I dunno.
It's a bit like an uber-camp Buffy fan film. Saw it at the Frightfest last year - could have done without having all of the non-hetero Besson influences: specifically the screaming trannie character who only ends up being less annoying than Chris Tucker purely because I had to read his asinine babblings rather than just listen to them.
It's quite fun and imaginative I guess, but it falls into the trap that so many pictures of this genre that love the mix of mirth and pathos that shows like Buffy effortlessly swing between: it thinks it's an easy trick to pull off. But it's not. It's deceptively complex. And so anyone attempting such a band wagon hop will err to the side of clumsy camp and wildly uneven tone. Much like ...Mallory
Still, the lead is buxom enough and the score is wicked, and bizarrely enough by Kenji Kawai, cmoposer of Ghost In The Shell and Dark Water.