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Last Summer (1969)

post #1 of 11
Thread Starter 

You ever finish watching a movie and you find yourself so energized and excited that you have to walk around a while and contemplate what you just saw? Last Summer is that movie for me.

 

It's the story of three teenagers, two guys (Richard Thomas and Bruce Davison) and a girl (Barbara Hershey) who fall in love and form a tight threesome over the course of the summer after bonding over a wounded seagull. It's all about sex without any of the intercourse. It's not The Dreamers. When a fourth character, a shy and nervous girl (Catherine Burns, who was nominated for an Oscar for this role, and should have won for her devestating monologue alone) their tight dynamic of friendship turns alternately generous and cruel towards her. They let her in, but they don't let her in.

 

In it's brief 95 minutes I saw every major event, relationship, and emotion of my years 14 to 18 depicted in some sort of fashion. This is a film where I identify so heavily with every character, both good and bad traits, that at times, it was actually hard viewing it objectively as a story. It's probably the most honest movie about adolescence I've ever seen. It captures so many intense emotions, from sexual tension to cruelty to the unbridled joy of total freedom, in such simple ways. What makes Last Summer work so well is a script that forgoes plot for elegant character arcs. For me, those years are all about the arcs. You grow together and apart from so many different people as a teenager, and those relationships can form and break in such different ways. Emotions get messy, people are constantly running games on each other to the point where I don't even think the characters know if what they say to each other is true or not.

 

My one sticking point is the ending. I won't spoil it for you, but I wasn't completely convinced it was earned. Then again, I'm not completely convinced it wasn't. It's something I'll need to chew for a while. Watching the film again, knowing where it ends, will certainly give it a different perspective.

 

That this movie is so hard to find is one of the tragedies of the film world. It's not on DVD (it's not even listed on Netflix) and a VHS copy is fifty dollars on Amazon. I can't even find a trailer on YouTube*. I saw this because TCM played it as part of their 31 Days of Oscar and I DVR'd it on a whim. It was one of the best whims I ever had. But even the copy shown on TCM was in pretty poor shape, with plenty of scratches, a few audio problems and (most damning of all) in full-screen. I can't find the aspect ratio information on IMDB, so I'm not sure if what I saw was pan and scanned, open matte (this feels most likely) or how the film was actually shown in theaters. But regardless, it's probably as high quality a copy of this film I will ever see, so I am saving it on my DVR until that's no longer the case.

 

When the film was first released in 1969, it was given an X rating until a certain scene was edited of some offensive content. This R rated version was what was released on VHS. I'm not sure if what I saw was the X or R rated version, but I'm fairly certain the missing footage wouldn't affect my (and by extension, your) opinion of the film.

 

Despite it's hard to see, impossible to find status, I beg everyone here to be aware of it, and be on the look out. Maybe TCM will show it again. Maybe another movie channel. But be on the look-out for this amazing amazing movie. It's an undiscovered gem and the thing about undiscovered gems is that they should be discovered.

 

Last Summer may have usurped Annie Hall as my new favorite movie. I don't know if this means anything to you but it's pretty big for me.

 

*I did find a few out of context scenes, but they're not the kind of scenes that would really work out of context. I'll present them to you anyway, though, in hopes that they somehow pique your interest:

 

 

 

post #2 of 11

Nice review, Patrick. A Chewer recommended the movie to me last year and i too was awed and devastated by it. The movie is adolescence. The ending smacks you in the face, rubbing your nose in cold cruelty. It's the better film, but I was reminded of KIDS.

post #3 of 11
Thread Starter 

I still haven't seen Kids, but the impression I've gotten of it is that it's a lot heavier on the cruelty and lighter on the fun moments. 

 

The other thing I love about the script is how the structure makes you understand where every character is coming from. You sympathize with different characters constantly, from scene to scene, and as a result the ending hits you so much harder, because you feel betrayed as well as the character.

post #4 of 11

Jesus, Bruce Davidson... are you ever NOT a creep!?  Hahahahah

 

Thanks for the recommendation, Patrick.  A fascinating film.  Coming from a relatively sheltered, well-behaved, and low-key adolescence, I can't say I 'sympathized' with all of these characters (I would certainly empathize a great deal with Rhoda and to a certain degree, Peter), but whatever my current state of maturity is now, I can say that I understood where all of them were coming from. 

 

And perhaps it's because of the reference to Kids (which I haven't seen) in this thread which prepared me, but I do think the ending was earned.  Seagull = Rhoda, to be utterly blatant about it.  Beak Bite = Cold judgmental stare.  By the end, I was dreading what I assumed was coming. 

 

For as free and episodic the film felt, it definitely wasn't formless.  It feels like it starts out that way, but it gradually starts introducing the conflict within Peter through Rhoda very naturally, not feeling like it comes out of nowhere.  It's a nice 'trick' the film pulls off.

 

EDIT:  Ebert brings up his slight misgivings about the ending as well in his 4 star review of the film.

 

Quote:

 

Warning: Spoiler! (Click to show)
"What happens then -- how the story is brought to a conclusion -- is not really important to the greatness of the movie. Indeed, the sensational last scene doesn't strike me as particularly valid. A quieter conclusion would have made the point."

 

post #5 of 11
Thread Starter 

I did love how the seagull was foreshadowing, but because it's introduced so early on (and Rhoda is introduced before the seagull leaves the film), it only felt obvious in retrospect.

 

I wouldn't even say that I had a childhood like this, at all (I certainly was never part of any threesome), but individual scenes were so true to the feelings of my childhood. The first time we all smoked pot, there was inevitably one "expert" and we all held and looked at the joint like it was 30 pounds. It didn't end with an orgy of soapy groping (Soapy Groping would make a great album title), but the feeling was right on the money. Same with that scene on the boat where Barbara Hershey is filling out the dating service form. I've never seen a better depiction of the gross and awkward sexual tension that you have at that age when you like your friend, and it comes out in such horribly weird passive aggressive ways. "Yes, I am joking, I'd looooove to see you topless hahahahahaha."

 

I'm glad you were able to track down and see this movie, Nooj.

post #6 of 11

Oh, I definitely connected Rhoda to the seagull only when I realized what was going to happen.

 

Also, Nicholas Hoult (of About a Boy and A Single Man) looks so much like Richard Thomas, it was kind of distracting.

nicholas-hoult.jpg

post #7 of 11

She sure wants her hair washed...

 

Rhoda.jpg

post #8 of 11
Thread Starter 

Ha! You draw that? It's pretty great.

post #9 of 11

Yeah, I was supposed to be working.  It was one way to procrastinate.

post #10 of 11

Hey Pat - Netflix has another of Frank Perry's rarities LADYBUG, LADYBUG available on Instant. The synopsis sounds almost as dark.

 

<Warning SPOILERS>

This thought-provoking and only slightly heavy handed anti-war tract is based on a real incident that occurred during the atomic terror of the Cuban missile crisis. The tragedy begins when a civil defense siren is accidentally tripped while a school is in session. The panic-stricken children are immediately sent home. One young girl has an air-raid shelter in her backyard and invites many children inside. A less popular girl begs to be let in, but the first girl makes excuses and shuts her out leaving the terribly frightened child to hide out in an abandoned refrigerator where she dies --AMG

 

post #11 of 11
Thread Starter 

I'm fucking there. Thanks, Elvis.

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