Sometimes I wonder if screenwriters come up with a title first, then manage to squeeze it into their script later. This can't always be the case, but at times it feels like it.
Now titles are important, and often express a theme or important event in a film, so I'm not saying they can't be incorporated into the dialogue. Rather, I'm saying it's the presentation of the moment, which includes the music, the editing, and the actor's seeming awareness of the moment which informs their choices on the scene. For instance:
Yesterday I watched the Paul Rudd/Jennifer Aniston rom-com The Object of My Affection, and at one point in the movie a scholarly character says, "One shouldn't be too hard on oneself when the object of one's affection returns the favor with rather less enthusiasm than one might have hoped." Sounds cringe worthy, but it's actually downplayed and the moment passes quickly.
Bond movies are the worst perpetrators in this department. I'll never recover from Brosnan's smirky, "So you live to die another day." I think I groaned outloud in the theater.







