and reading the extensive coverage of The Phantom Menace introduced me to many more films and film-related material, from Empire magazine to Chud. I still have the August '99 Empire TPM collector's issue which is chocka with great history-of-SW stuff. It's how I came to be interested in Asian films, European films, and just the history of the medium in general. So I can't hate them too much. Although they'll always be bad films, they DID get me into the cinema again all those years ago.

There you go, a positive.
post #145 of 177
Quote:
Originally Posted by MoonBaseNick View Post
Now how much did that set you back?
Probably $50. About 10 years ago I went on a tear to complete my collection and bought up all the remaining figures I needed from ebay. I only needed the Power of the Force series and most fell around that dollar range. The only really expensive ones were Yak Face, Luke in Stormtrooper gear, R2D2 with pop-up lightsaber and blue Snaggletooth.
post #146 of 177
Jesus. That sounds like just a colossal waste of time. I don't think I'll ever understand fandom.
post #147 of 177

I know it's not a popular thing to admit, but I love these Star Wars Prequel threads. They're probably the most entertaining discussions to read (personally speaking); and there are often so many great insights that transcend the usual Lucas-bashing.

 

What's so great about the Original Trilogy (in it's unadulterated form -- I choose to watch the laserdic versions only) is what's also inherent in The Lord of the Rings: implied depth of history. The Prequels failed for so many viewers if for no other reason than we'd had a large chunk of our lives to watch the first three films so many times that we'd mentally created our own version of prior events, as suggested by the spoonfulls of backstory offered up to us. The fact that Lucas seems to contradict some of his own mythology in the prequels is only the tip of the iceberg.

 

My two cents on the boring, asexual Jedi Order, and the confused telescoping of events between Revenge of the Sith and Star Wars (sorry, it's never going to be A New Hope to me):

 

When both Han Solo and the Mouth-Twisting Imperial Douche mock the concept of The Force, referring to it and the Jedi order as some laughable relic, it clearly implies that either 1) the Jedi order has been extinct for several centuries (which, based on Luke being around 19, simply isn't possible); or 2) the Jedi were never the public, flesh and blood figureheads we meet in the Prequels. As such, it was always my impression that they were essentially errant space knights, scattered throughout the galaxy and lurking on the borders, watching from the shadows, and appearing (and disappearing) as needed. Knights of the Round Table, constantly moving -- the rangers of Lord of the Rings, for lack of a better comparison. They were living legends spoken of but little-seen. Their council was secret, and removed from the public eye; but for the most part, they kept on the move. In this way, their very existence could remain questionable to all but those In The Know; and prior to the rise of Palpatine, they were probably in decline as it was. Once they were hunted down by Vader, the fact that they ever existed at all could be in dispute.

 

The other Jedi issue I had was with the training process. It always seemed very clear to me that Anakin became Vader because Obi-Wan fucked up -- at seven years old this was pretty cut and dry. The impression I had was that, yes, Yoda was living on Dagobah because it kept him out of sight from the Empire, but also because he'd always been there. It made sense that when a Jedi cowboy, out and about and having exciting, covert adventures, discovered a potential recruit, they sent said recruit alone to Dagobah, just as the shade of Obi-Wan sent Luke. Each would have to enter a dark, gloomy, dangerous environment, have their patience tested by Yoda's crazy imp schtick, confront their inner darkness in the Dark Side Cave, etc. What I always took from Ben's conversation with Luke in Return of the Jedi was that Ben conciously decided not to send Anakin to Dagobah, believing himself capable of doing just a good a job as Yoda, and then fucking up so badly that he could no longer control his young disciple.

 

In the Prequels, what we ended up with were Jedi Knights who sat around and did nothing. They were the chief generals in the Clone Wars (don't get me started on that -- I don't think any of us expected what we saw in Attack of the Good Guys), and therefore war heroes -- how could their existence be in doubt? How could Darth Vader's ghost reveal an 80 year-old man when Anakin would be in his 40s in Jedi? Why does Obi-Wan chastise himself for failing to train Anakin as well as Yoda (with the clear implication that he did so without permission) when Yoda does in fact grant permission to do so...? The timeline and the details are so incredibly off that the Original Trilogy begins to have the appearance of structural issues simply by their association with the latter-day trilogy.

 

I think, as has been stated elsewhere, Lucas gave all of this very little thought, and essentially shot first or second draft scripts. His heart was clearly in the tech, and those damn pesky scripts were little more than a means to an end.

 

Quote:
Originally Posted by Marlowe's Cat View Post

So, I'm stuck in the hospital on Christmas Eve watching the Prequel trilogy on Spike and I thought I'd start up a good-natured discussion about 'em. I know there are a couple Star Wars-related threads ("I still do like Star Wars," etc), but I didn't see one that specifically focused on the prequels. Now eleven years removed from The Phantom Menace and five years from Revenge of the Sith, I was really curious what people thought of the films now -- especially since we have some distance from the hype/disappointment of their initial releases. I know we have RedLetterMedia/Mr. Plinkett's lengthy enumerations of "what went wrong," but I thought it'd be cool to hear what everyone's two cents on these films are. I also fully encourage "fan casting/I woulda done it like THIS" digressions as well. Heck, maybe you love 'em.

Personally, I never had anything approaching a "George Lucas Raped My Childhood" response. I remember being massively entertained by The Phantom Menace when I watched it the first time, and then being surprised at my boredom at the second screening of it up until the final Darth Maul duel. Attack of the Clones was marred by a lackluster romance, while Revenge of the Sith turned out to be the best of the prequels (talk about damning with faint praise!). I don't hate them, but I don't love them. I've rewatched the Original Trilogy and can totally see their faults, but I've shown those movies to newbies and the OT still works exceedingly well (your mileage will vary about which ones, of course).

In response to the inevitable question "If you were in charge of the prequels, what would you do?" I guess one could quip "Never make them" or pitch some prequel trilogy you imagined as a kid (I didn't really have one; just hoped to see some Mandalorian Supercommandos. Color me disappointed), but I really think Lucas had all the material there, but for some reason, he just didn't develop his ideas as well as he did with the Original Trilogy.

Here's my two cents. Aside from the last one, I won't pretend they're all that original.

1. The Creative Process (a reasonable suggestion)

First of all, I was lucky enough to receive the expensive-ass Making of The Empire Strike Back book for an early Christmas gift and also have been watching the making of featurettes on the Clone Wars, and it's clear that while George Lucas is a hugely imaginative person, he hates writing and he needs other talented people around him to not only bring his ideas to life, but challenge him as well. It's clear that nobody but George would direct TPM, but I'm wondering what the prequels would have been like with other directors at the helm. Of course, I don't know how many directors nowadays feel comfortable executing someone else's vision (I remember Ron Howard expressing some discomfort with the process in reference to Willow), but I have a feeling it would have at the very least helped the performances (I mean, Natalie Portman sucks in these movies, and she's great in almost everything she's done). Still, I suppose some of that burden falls on the actor. I mean, you all know how Harrison Ford "improvised" the line "I know" in Empire Strikes Backhttp? Well, the Making of ESB book shows that he and Kershner had a very thorough discussion about both the line and the staging of the scene prior to even showing up on the set. Ford says he's not just there to do what the director wants. It's a really fascinating read. Anyway, I don't know that having different directors and a strong screenwriter for Lucas to collaborate with would've made a huge difference; I'm just speculating. I mean, Jar Jar Binks -- a comic relief character meant for children to like -- isn't a bad idea per se. After all ,the Jedi are so goddamn humorless that such a stock comic character is practically required; it's just the execution that's off.

2. The Time Frame (slightly geekier suggestion)

To my surprise, I'm really liking The Clone Wars cartoon. Although the feature film was a mess and there are definitely some lackluster episodes this season (pretty much anything to do with the Senate), the show basically does a lot of the things that the prequels couldn't by skipping the majority of the Clone Wars -- showing Anakin's friendship/rivalry with Obi-Wan, demonstrating why Anakin could conceivably be the best fighter pilot in the galaxy, and giving us a nonwhiny Anakin you'd actually root for. I'm wondering what would have happened if Lucas would have begun The Phantom Menace with a teenaged Luke and then have the war commence at the end of that movie, thus making the second film a full-on Clone Wars movie. Just moving the ages and the time frame a bit could've helped. Although I suppose it's a moot point, because I don't think Lucas ever intended to start with anything other than Anakin as a kid.

3. What if you replaced Qui Gon Jinn with Count Dooku? (full-on geek suggestion)

By all rights, Qui Gon Jinn shouldn't exist at all, as Obi Wan refers to Yoda training him, but I understand why Lucas would create such a character -- it would be difficult to have Yoda serving the role that Neeson's character does and it'd be more interesting to have a character in the first prequel whom we don't know and whose fate is a mystery. However, in hindsight, it might've been interesting to have someone like Dooku be Obi-Wan's master. After all, Qui Gon was supposed to be a far less traditional Jedi, so collapsing these two characters into one could have been narratively beneficial. For one, to have Qui Gon/Dooku go bad at the end of The Phantom Menace would necessitate Obi Wan finishing his training under Yoda (off-screen, of course) and thus explain why he didn't mention any other master than Yoda in the OT. In addition, it would not only create an interesting pattern of Jedi training: Yoda (good), Dooku (bad), Obi-Wan (good) and Anakin (bad), but also give the prequels a villainous character who not only appears in all three films a la Vader in the OT, but one to whom Obi-Wan would have some personal investment in when he faced off with him (he could be tempted by his old master, but -- unlike Anakin -- he'd resist). It's the stuff of fan-fic, I know, but it was just a thought I had as I see these movies playing out in front of me.

Ugh...I wrote too damn much. What an incredible smell I've discovered! I now reek of geek. Please folks, help me out! Any thoughts on the Prequels?


 

post #148 of 177
Quote:
Originally Posted by machiav View Post

I'd say most in Spielberg and Scorsese's late period can be arguably percieved as "damn good", but definitely not iconic classics that will be considered the highlights of their career. Sorry, no. And if you can't objectively understand the diference between Scorsese's left column with his right column, then it will be like me talking with a kid who grew up with the prequels and doesn't see much of a discrepancy between the two trilogies. Or someone who thinks new Woody Allen is up to snuff with old Woody, etc..


I haven't come across a single person who was a child when the PT came out that DOESN'T think that the OT is better.  With the exception of Zemeckis, I'd say that all of Lucas' contemporaries in that photo have far better "twilight" careers than George does.............even Ron Howard to a certain degree.  Everything might not be up to snuff with their "classics", but on the whole they still make decent to great films.



Quote:
Originally Posted by machiav View Post

The Lucas who concieved the Empire Strikes Back or the one spieling in that Raiders story conference, was just an amazing storytelling mind.

He's just not one anymore.

 

What's hilarious is that almost every dumb idea mentioned during the Raiders conference came from Spielberg!  Some of the shit he spouted off is almost PT-worthy silliness.  Sometimes I wonder just how much of the stupid shit in Kingdom of the Crystal Skull came from Spielberg.



Quote:
Originally Posted by Richard Dickson View Post

The Death Star in Jedi is a remnant from the original three-film story Lucas wrote, when the attack on the space station was to be the finale of the trilogy. When Lucas pared it down to one film, he used that as the climax. Further proof that the trilogy wasn't as intricately planned as it was later claimed to be.

 

Yep.  He also folded almost every single major plot point that had been mapped out for the abandoned sequel trilogy into Return of the Jedi.  Initially, Episode 6 was the search for Han.  Episode 7 was the search for Luke's sister (who wasn't Leia), Episode 8 was the defeat of Vader, and Episode 9 was the destruction of the Emperor and the Empire itself.  All of that shit was folded into the script for Jedi when Lucas decided that he had no desire to spend the next decade of his life crafting another Star Wars trilogy.  I will laugh my ass of if he ever decides to make another trilogy and the fans believe him when he inevitably states that he had always planned to do it.

 



Quote:
Originally Posted by Richard Dickson View Post

For me, Jedi is two peaks with a pretty deep valley in between. I like the Jabba's palace stuff, in part because it shows how Luke has matured, as opposed to his reckless rescue attempt on Bespin. Then comes all the tedious setting up of the third act with the speeder bike chase only briefly livening things up*. Rock bottom comes with the Luke/Leia scene, but then we've got that killer Luke/Vader scene, and then the fleet goes into hyperspace and the film is on absolute fucking rails.

*Is it just me, or has that sequence really not aged well? I can still marvel at Hoth and the asteroids and overlook some of the technical shortcomings, but the speeder bike chase shows a lot of seams for me now.

 

Exactly.  I love the first and third acts of ROTJ, but the second act is a definite slog.  I'm not sure what could have been done to fix it, but that act is what holds the film back the most.
 

 

post #149 of 177
Quote:
Originally Posted by erik myers View Post

I know it's not a popular thing to admit, but I love these Star Wars Prequel threads. They're probably the most entertaining discussions to read (personally speaking); and there are often so many great insights that transcend the usual Lucas-bashing.

 

What's so great about the Original Trilogy (in it's unadulterated form -- I choose to watch the laserdic versions only) is what's also inherent in The Lord of the Rings: implied depth of history. The Prequels failed for so many viewers if for no other reason than we'd had a large chunk of our lives to watch the first three films so many times that we'd mentally created our own version of prior events, as suggested by the spoonfulls of backstory offered up to us. The fact that Lucas seems to contradict some of his own mythology in the prequels is only the tip of the iceberg.

 

My two cents on the boring, asexual Jedi Order, and the confused telescoping of events between Revenge of the Sith and Star Wars (sorry, it's never going to be A New Hope to me):

 

When both Han Solo and the Mouth-Twisting Imperial Douche mock the concept of The Force, referring to it and the Jedi order as some laughable relic, it clearly implies that either 1) the Jedi order has been extinct for several centuries (which, based on Luke being around 19, simply isn't possible); or 2) the Jedi were never the public, flesh and blood figureheads we meet in the Prequels. As such, it was always my impression that they were essentially errant space knights, scattered throughout the galaxy and lurking on the borders, watching from the shadows, and appearing (and disappearing) as needed. Knights of the Round Table, constantly moving -- the rangers of Lord of the Rings, for lack of a better comparison. They were living legends spoken of but little-seen. Their council was secret, and removed from the public eye; but for the most part, they kept on the move. In this way, their very existence could remain questionable to all but those In The Know; and prior to the rise of Palpatine, they were probably in decline as it was. Once they were hunted down by Vader, the fact that they ever existed at all could be in dispute.

 

The other Jedi issue I had was with the training process. It always seemed very clear to me that Anakin became Vader because Obi-Wan fucked up -- at seven years old this was pretty cut and dry. The impression I had was that, yes, Yoda was living on Dagobah because it kept him out of sight from the Empire, but also because he'd always been there. It made sense that when a Jedi cowboy, out and about and having exciting, covert adventures, discovered a potential recruit, they sent said recruit alone to Dagobah, just as the shade of Obi-Wan sent Luke. Each would have to enter a dark, gloomy, dangerous environment, have their patience tested by Yoda's crazy imp schtick, confront their inner darkness in the Dark Side Cave, etc. What I always took from Ben's conversation with Luke in Return of the Jedi was that Ben conciously decided not to send Anakin to Dagobah, believing himself capable of doing just a good a job as Yoda, and then fucking up so badly that he could no longer control his young disciple.

 

In the Prequels, what we ended up with were Jedi Knights who sat around and did nothing. They were the chief generals in the Clone Wars (don't get me started on that -- I don't think any of us expected what we saw in Attack of the Good Guys), and therefore war heroes -- how could their existence be in doubt? How could Darth Vader's ghost reveal an 80 year-old man when Anakin would be in his 40s in Jedi? Why does Obi-Wan chastise himself for failing to train Anakin as well as Yoda (with the clear implication that he did so without permission) when Yoda does in fact grant permission to do so...? The timeline and the details are so incredibly off that the Original Trilogy begins to have the appearance of structural issues simply by their association with the latter-day trilogy.

 

I think, as has been stated elsewhere, Lucas gave all of this very little thought, and essentially shot first or second draft scripts. His heart was clearly in the tech, and those damn pesky scripts were little more than a means to an end.

 



 



The jedis were supposed to be decadent. Besides its not your story its his. It made sense that they were famous and prominent since they were the peacekeepers. Besides 20 years is enough time to doubt they were ever real. A lot happened in that time. The Empire probably destroyed all the records. It makes sense its just that people don't want it to since it isn't what THEY wanted.

 

post #150 of 177
Quote:
Originally Posted by erik myers View Post

I know it's not a popular thing to admit, but I love these Star Wars Prequel threads. They're probably the most entertaining discussions to read (personally speaking); and there are often so many great insights that transcend the usual Lucas-bashing.

 

What's so great about the Original Trilogy (in it's unadulterated form -- I choose to watch the laserdic versions only) is what's also inherent in The Lord of the Rings: implied depth of history. The Prequels failed for so many viewers if for no other reason than we'd had a large chunk of our lives to watch the first three films so many times that we'd mentally created our own version of prior events, as suggested by the spoonfulls of backstory offered up to us. The fact that Lucas seems to contradict some of his own mythology in the prequels is only the tip of the iceberg.

 

My two cents on the boring, asexual Jedi Order, and the confused telescoping of events between Revenge of the Sith and Star Wars (sorry, it's never going to be A New Hope to me):

 

When both Han Solo and the Mouth-Twisting Imperial Douche mock the concept of The Force, referring to it and the Jedi order as some laughable relic, it clearly implies that either 1) the Jedi order has been extinct for several centuries (which, based on Luke being around 19, simply isn't possible); or 2) the Jedi were never the public, flesh and blood figureheads we meet in the Prequels. As such, it was always my impression that they were essentially errant space knights, scattered throughout the galaxy and lurking on the borders, watching from the shadows, and appearing (and disappearing) as needed. Knights of the Round Table, constantly moving -- the rangers of Lord of the Rings, for lack of a better comparison. They were living legends spoken of but little-seen. Their council was secret, and removed from the public eye; but for the most part, they kept on the move. In this way, their very existence could remain questionable to all but those In The Know; and prior to the rise of Palpatine, they were probably in decline as it was. Once they were hunted down by Vader, the fact that they ever existed at all could be in dispute.

 

The other Jedi issue I had was with the training process. It always seemed very clear to me that Anakin became Vader because Obi-Wan fucked up -- at seven years old this was pretty cut and dry. The impression I had was that, yes, Yoda was living on Dagobah because it kept him out of sight from the Empire, but also because he'd always been there. It made sense that when a Jedi cowboy, out and about and having exciting, covert adventures, discovered a potential recruit, they sent said recruit alone to Dagobah, just as the shade of Obi-Wan sent Luke. Each would have to enter a dark, gloomy, dangerous environment, have their patience tested by Yoda's crazy imp schtick, confront their inner darkness in the Dark Side Cave, etc. What I always took from Ben's conversation with Luke in Return of the Jedi was that Ben conciously decided not to send Anakin to Dagobah, believing himself capable of doing just a good a job as Yoda, and then fucking up so badly that he could no longer control his young disciple.

 

In the Prequels, what we ended up with were Jedi Knights who sat around and did nothing. They were the chief generals in the Clone Wars (don't get me started on that -- I don't think any of us expected what we saw in Attack of the Good Guys), and therefore war heroes -- how could their existence be in doubt? How could Darth Vader's ghost reveal an 80 year-old man when Anakin would be in his 40s in Jedi? Why does Obi-Wan chastise himself for failing to train Anakin as well as Yoda (with the clear implication that he did so without permission) when Yoda does in fact grant permission to do so...? The timeline and the details are so incredibly off that the Original Trilogy begins to have the appearance of structural issues simply by their association with the latter-day trilogy.

 

I think, as has been stated elsewhere, Lucas gave all of this very little thought, and essentially shot first or second draft scripts. His heart was clearly in the tech, and those damn pesky scripts were little more than a means to an end.

 



 



This isn't your story, its George's. The Jedis were compatible with the OT. it made sense for them to be famous and known since they were guardians of peace and justice. 20 years is plenty of time to make them legends people don't believe in when you consider the Empire probably erased most of the archive footage. The prequels work its just that people wanted their version of Star Wars not George's.

 

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